Monthly Archives: August 2008

Screw the Stigmas: Why The Middleman is Worth Saving

Why The Middleman is Worth Saving

In the world of television, it’s not a question of judging a book by its cover; rather, it’s about judging a show by its network.

For How I Met Your Mother, the “CBS is for lame people” stigma amongst some younger viewers keeps them from giving the show a decent shot, and in the process a show that should have been a big success from the beginning took three seasons and stuntcasting to guarantee itself a fourth. The show should have been 30 Rock before there was 30 Rock, and yet still quite a few people who would love this show are staying away.

And this summer, another example has popped up which is even more apparent. When The Middleman debuted back in June, I called it “a science fiction comedy with plenty to enjoy.” Since that point, I’ve grown to love the show, even those elements that I wasn’t so keen on in the pilot. The show has gone to great strides to build great characters and craft strong stories which serve their purpose, all with an added dose of pop culture humour to add to the show’s general charm.

But, a lot of people haven’t seen that. When someone posted about the show’s debut on a popular message board, these are amongst the first responses:

“You piqued my interest until I heard ABC Family.”

“No wonder I couldn’t find the show anywhere last night. ABC Family huh? Probably pass.”

And therein lies The Middleman’s problem: it’s not that ABC Family is a bad network, as Javier Grillo-Marxuach (Formerly an executive producer on Lost) has nothing but good things to say about the show’s treatment on the network side of the equation. Rather, they are a network with absolutely zero cache with the genre audience that the show is appealing towards. In fact, I’d say that they have negative interest: these people are not just unlikely to watch a show on ABC Family, but they are likely to actively avoid such a show thanks to its network affiliation. This means that any attempt to increase the show’s audience, which is miniscule if stable thanks to such issues, is going to take a whole lot of convincing to an audience that has never given the network a fair chance.

But that doesn’t mean that people aren’t trying, and it certainly doesn’t mean that anyone reading this who has yet to sample The Middleman shouldn’t immediately do so by searching through their on-screen guide, unblocking ABC Family, and opening your mind to a new kind of summer show – or, even better, buy it on iTunes, so you can bypass the stigma altogether.

Because this is a show that needs, and deserves, the viewers.

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Generation Kill – “A Burning Dog”

“A Burning Dog”

August 10th, 2008

As we begin our march into the final parts of Generation Kill, it is becoming clear that nothing is going to change. The crew of Bravo Company will not have competent leadership, the overall objectives of the military will continue to lack practicality or logic in terms of the situation on the ground, and the path of least resistance is not something that command is interested in, even if some of their soldiers might be.

More than any other segment, though, I felt that this one really kind of fell on the human side of things, people who are beginning to view this less as just military bureaucracy inaction and more as an actual personal failing. These are men who are dead tired, struggling to stay awake let alone alert, and in those moments the tasks set before them are more challenging. When so much of the war is out of their control, from the opening bombing of a small community which likely housed no “enemies” to the illogical attempt at passing a bridge compared to an easier route, there are two likely responses: either writing off your own actions as part of the broader mistakes, or a heightened sense of responsibility for what part you play in the grand scheme of things.

Written by Evan Wright, whose book is the basis for the series, this is the story of how people fall on that binary of sorts, and the continuing impact of the series’ broader themes on these individuals.
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Season Finale: The Mole – “The Mole is Revealed”

“The Mole is Revealed”

August 11th, 2008

While I was without internet for most of yesterday, a frustrating scenario that messed up a lot of things, I was perhaps most upset that I had to miss out on blogging my initial reaction to last night’s Mole finale. I’d call it a cross between entertained and saddened, enjoying the reveal while remaining quite sad that there will likely never be another one like it.

The Mole hit this summer with very little buzz and, for the most part, ratings failure. And yet, for fans of the series, it was right in line: no, Jon Kelley was no Anderson Cooper, and I do kind of miss the old music, but for the most part as a “game” The Mole was right where we wanted it to be. The personalities may have gotten a bit out of hand, but chalk that up to the newfound prevalence of the “Be a Jerk” strategy in reality television as a whole, something that didn’t exist to the same degree in earlier seasons.

And, right in line with those expectations, we have a finale that fits: we have the Mole we suspected, the winner we wanted, and the reunion that feels like these people loved playing the game and loved even more to watch it back on a television and see all of the ridiculous things they said about people. There’s plenty of close calls, plenty of foot-in-mouth behaviour, and little enough drama for this to feel like the celebration it should be.

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Mad Men – “The Benefactor”

“The Benefactor”

August 10th, 2008

After a busy day of moving, there’s nothing better than sitting down with one of the most satisfying dramas on television and just letting its quality suck you in. But, to be honest, it wasn’t grasping me at first: maybe it’s being tired, maybe it’s just that the show is finding a slower pace after a couple of really quick episodes, but there was something about “The Benefactor” that wasn’t clicking.

But then all of a sudden everything starts clicking – what seemed like a strangely slow subplot for Harry Crane turns into a sudden revelation of its broader impact on his life (And Peggy’s for that matter). It’s one of those examples where something initially so isolated has this ripple effect, showing in tiny small moments how one thing impacts everyone else.

