“Chuck vs. the Honeymooners”
April 26th, 2010
“Chuck vs. the Honeymooners” is not an episode about “Chuck and Sarah.” It is an episode about Chuck, and Sarah, and their independent personalities; the argument the show makes is not that they should be together (although it does sort of implictly make this argument through its quality), but rather that they each independently want to be with the other, and that this is a conclusion which they have come to as human beings rather than as much-shipped television characters on a network series.
I’m not one of those people who particularly cares about “Chuck and Sarah,” but I am one of those people who cares about Chuck, and Sarah, and their own journeys through this crazy life they’re living. In an episode which has a lot of fun moments which play into the lengthy period of romantic tension which led to this inevitable conclusion, there are also a lot of fun moments which are just the result of how much chemistry that Zachary Levi and Yvonne Strahovski have independent of a relationship, and how great the show’s stunt team is at making a low budget show look like an action film when it comes time to throw down.
The show can never be exclusively “about” Chuck and Sarah’s relationship, but so long as the show’s investigation of its potential results in episodes like this one which are damn entertaining entirely independent of the shipper mentality, I’d say that this little six-episode mini-season could be quite the ride.
January 14th, 2010
Airing two nights before its American premiere (Sunday at 8pm ET) may seem like a big deal for Canadian viewers of FOX’s new series Human Target, but it’s not as if the show’s pilot has been an unknown quantity. The pilot was basically presented in a condensed form as the show’s trailer back when it debuted at last Spring’s upfronts, and since the show was held for midseason it’s been “out there” for long enough that every beat of the show’s first episode was predictable.
Of course, part of the show’s charm is that every part of it is predictable: even if you had never seen or heard of the show before, chances are you knew that the inaugural voyage of a futuristic bullet train was not going to go smoothly. It is a show that has no intention of being surprising, nor upending expectations based on its genre: this is a lightweight action thriller of a television show that creates weight through intense action sequences and strong production values as opposed to subtle character development. By building that show around three very likeable and talented actors, and by crafting a relationship between them that has just the right balance of mistrust and respect, the show creates the kind of “setup” that promises to be exactly what you expect it to be.
There’s something comforting about that, something that has proved to be an admirable quality with other series that I’ve grown to be quite a fan of – I’m hopeful the same happens here.
“We’re Not Working with Anybody, Ever, Anymore!”
November 22nd, 2009
When we get this close to the end of The Amazing Race, the show’s interest in its characters begins to shift. At certain points, the show allows the racers to appear as comrades, laughing together and competing against the race itself more against each other. However, by the time you get to the final four teams, the show wants every chance to pit the teams against one another in a fight to get to the end, trying to breed the sort of competitive fire that you want to see at this stage in the game.
And while most of the google hits from last week’s post seemed to indicate that the biggest piece of news from the leg was crotch censorship, the real story was the way the producers turned Dan and Flight Time’s altercation into a sign that, from this point forward, things are personal. In reality, the clip was only really edited this way (Big Easy clarified, as they did at the start of this leg, that they had no personal vendetta), but what it does signal is that all bets are officially off.
And this week, as the teams head to the Czech Republic, we realize that this season these teams are perfectly built in order to enter into this competitive stage. There is no team in this race that is what one would call a “feel good” team, and the result is that we’re effectively watching to see how well these teams are able to embrace this competitive spirit. And while this might not fit into a narrative of personal achievement or self-realization, it does fit into what makes these final legs of the race suspenseful: all of these teams are both ultimately capable of being competitive (athletic and strong-minded), but they also tend to create an enormous amount of drama in the process.
As someone who likes this competitive side of the race, I’m pleased by this, but I can see how someone looking for more of a fan favourite finish to the race may be disappointed.