December 7th, 2009
There are moments where it feels as if Robin Scherbatsky exists entirely to be ignorant to the various long-standing mythologies that exist in How I Met Your Mother’s universe. Inevitably, when something new to us is introduced, Robin is the one asking “what’s that?” And such we enter “The Window,” as we discover (through Robin) that Ted Mosby has been on a nine-year journey to bag a college pal and yet has been foiled every time.
The way the show is able to use Robin to justify its exposition, almost always told through a casual conversation at McLaren’s or in Ted and Robin’s apartment, is part of why these stories are able to move so smoothly. In just moments, the stage has been set for what is yet another potential love story waiting to happen, fate and destiny fighting against reality. And by nicely balancing some more emotional beats for Josh Radner’s Ted with some broader comedy as the rest of the gang tries to keep the window from closing, the episode manages to entertain while also providing the sort of heartwarming conclusion (albeit with a twist) that HIMYM is so great at.
March 26th, 2009
I always thought Michael got a bad rap: he’s a good guy, and he’s super funny…yeah, maybe I should tell him before he goes. Oh…he’s all the way over there.
There’s a moment in “Two Weeks” where Kevin says the above, and I found it kind of hard to relate: it is not as if we are actually going to be losing Michael Scott, the office’s goodbye to Michael being quite distinctly different from our own. Even as Michael walks out the door of Dunder Mifflin for the last time, we know it’s not the last time we’re going to be seeing this character. Rather, this episode does some really subtle and effective things that I felt weren’t as clear in last week’s episode, and worked better here.
Everything just felt a bit more on point: Idris Elba was given a chance to be legitimately funny, Michael was a little bit more in his element, the office as a whole got a chance to react to Michael’s antics with a rather unique perspective, and Pam’s small but ultimately quite impactful arc was nicely handled and opens up some opportunity for the future. So if I found that “New Boss” was a bit too much setup and not quite enough follow through, I think this is a solid second shot.