Tag Archives: Television

Emmys Add Reality TV Host Category; Seacrest Ecstatic

When it comes to Reality Competition programs and the Emmy Awards, it has been a clean sweep: The Amazing Race just refuses to lose the award. Whether it is its sweeping vistas, its willingness to let people fall apart without contrivances or twists, or the killer fatigue that the race’s events and pace take on the racers, the show just seems to click with Emmy voters on a variety of levels. However, now we get to answer a bigger question: does it also have the best host?

Zap2it: Reality Hosts Get Emmy Category

Much loved by fans of the series, TAR’s host Phil Keoghan is certainly not a household name and outside of providing voiceover narration and end of leg banter he really doesn’t do so much in terms of traditional hosting. While I am a fan of his work (No host’s eyebrows work as well as his in conveying surprise or emotion), he in no way drives the show forward. This is a category built for the people who are in command of a series, whose work makes or breaks the structure of an episode. On this parameter, it is a host like Ryan Seacrest that has the most to gain.

Regardless of one’s opinion of Idol, you have to admit that Seacrest is good at his job: while he was an absolute bomb of an Emmy host largely thanks to downright awful material (He’s not a comedian), the much more spontaneous format of American Idol suits him. Whether it’s arguing with Simon or speaking to the contestants, there is an ease about him that helps Idol flow – I’m not sure if he deserves all of the hype, per se, but below that hype I know there’s a good host there.

Seacrest’s competition for the award is limited, although fairly diverse considering. I don’t know if Keoghan’s understated performances will be capable of getting him into the fold, but the show’s success could carry him there amongst more showy MCs of sorts such as Ty Pennington for Extreme Makeover: Home Edition or Tom Bergeron, who is really quite good when it comes to the improvisational nature of his job on Dancing with the Stars. Tyra Banks and Heidi Klum each have a particularly limited yet vital role to their shows, but I don’t know if they can lay claim to it the same way that someone like Jeff Probst does, who has done great work leading tribal councils and torturing people during challenges for 16 seasons now. I’d say he’s Seacrest’s biggest competition, no question.

However, this all begs a rather important question that Seacrest needs to think about: will his own potential success not absolutely without question guarantee that his show will never win the Emmy?

I think it does.

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American Idol – Top 6 – “The Music of Andrew Lloyd Webber”

“The Music of Andrew Lloyd Webber”

Top 6 – April 22nd, 2008

So Cultural Learnings has been Idol-free for pretty much the entirety of this season, which isn’t to say I haven’t been watching – I’ve just been, admittedly, distracted by real life commitments and kinda bored with the contestants. However, two things aligned this week: the arrival of a lot of free time and the potential tranwreck that is American Idol going Broadway.

I will admit to being a fan of the broadway bombast, even its overly sappy ballads – so to see these Idols destroy or finally embrace their inner broadway star is a fantastic idea…for the viewer. For the Idols, it’s a huge gamble, but for us it’s an endless source of entertainment.

And wow, did they deliver on that promise…maybe not in the ways they wanted.

Syesha Mercado – “One Rock ‘n’ Roll Too Many”

It’s unfortunate that we are starting with what is ultimately perhaps the evening’s most explosive performance, a sudden burst of personality from Syesha Mercado. This relatively obscure song from 1984’s Starlight Express was an ideal choice for Syesha as it allowed her to show her sassy and seductive side. That sex appeal is the best we’ve seen from her, and it felt like Kelly Clarkson’s breakout Big Band performance in the first season.

I don’t know if Syesha can take this momentum any further as Clarkson did, as I don’t think her pop star chops are up to her Broadway antics, but she was definitely up to the challenge of this difficult task. She came out with a punchy number that was engaging for the audience, that really seemed to click with everyone, and Ricky Minor dancing was worth the price of admission. A lot of Idols have had great careers heading to broadway, as they are a better draw than a non-name actor or actress, and based on this Syesha (Who can’t win the competition outright) might have won that particular side competition.

Jason Castro – “Memory”

All aloneee in the mooooonlighttt. See, I know those two lines of this song from the longest running show of all time, Cats, better than a majority of the real classics of musical history, which should tell you two things: the song has been overplayed, and that a majestic female-sang ballad is not an easy sell when you’re Jason Castro. With Jason we had our first trainwreck of the evening, a false attempt at melody that was awful in all of the sections where it couldn’t be.

