Monthly Archives: September 2007

The State of the Primetime Soap Opera: ‘Desperate’, ‘Sexy’ and ‘Sisters’

The primetime soap opera was heralded as the new and resurgent medium when Desperate Housewives arrived and brought steamy, sudsy television back to the forefront of popular culture. Now, three years later, ABC remains at the forefront of the movement but is not alone: CBS is introducing Cane and Swingtown, attempting to break through on what only ABC has managed to pull off in recent years.

Perhaps attempting to confirm themselves as the destination for primetime soaps without procedural elements or workplace settings, ABC is introducing ‘Dirty Sexy Money’ to the table while ‘Desperate Housewives’ bounces back from a weak couple of seasons and ‘Brothers & Sisters’ takes advantage of late-season momentum.

I am admittedly a sucker for these shows: I might view them with a more critical eye, but I have a penchant for some good family drama. But is it good family drama? And how are the show stacking up this season? Let’s take a gander.

Desperate Housewives – “Now You Know”

I will admit that I stopped watching Desperate Housewives last year, fairly early even. I simply didn’t find the second season interesting enough to justify sticking around during the rather slow start to its third. What has me watching the premiere, then? Mainly the arrival of new characters, new mysteries, and Nathan Fillion. So sue me, I became a Browncoat with Firefly over the summer.

My verdict: Dana Delaney has finally added some spice to the proceedings, the various women of Wysteria Lane are at their best when keeping secrets, and the mystery feels like just the right balance of intrigue and actually interesting material, as opposed to last year’s. It is a creepy dream for a brain-washed girl whose parents are hiding things in a locked room that hides not a chained up male but a hidden past.

It centers on not some secret murder plot or basement dungeon, but a mysterious new neighbour with a past and a future on Wisteria Lane. The drama amongst characters it as much of a retread as before, but it feels fresher as long as some level of change is being promised. And I feel like a new neighbour, and new neighbours to come, might be enough to bring the show back on track.

Brothers & Sisters – “Home Front”

At the end of last season’s finale, the Walker family cleansed themselves with a dip in the pool to signal a new beginning. However, this was really incredibly misleading, as this year’s season premiere showed: in reality, they’re still just as messed up as they were before. Kitty’s neutoric, Kevin’s narcissistic, Sarah’s marriage is a wreck, and the rest of the family are in a state of upheaval.

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Saturday Night Live (September 29th, 2007): Lebron James and Kanye West

Through the joys of YouTube, but perhaps not for long, I’ve been able to get a glimpse at what Saturday Night Live brought to the table in their season premiere. The episode always presents the show’s biggest challenge, in that the quality of the season to come will be judged based on this hour and a half. This year, it will be judged based on three qualities: its cultural relevance, its musical guest and, of course, its Digital Short.

Kanye West

Champion/Everything I Am

Stronger/The Good Life

Skit: Kanye West the Awards Crybaby

Ummm…why didn’t Kanye West host the show? Based on this clip, he is infinitely funnier than Lebron James. I’m guessing it was probably a time commitment issue, which kind of sucks, but Kanye West is a funny, funny guy. And the performances are good…the freestyle is a little bit off, as I prefer the actual lyrics of Everything I Am, but what can you do? In other news: “Give a black man…give a SHORT black man a chance” from the skit is pretty well hilarious.

Pop Culture Sendoff 

SNL does High School Musical [YouTube Link]

Ummm…this is not funny. It’s clear that Andy Samberg is being treated like the star of SNL now, but James is rather unfortunately unable to embrace the skit’s real comedy. It’s a rather lazy High School Musical parody that, even with a strong performance from Samberg, never feels like biting satire. In other words, Mad TV could have done this sketch. That’s not a compliment.

The Digital Short 

SNL Digital Short: “Iran f. Adam Levine” [Youtube Link]

A sendoff of Mahmoud, the lovable president of Iran, this digital short is something that many of them have not been: genuinely well-produced and going for a fairly subtle form of comedy. The song is actually fairly catchy, especially with Levine doing the chorus, and the piano riff is apparently from Aphex Twin’s Avril 14th.

