Tag Archives: The Lizzie Bennet Diaries

What Genre Is This?: How We Classify Webseries

JulesAndMonty

Since I originally wrote a Tumblr post about it, I’ve been following college-set Romeo & Juliet adaptation webseries Jules and Monty, which wraps up its eighteen-episode run on Monday (May 5th). As that Tumblr post suggests, some of this has to do with a general appreciation of what the project represents, and the way the webseries form gives real college students the chance to produce and then distribute something that can reach potential fans in the same places where other big-name projects can be found. However, the show itself has been a compelling take on the material, and has been pushing at a question I’ve been puzzling over regarding webseries—and television more broadly, really—for some time.

It began with two relatively concurrent events. The first was the release of Episode 14 of the series, in which Jules is confronted by her brother, Cliff.

The episode is notable for the presence of a trigger warning, preparing its audience for the violence within. In a Tumblr post, executive producer Imogen Browder explains the logic behind the trigger warning:

“I knew that if that scene had affected me so much in the room, and I knew it was coming, then we would be doing a disservice to our audience to not give at least a simple warning—and based upon the reaction we’ve received, I’m glad it’s there. It was important to our team that we protect our audience, as no one wants to go on to YouTube expecting to see another montage and instead watch something that could potentially have a seriously negative effect upon them.”

In a response to that post, director Evey Reidy notes that the trigger warning conversation is ongoing within the theater community at Tufts (where the webseries and its cast and crew are based), placing this as part of a broader conversation within the world of the cast and crew. In both cases, the creative team reveals their belief protecting their viewers outweighs any sort of narrative purity (which would have, one presumes, maintained the shock of the moment rather than “spoiling” that Cliff would strike Juliet in the midst of their argument, a decision that reflects many adaptations of the source material).

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