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Gossip Girl – “The Blair Bitch Project”

“The Blair Bitch Project”

April 21st, 2008

I was planning on getting to this earlier, but unfortunately CTV made a decision to (oddly) not even air the ‘triumphant return’ of one of their biggest non-reality American imports. I am fairly frustrated by this decision, considering that the show’s return has been much publicized considering the racy advertising campaign.

But that’s about scheduling – what about the show itself? When we last left the show (You can read my thoughts here), it was with a melodramatic pregnancy scare and a shift in power after everyone discovered Blair’s love triangle. Now, three weeks later, there’s hope that everything will just blow over.

It’s Serena who is seriously naive enough to make such a ridiculous decision, and she clearly has never watched television before. It may be three weeks later, but there are a lot of consequences to new lives and new environments. The people are still talking, Jenny has fallen further and further into the inner circle, and the men are certainly taking a back seat.

But can Blair, with Serena’s help, overcome his bitchiness? And can Serena survive living in the same apartment as Chuck? And, more importantly, is the show on the right track in the home stretch of its strike-affected first season?

Spotted – maybe.

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Greek – “Freshman Daze”

“Freshman Daze”

April 21st, 2008

Ah, good ol’ flashbacks – where people have awful facial hair and magically have conversations with an alarming amount of prescience on the present. It’s also a world where Grey’s Anatomy was more successful than it actually was (The series debuted to decent but not amazing results in early 2005, while in September (Where the flashbacks are found) it was merely a decent success – here it was treated as the phenomenon it now is), but that’s really not the point of the episode – just a little quibble.

It was an episode of humorous hairstyles (Beaver’s blonde locks), awkward foreshadowing, and ultimately an opportunity for the series to rewrite one of its characters in a light that seems too precocious for its own good at times. Was Casey ever actually so on-the-nose with her commentary that I want to throw things at her? And was Cappie really ever this sensitive and observational of Evan’s struggles before quickly developing into a sarcastic slacker?

Well, I buy one of these, and guess what: it’s not Casey.

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How I Met Your Mother – “Sandcastles in the Sand”

“Sandcastles in the Sand”

April 21st, 2008

Robin Cherbotsky is the perfect example of a character adrift in their own series – ever since breaking up with Ted at the end of Season Two, she has been an unnecessary footnote to How I Met Your Mother. This isn’t to say that she was unwelcome or grating, but you keep asking the question of “Why doesn’t she get her own life?” She’s not dating any of them, we never see her work or go out on her own, and outside of being Lily’s only friend there isn’t much holding her in the group dynamics.

But she does have one thing: Robin Sparkles. Used to great effect in the show’s second season, Robin’s teenaged pop star in Canada self is something they haven’t gone back to for quite some time, but the buzz is building: “Sandcastles in the Sand” is her grand return, and the first time in a while that Robin has featured prominently in the series in any capacity. We flashback to her teenage years in Canada (“Did he take your maple leaf?” and so many Canadian jokes that they needed a fast-forward mid-rant) where we see James Van Der Beek (Dawson’s Creek, seemingly playing an Irish guy as far as I can tell) and really, really, really bad Canadian accents.

For the series, it all boils down to winners and losers as Robin and her old squeeze reunite…but which side of the spectrum are the viewers on considering that recapturing the magic of “Let’s Go to the Mall” is nearly impossible?

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Brothers & Sisters – “Separation Anxiety”

“Separation Anxiety”

April 20th, 2008

In my own anxiety of trying to figure out how to spend my time when I will have no consistent employment hours and no homework all summer, I apparently completely forgot that the ABC drama that I haven’t given up on is returning from its strike hiatus for a short few episodes. Brothers & Sisters has been fairly good this season, if a bit predictable at parts, but I’m glad to see it returning if only so we can get back more serial television.

This is one of the few shows that can’t act as if no time has passed, as it was embroiled in the Republican primary system when we last left it. Before we hit the title, McAllister is bowing out of the race and we’re flashing forward three months to a world where presidency is replaced with pregnancy in the grand scheme of things.

It’s a smart decision because it allows for a partial reset of some storylines, particularly the dramatic tension in Tommy’s life. Instead, we get to return to Walkers being Walkers as the family faces a crisis and a celebration: Rebecca’s birthday and Isaac (Danny Glover) inviting Nora to live with him in Washington. Needless to say, this creates plenty of drama for the episode to draw from.

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Battlestar Galactica – “The Ties That Bind”

“The Ties That Bind”

April 18th, 2008

Speaking to a friend ahead of this episode, I said the following:

“I’m curious to see where it goes from here – the human plot has kind of hit a roadblock, so it’s going to be up to the Cylons to carry the dramatic weight I fear.”