And the skit is funny! Mahmoud is performed wonderfully by Fred Armisen, the Jame Gyllenhal cameo is great, and it’s just a very enjoyable piece of comedy. I don’t expect a viral sensation, but I certainly enjoyed it.

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One Week Later: Hey! Nielsen Reflections

Okay, so this is jumping the gun on the week part a little, but the television week has essentially come to a close as of today. With it comes the end of a hectic and exciting public beta launch of Hey! Nielsen, where Television, Movies, Internet Sites and Celebrities are lauded, criticized and given a rating defining their popularity. It has been a week of growing pains, “spamming,” and a whole host of issues (good and bad) rising to the surface.

First, I want to thank the crew behind Hey! Nielsen for being quick to answer queries, easy to relate to, and willing to engage their audience. The future of the site hinges on a combination of our feedback and your willingness to accept it, and I have been wholly impressed on this front, as has been reflective of the coverage here at Cultural Learnings.

Cultural Learnings’ Hey! Nielsen Coverage

That being said, I want to address some of the issues that have popped up. And no, this isn’t me complaining about the lack of love for Cultural Learnings’ own entry: I’d like to thank everyone who has voted or commented, I really appreciate it. However, Rich over at Copywrite Ink. has written a very insightful piece about the problems the site is currently facing, and I want to refer to and expand on his argument:

“It took less than a day for fans to see what Hey! Nielsen really is — a social network that asks “users” (a word that is well past its prime) to pile into the school gymnasium and have a shouting match. Those with the biggest lungs win. And those with the most outrageous comments get the most attention.”

The distinction I want to make here is that what Rich says here is an accurate description of the way Hey! Nielsen is currently operating…but this is not how it has been designed. I think that the problems Hey! Nielsen is currently facing are due to the fundamental difference between how they imagined the system being used and how it is actually being used.

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Season Premiere: The Office – “Fun Run”

“Fun Run”

September 27th, 2007

I would like to make two observations about this highly anticipated fourth season premiere of The Office. First, I would argue that “fun” is not a proper descriptor for the episode’s events: while certainly with its funny moments, it felt overlong and tired compared to some of the show’s more engaging and classic episodes. The second is that despite this fact, millions of viewers are likely to be so satisfied by the “Jam” (Or PB&J as Kevin calls them) developments that none of that will matter.

I’m far too cynical to avoid pointing out the episode’s issues, but can we talk about how adorable Pam and Jim were in this episode? Whether it’s their secret glances, their secret rendezvous or their secret estate-sale browsing, their secret affair was the part of the episode that felt most fresh and, importantly, interesting. I care about these two people, as irrational as that may be, and I liked that the show used its documentary format to slowly reveal the relationship through the hour.

But there were other story threads I was interested in following following the show’s third season premiere. I wanted to see how newly unemployed and psychotic Jan changed Michael’s life, and how newly promoted Ryan would play a role in the affairs of The Office. I was also curious to see how Karen’s reaction to Jim’s post-New York singlehood would affect the show’s core relationships. However, this hour barely touched on these issues, focusing instead on hijinx and another key relationship.

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Series Premiere – Bionic Woman – “Pilot”

“Pilot”

September 26th, 2007

I’ve been in possession of the original pilot for Bionic Woman for quite some time, but I decided against watching it. With recasting and fine tuning being considerable (Deaf sister turns to decidedly not deaf sister), and talks of producer issues, the series is perhaps the second most troubled of the fall season (Next to CBS’ Moonlight). It is perhaps surprising, then, that I found the pilot to be about as good of an introduction to this series as I could expect.

There were certainly problems: some dialogue issues reared their ugly head, specifically the feminist rhetoric coming from a seven year old (Feminist rhetoric? Fine. From someone who would never actually say that? Not fine), and there were certainly certain characters that…well, never became characters. However, the pilot’s focus was not in making us like or dislike these characters, but rather that we could get caught up in this world.

