From 5 to 6, but not from Wrong to Right
If you’re the kind of person who is reading this article, there are certain hopes you have in life.
They were once personified by Lauren Graham, critics’ darling and star of Gilmore Girls, who went seven seasons without an Emmy nomination. Then, you had The Wire, a low-rated but critically acclaimed HBO series that despite being hailed as the greatest series of all time failed to garner any non-writing nominations. And then there’s Lost, which after winning an Emmy in its first year out faltered due to its genre elements getting in the way of its taut and well-constructed drama, only returning in 2008.
The last decade or so of the Emmys have been defined less by who was winning (dominated as it was by The Sopranos and The West Wing), and more by who wasn’t even getting invited to the dance. In the internet age, this is to be expected: internet chatter is always more focused on the negative than the positive, and when the Emmy system is a complex unknown to most people assumptions are made and grievances are aired. The three above examples, and countless more, will go down in the annals of message boards or blogs as those shows which represented a black spot on the Emmy Awards – and, unfortunately for the Academy, their record is getting spottier every year.
But hope is not gone for a show like Lost, or shows like Battlestar Galactica and Friday Night Lights, for the Academy is making another change to its nomination structure: they’re taking all Drama and Comedy series and acting categories into six horse races. Once reserved for a tie, the six-way battle is now the standard, and to quote Academy president John Shaffner this move “exemplifies the academy’s awareness of the amount of great television and fine individual work that is seen across the enormous spectrum of the television universe.”
Of course, what Shaffner is really saying is much simpler: “Dear Internet fans, *Insert Favourite Show* now has a better shot at being nominated, aren’t the Emmys relevant again?”
And sorry, Mr. Shaffner, but this wasn’t the only change, and your statement is an inherent contradiction of the OTHER methods taken by the Academy today. While the Emmy system was before extremely complex, (which I try to explain here), they’re going back to the drawing board: gone are the Panels that made up 50% of the final standings, replaced by, in the case of series, nothing but the popular vote of the entire membership and, in the case of acting races, by small, selective sections of the membership.
Which is officially the most egregious example of “one step forward, two steps back” that I’ve ever seen.