Tag Archives: Top 18

So You Think You Can Dance Canada: Sugar and Spice, and Everyone’s (Too) Nice

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So You Think You Can Dance Canada:

Sugar and Spice, and Everyone’s (Too) Nice

Any good judging panel is kind of like the Seven Dwarves (stick with me here).

The people on the panel all play their roles, either productive (Doc, the wise leader), or conflicting (Grumpy, the curmudgeon), or entertaining (Dopey, the goof). Throw in a couple of variations here and there, and you have yourself a unit. It’s not an exact science, no, but the most important quality of those groups is that sense of diversity.

And So You Think You Can Dance Canada loves to talk about diversity. Where the American show tends to dumb down its categories to fit into more general categories (very rarely do you see them step outside of Hip Hop, for instance, outside of Krump), the Canadian edition loves to single out Dance Hall, and to indicate more clearly where they are drawing their inspiration. I don’t doubt that Canada has a diverse culture of dance, but the connection between this question of classification and our perception of Canada as a cultural mosaic of dance is pretty slim (and yes, this is my thesis bleeding into my viewing of a reality TV show – consider it my productivity for the evening).

The problem is that the judging panel doesn’t have any diversity in terms of how the judges actually, well, judge. They might represent a broad range of styles, but during this early part of the competition they have been beyond nice. There’s a place for a nice judge: Paula Abdul, now departed from American Idol, was an important part of that judging panel at the end of the day, even if I never felt as if she offered any substance. However, for some reason, the panel on SYTYCD Canada seems to be categorically focused on building up these dancers, focusing entirely on their strengths.

The problem with this isn’t that they shouldn’t be nice to dancers, or that they shouldn’t have positive things to say, but rather that it throws off the critical balance. When the judges are nice to everyone, including some admittedly flawed couples, but then rain down on the final performers, it creates an unrepresentative gap between the couples – in being too nice to almost all, they’re actually being CRUEL to the few people who they actually pan.

I’ve got a few more things to say about the judging below, and don’t worry – I’ll talk about the dancing a bit too.

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Don’t Call it a Comeback: Dancing out of the Bottom Three on So You Think You Can Dance?

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Don’t Call it a Comeback

Season Five, Top 18 Performance Show

I’m not quite an authority on dancing, nor do I really have the endurance to really comment on every single one of the Top 9’s dances during tonight’s performane show. As a result, I’m going to focus on the most interesting element of the week for me, which is seeing how the two surviving couples from the Bottom Three (Asuka & Vitolio and Jonathan & Karla) manage to bounce back from rough first weeks, plus offer some general thoughts on who I liked, and how the night went overall.

What I found from this perspective was honestly quite interesting, as you see how the luck of getting the right dance combines with the producers’ efforts to provide a moving story, as well as the dancers themselves stepping up to the plate to try to stay alive. The judges don’t want dancers to be down and out this early in the competition, nor are they going to purposefully try to sink someone, so these dancers are fully capable of making a dramatic comeback, winning the hearts of the judges, and winning over America at the same time.

Whether these two couples have done that…well, I’m not quite so sure, as it’s kind of tough to make that call without understanding the show’s dynamics.

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