Promise and “Prophecy Girl”
April 21st, 2010
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Going into “Prophecy Girl,” I was expecting something big – everyone had indicated that this episode, as Whedon returns to writing and takes over directing duties, is when the show finally finds itself. Because I know that the series is going to eventually become heavily serialized, and that the first season finale is supposed to be the start of that push towards more complex stories, I expected to have all sorts of new potential to be writing about.
Instead, I’ve discovered that “Prophecy Girl” is ultimately a subtle rather than substantial shift in the series’ trajectory, a question of execution rather than some sort of creative shift. With Whedon behind the camera, the emotional resonance of the episode and its stories is the strongest its been thus far, and there are a couple of pretty key bits of character development which sort of clears the slate heading into the second season. However, produced like many first season finales, you can tell that this was either a beginning or an end depending on if the series was picked up, and so it spends as much time resolving as it does complicating.
The result is that all of my prophecizing and pontificating about earlier episodes is probably more substantial than what I have to offer about “Prophecy Girl”: it was entertaining and emotional, and signals the show is coming into itself quite nicely, but it’s only made me anxious to move on already. However, I made a promise to write about it, so some thoughts on the finale and the first season overall are necessary at this stage in the Cultural Catchup Project.