“The Doctor’s Wife”
May 14th, 2011
It isn’t exactly news that Steven Moffat’s Doctor Who is expressly interested in the poetic: between The Girl Who Waited, The Boy Who Waited, and the tragic love story of the Doctor and River Song, Moffat’s world is filled with characters whose relationships are defined by strong emotional hooks. Even when the show built towards the fifth series’ grand finale, watching as the Doctor is slowly erased from time as he rewinded through the events of the series, it all turned into one big poetic moment where the “Old, New, Borrowed and Blue” story began to make so much more sense.
“The Doctor’s Wife,” scripted by acclaimed author Neil Gaiman (my relationship to whom I will discuss after the jump, is a truly wonderful outing on a large number of levels, but it’s the poetry of it all that makes it work. There’s a point early on where the Doctor can’t come up with a proper analogy to explain their location “outside of the universe” to Amy and Rory, and that’s very much part of Moffat’s approach: we don’t need to know what it means or how it works, all we need to know is what it means.
Or, rather, all we need to know is that we enjoyed the bloody hell out of it even though we’ve still got a whole lot of questions.
May 24th, 2010
How I Met Your Mother has always been a show about ideas: the central premise of the show is more complex and philosophical than your traditional sitcom, leaning on themes of fate and narrative which are not necessarily what one would call common comedy fare. However, it was also a show where things happened within the thematic realm, where characters felt like they were making decisions and potentially heading “off course” from our expectations.
In its fifth season, HIMYM has lost that dynamism, as seen in a finale where nothing that happens feels of any consequence. “Doppelgangers” has a plot, and some “big” things happen in the series’ realm, but none of it feels organic or noteworthy. Instead, the episode feels like a rumination on the idea of controlling your own fate which just happens to relate to things characters happen to be experiencing at this point in time.
And while I still value that part of the series’ identity, and still appreciate these characters, the heart of the series has been notably absent in what I would easily call the show’s weakest season, and unfortunately “Doppelgangers” does nothing to change this even while providing one of the emotional moments we’ve been anticipating since early in the series’ run.