December 17th, 2008
If there is a word that best describes Pushing Daisies, it is potential – it is the kind of show where you can imagine where they can take these characters, what kind of fantastical scenarios they can place them in. A world in which there is a crack team of Norwegian investigators who have too few murders to investigate and migrate to Papin county in order to take advantage of its high murder rate is the kind of creativity that the show thrives on, and it feels at this point that it is in an almost endless supply.
So as the show marches towards the halfway point in its generously offered second season, what we get is an episode where they’re starting to dig into some of the show’s bigger questions and more complicated relationships in a way that almost feels like the show is ramping up to some sort of a conclusion. But since that can’t possibly be…what’s that? Wait, are you serious? Really? Canceled, you say? How dare they!
In all seriousness, with this lame attempt at kidding aside, this episode is that Catch-22 of the canceled drama that pretty well knew it was going to be canceled when it entered into this stretch of episodes. Fuller has smartly designed his conclusion to serve two purposes: bringing to the surface underlying tensions and events of import for our characters and, more importantly, reminding us how broad and wonderful this universe is. The trick was to make episodes like “The Norwegians,” a tightly constructed episode featuring murder without mystery, a father with a surprise identity, and a healthy combination of both dramatic gravitas of the moment and comic timing that feels like it will never go away.
Unfortunately, ABC saw through both of those particular facts – perhaps someone staged a fake Pushing Daisies to throw them off the scent of sweet televised success.