December 16th, 2012
When Homeland’s first season ended, it offered what some viewed as a clean slate: Carrie’s memory was wiped, Brody’s secret was safe, and it seemed to set the table for everything to go back to normal as though nothing had ever happened. And when the second season began, there was certainly some semblance of stability, every character going on with the new version of their lives.
“The Choice” draws a similar picture of the post-Nazir era for Brody and Carrie, in that they believe they have a clean slate, that this is the second chance Carrie referred to earlier this season in the motel room. And yet just as the early part of this season exploded any sense of stability more quickly than we would have imagined heading into the season, so too does any post-Nazir calm disappear with great efficiency.
It’s a thematic parallel that fell into place for me as I was watching the finale, one which did little to assuage my frustrations with a central principle of the season but did much to piece together how and why certain storylines were constructed leading up to this point. The season makes more sense as a result of the events in “The Choice,” but it didn’t necessarily become any more successful than the mixed bad heading into the finale, capping off a season of television that I admire for its commitment and question for its choices.