December 10th, 2009
When we watch a television show as viewers or as critics, we want to believe that our opinions matter. This is not to suggest that we desire to control a particular story, by pushing it in one direction or another, but rather that how people respond to a show is capable of giving the producers some idea of how their show could reach either its widest audience or (for us critics, at least) its fullest comic and dramatic potential.
And yet, for Glee, the voices of fans and critics have seemed to fall upon deaf ears, as some of the common concerns (about the over-produced musical numbers, about the inconsistency between episodes) have remained staples of the show throughout the season. Now, again, this isn’t inherently a problem (it’s their show, they can do with it what they want), but it is important to acknowledge that this was not about ignorance: rather, the show finished filming over a month before the show started in earnest in September. It was produced in a bubble, the writers learning as they went along with only the reviews and reaction towards the pilot to guide them (and, even then, they had produced quite a few episodes before it aired in May).
As a result, when Ryan Murphy, Brad Falchuk and Ian Brennan head back to work in early January to start production on the back nine for the show’s first season (which I’m choosing to dub Season 1.5 as opposed to “Volume 2” or something silly like that), they will have with them the internet’s collective response to the show’s first thirteen episodes. And, for me, the big question now is quite simple: what the heck are they going to do with it?
After the break, I’ll offer my thoughts on where I feel their focus should lie, and why it doesn’t all line up with my own selfish desires for the series going forward.