Now, mind you, this is a flawed way of going about things: a general apathy towards a show’s characters is generally a barrier to enjoying the series as a whole. This is why a lot of the pilot’s goodwill comes via Katee Sackhoff, Battlestar Galactica’s Starbuck, whose presence immediately elevates Bionic Woman amongst die hard fans of that series (myself included). More importantly, however, is that Sarah Corvus is a character who has history, motive and gravitas; these are traits we are missing for our titular heroine, portrayed by Michelle Ryan.

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Tuesday Night Wrapup: Reaper and Ratings Report

Tuesday Night Wrapup

September 26th, 2007

Reaper – “Pilot”

What: The reworked pilot to The CW’s new comedy series directed by Kevin Smith. The reworking applies only to those scenes featuring Andy, the love interest, who was recast (Details here).

Highlights: The show remains funny, Ray Wise remains fantastic as Satan, and I didn’t necessarily hate Missy Peregrym.

Lowlights: Peregrym, however, is rather boring and does nothing to improve the series over Nikki Reed, and the reshot scenes were too obvious thanks to Bret Harrison’s stubble.

Tuesday Ratings Report

What: The Fast National Nielsen Ratings for the second night of TV’s new season from PIFeedback.

The Winners: House and Dancing with the Stars stole the show with stunning demo and viewer performances, with House combining with a strong Bones (In the demo, anyways) to win the demo for FOX. Law & Order: SVU also performed well, dominating its timeslot in the demo. CBS’ NCIS and The Unit kept up last year’s numbers.

The New Shows: Reaper earned similar numbers to Veronica Mars’ performance last year, but actually grew out of Beauty and the Geek and might get a reprieve because of it. CBS’ Cane, meanwhile, performed well in terms of viewers but couldn’t match last year’s short-lived Smith in the demo which could hurt it in the long run.

The Losers: Beauty & the Geek and The Biggest Loser struggled against new competition, and Boston Legal couldn’t retain much of its Dancing with the Stars lead-in.

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Season Premiere: House – “Alone”

“Alone”

September 25th, 2007

House is a series that is always good at two things: finales and premieres. As a procedural drama, the rest of the time is spent meandering through repetitive and predictable medical cases, but it is at these moments of ending and beginning that House becomes a well-written and engaging character drama. After a finale that left everything in upheaval, “Alone” fast-forwards only two weeks as House tries to set out on his lonesome to prove that he doesn’t need a team.

Mind you, the series hinges on House’s interactions with his “Cottages,” so we know that this isn’t going to last long. This particular episode, however, benefited from the lack of added weight: it was, for the first time in a long time, House being House. Whether it was interactions with Wilson, Cuddy or Dr. Buffer (A Janitor turned Fellow), House was at his Tuesday best tonight. And, even if it didn’t answer all of our questions, I’d say that you can call this case a success.

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Gossip Girl – “The Wild Brunch”

“The Wild Brunch”

September 25th, 2007

Truth be told, I missed the first fifteen minutes of Gossip Girl’s second episode. And yet, I feel entirely able to provide my opinion of tonight’s sophomore episode of the drama series, which is not a good sign. Suffering from a case of the post-pilot doldrums, “The Wild Brunch” was not quite as wild as we could be expecting, although the brunch was supposedly excellent.

[Edit: I have since watched the opening minutes (Which was not 15, the episode was extremely short), but I was impressed by what we saw of Dan/Jenny’s simpler life and the entire post-date wave sequence. It was charming, although the lack of charm in the rest of the episode is still an issue stepping forward. Amber over at The Gall of It All has her own snarky observations, including ones on fashion which I clearly can’t speak to.]

The problem with the episode is that there wasn’t any real advancement of the characters within the story. Jenny remained a young girl trying to break into the it crowd, Dan remained a smitten male unable to fit in with Serena’s friends, and the Blair/Serena war remained as one-dimensional as it was last week. It was everything you could assume would happen after last week’s premiere without any element of surprise.