So, considering these expectations, I should have been really frustrated with “The Ties That Bind,” an episode where almost all of the dramatic weight was founded on Cally, one of the most maligned characters amongst certain populations of the show’s fans. While there were a series of intriguing and fairly fantastic revelations on the Cylon side of the coin, it was ultimately a footnote in the episode compared to our central drama.

Now, I’ve never been on the side of Cally haters per se, but rather of the mind that Cally’s character was never given a justifiable reason to exist outside of her relationship to Tyrol. The character was never asked to carry any dramatic weight outside of either being beaten to a pulp or being placed in mortal danger – as a result, we got a lot of screaming and crying, but little in the way of nuanced emotion or any such things.

I’m not saying that what we saw from Nikki Clyne last night was revolutionary performance, but Michael Taylor managed to draw from her past in order to craft, at the very least, an intriguing point of representation. Cally, through anti-depressant fueled journeys, becomes a loose cannon – she is suspicious and paranoid in her altered state, and begins to suspect Tyrol is hiding something. Upon investigation, she stumbles across his biggest secret, and all of a sudden Cally has gone from nuisance to all-out ticking time bomb.

And then it went off, much sooner than I think any of us expected.

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30 Rock – “Subway Hero”

“Subway Hero”

April 17th, 2008

When I say “Hero,” you say “Dennis.”

Okay, so that’s a bit oversimplified, but tonight’s episode of 30 Rock was certainly a return to form after last week’s funny, but off-balance, return. In retrospect, “MILF Island” had some good humour, but its central reality show parallel felt unnecessary and forced at the end of the day. Part of the show’s charm is how breezy everything is, that things fall into place and storylines weave in and out with little respect for the laws of traditional act structures. Ultimately, although it was the point of the episode, the traditional reality show arcs just don’t have the same effect.

However, with the return of Dennis the Beeper King came hope, a whirlwind of an episode that benefited greatly from a little extra polish around the edges. While it still feels as if the episode didn’t quite finish off, with Guest Star Tim Conway never quite integrating into the central storyline, it was funny, quick and smart (On a general level, as the sum of its parts) from beginning to end, something that can’t be said of last week’s episode.

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The Office – “The Chairmodel”

“The Chairmodel”

April 17th, 2008

On its surface, and in its synopsis, “The Chairmodel” was about Michael Scott overcoming an offscreen breakup with Jan by pining over a model he finds in a catalogue. On the surface, his immediate attempt to get the entire office to set him up seems like the typical office scenario: Michael makes a fool of himself multiple times, we all laugh, Dwight plays along, and then Michael comes to a false epiphany that is just so twisted it hurts. It’s a formula that works, and it was nice to return to this type of strong structure that is indicative of the latter fall episodes.

But, leaving the episode, is anyone really thinking about Michael? After Pam’s landlord was given reason to hate Pam forever, the real story kicked in: Pam pondered moving, Pam tested the waters for moving in with Jim and that she wouldn’t do it if she was engaged, and then Jim did it: he said it was coming. An engagement, he said, was going to happen – Pam played along, but her face right afterwards showed some trepidation. And then Jim, in a talking head, says he wasn’t kidding, pops out a ring, and then saying the most twisted thing of the entire episode:

“I bought it a week after we started dating”

Which may be the most compelling argument ever that Michael and Dwight might not be the dumbest people on this show after all.

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Le Cheval Mort – Lamenting the Immortality of ‘Scrubs’

I had time to watch Scrubs’ return episode live on Thursday of last week, but I turned off the T.V. after The Office ended. There were a lot of reasons for this, most directly that I’ve been watching Scrubs on DVD for the past couple of weeks and was perhaps Scrubbed out. Or, maybe I was too afraid that the relative lack of quality in recent episodes would make me even more frustrated with ABC’s inevitable decision to keep the show for an eighth season (Thus making it a dead horse, which is what the title means in French – no, I don’t know why I wrote it in French, it just sounded better).

Watching the DVDs has been a quick process, almost too quick: I know the tragic turn of the 5th season is coming, and I’m stopping before it starts just to maintain what appreciation I have of Bill Lawrence’s sitcom. And it is an appreciation: the first and second seasons are great television, and it was really unfortunate the show got no Emmy attention until the “dark ages” beyond season four (Which is itself a bit of a mess).

But I decided I was going to give the show a shot, and say down on Sunday night to watch the show’s return following the Writers’ Strike. And, for a good nineteen minutes and fifty seconds, I have to admit it: Scrubs was in good form.

And then reality kicked back in.

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