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A Friendly Warning to Supernatural and Jericho Fans Re: Hey! Nielsen

Over the first day of the public beta stage of Hey! Nielsen, the ratings company’s new online social networking site, there emerged a trend of sorts: mainly, two TV Series emerging from the pack to dominate the popularity charts. Those two series? Supernatural and Jericho.

In the case of Supernatural, the series has performed admirably in the toughest timeslot on television (Thursdays at 9pm), but is facing a new challenge this year: it is now in direct competition with NBC’s The Office, a huge hit amongst younger viewers. Perhaps anticipating this move, fans are banding together with sites like Supernatural Underground to make sure that their show gets the appreciation they believe it observes.

Jericho fans, as I’ve documented in the past, are fighting to keep the promotion of their series going while its 7-episode order awaits a spot on CBS’ schedule. They’re currently dealing with some internal struggles, but there remains a group devoted to promoting the show to new fans and ensuring that the series has a future on television.

And the devotion of both of these fan groups is palpable: they are #1 and #2 respectively on the Hey! Nielsen website. However, as much as I respect and honour the dedication of these groups of fans, I want to warn them that as with any other social networking there is a distinct possibility that some of this support may backfire. And, although I would never attempt to tell anyone what to do, I want to make a suggestion.

On a message board, there’s a general rule that if there’s a thread of discussion open about something, you should comment there as opposed to starting your own. This becomes more subjective when it comes to “Opinions” as Hey! Nielsen labels them, but I think it applies in this instance as well. Within both of the above camps there has been opinions which are nearly identical, but are posted separately.

This creates more opinions, yes, but also more backlash from the outside community: there are people who are deliberately going into opinions about these two shows and reacting negatively against them purely due to volume. There’s even an opinion on the subject from someone who enjoys the show (And has been involved in developing the site) regarding the overpopulation of Jericho Opinions.

Can Jericho Fans Talk About Anything Else? – Hey! Nielsen

And while I think that the point could have been made in a slightly less antagonistic fashion, I agree with her: I think there are too many opinions about Jericho, and Supernatural for that matter. This is supposed to be about promotion, but it is losing the key aspects of a strong promotional drive.

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Monday Night Wrapup: Tramp Stamp, Ratings and Weeds

Monday Night Wrapup

September 25th, 2007

How I Met Your Mother“Wait for it…”

What: The 3rd Season Premiere of my new favourite multi-camera sitcom on television. And yes, that’s still a positive thing even when it’s also the only one.

The Highlights: Ted’s “Tramp Stamp,” Ted’s various mid-shave beards, Enrique Iglesias and Mandy Moore in unobtrusive guest appearances, Barney in general, the Slap Bet Countdown, and the hint that we’ll finally start some progress on the titular story.

The Lowlights: A little light on Barney, and while Ted had some great moments this episode the narrative is better when he’s not at its center.

Monday Night’s RatingsOld Defeats New

What: The Fast National Nielsen Ratings for the first night of TV’s new season from PIFeedback.

Winners: Dancing with the Stars, Two and a Half Men, and CSI: Miami all dominated the night, proving that new programming isn’t going to suddenly take over from reality, cheesy comedies and procedural drama on the night. Heroes makes this list as well, although I must admit that I wonder how long it can sustain those numbers with such a weak premiere.

The New Shows: Chuck, Journeyman and The Big Bang Theory all passed the initial test with passable numbers (All averaging almost the same rating), so next week will be their big challenge. Journeyman, however, is in trouble thanks to dropping its Heroes lead-in, while The Big Bang Theory built from How I Met Your Mother.

The Losers: K-Ville dropped considerably from its premiere when faced with Heroes, so it’s in some trouble. And, How I Met Your Mother dropped considerably from its performance last year, and needs to hope for improvement or else it might get the boot at midseason for New Adventures of Old Christine.

Weeds“He Taught Me How to Drive-By”

What: Weeds’ seventh episode of the season, and the first since Mary-Kate Olsen’s debut last week, which I didn’t blog about due to its innocuous nature: she wasn’t terrible, she wasn’t noteworthy, she’s just there.

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