And even though the episode is slow to start for Don and Betty Draper, they end the episode both with extremely twisted views of their current marital detente of sorts: as they both continue to struggle with embracing their new roles, it is clear that their expectations for happiness are quite different. When Betty cries in the car on their way back from dinner, they’re inexpicable tears of happiness, her bar set so low that being used to flirt with an unruly comedian is her new calling.

But, I guess this is normal: for her, Don is really just a Benefactor, although a slightly more benevolent one these days.

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Burn Notice – “Scatter Point”

“Scatter Point”

August 7th, 2008

When it comes to integrating the Carla storyline, it is generally used in one of two things thus far in Burn Notice’s second season: either to allow Michael opportunities to show off various skills and technologies that aren’t really applicable to normal missions, and to serve as a distraction from his more pressing client obligations.

What we see in “Scatter Point” is both of these examples, along with some further answers about Carla’s whereabouts and Michael’s ability (or inability) to track her down. And yet, while it may distract Michael, it isn’t really distracting for the review; this episode isn’t quite as indulgent as last week’s, which offered a bit more to just kind of sit back and enjoy, but this remains an example of how Burn Notice can maintain its quality while delving into somewhat more serious storylines and with an extra hint of danger to the proceedings.

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Season Finale: My Boys – “John, Cougar, Newman Camp”

“John, Cougar, Newman Camp”

August 7th, 2008

After a bit of a non-starter of a season wherein the opening resolution to the cliffhanger never went anywhere, and where the relentless drive towards this wedding finale never felt like any sort of natural progression, we have a finale that wants to bookend things cleaner than the season actually was.

And it’s successful – as far as season finales go, it is a smart choice of letting its various characters serve the right roles in Bobby’s march to holy matrimony, and even though the ending is entirely predictable the episode offers our gang of friends enough opportunities to interact that it doesn’t feel like a total cheat. It still doesn’t feel like any type of finale, serving just as a tease for the continuation to come likely early next year, but it does achieve at least a good sense of character within its contrived plotting.

So while I can’t say I’m any more excited about the final cliffhanger as I was when I presumed it would happen weeks ago, the combination of a decent continuation of last week’s threads with some funny gang stuff rises above the median but does little to change the season’s overall quality.

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Finale: Who Won So You Think You Can Dance Season Four?

“Season Finale: Results”

August 7th, 2008

After one of the most well-structured pieces of fan service I’ve seen in a reality finale, emphasizing reliving past dances, seasons and even careers for its judges, it’s come down to this.

Could Twitch emerge from a few Bottom Three placements to win the day? Can Courtney overcome her technical deficiency with her charm and determination? Is Katee’s technicall brilliance a hindrance or a benefit with voters? And will Joshua’s feel good story and versatility win over America?

The votes are in, and it’s hard to argue with the decision.

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Project Runway Season Five – “Episode Four”

“Summer Olympics Wear”

August 6th, 2008

So…didja hear that the Olympics are coming up? Because I dare say that NBC wants us to know that the Olympics are coming up.

In a grasp at corporate synergy, something they won’t be able to do once the show jumps to Lifetime in the fall, it’s Olympic fever at Project Runway. While this may be thematically strong, it’s a bit of a challenge to take people used to high glamour or cocktail dresses and tasking them with creating something more akin to athletics.

And this group is no different than many others who have failed to grasp tasks that ask them to meld fashion with other interests – when Daniel has never even seen an opening ceremony in his life, is it any surprise that his garment has no relation to it?

In the end, a few designers are up to the challenge, but seeing these people so fully fail at things isn’t quite as entertaining as sometimes the show thinks it is.

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Performance Finale: So You Think You Can Dance Season Four

“Performance Finale”

August 6th, 2008

I haven’t blogged about what I deemed the summer’s guilty pleasure all those weeks ago, thus riling up a sizable segment of the show’s fanbase who viewed the term was disaffectionate. Well, needless to say, it was not intended as such – sitting around and watching So You Think You Can Dance has become a weekly ritual, first with some friends and then eventually with my parents as I’ve been spending a few weeks visiting at home.

It’s a show that you grow into more than perhaps any other reality program – there is a combination of personal achievement and massive variety that is unparalleled, and the limited audience involvement in selecting candidates keeps the dead weight out. This is a show where people are brought on for talent: not for how they play to the audience, not for their condescending attitude, but for their ability to dance.

And that means that, even with some surprises along the way, you get a finale of four strong dancers who offer up a great deal of entertainment and where all of the intense nepotism and laudatory comments usually dominating finales seems justified and deserved. I won’t pretend to know everything about dancing, but I have been watching enough to know where things might shake down for the impending final results.

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Weeds – “I Am The Table”

“I Am The Table”

August 4th, 2008

One of my most common issues with Weeds is not necessarily the content we receive, but rather the abrupt and often miniscule portions in which we receive it. Right now, the show is juggling five storylines: you’ve got Silas and his Cheese MILF, Shane adjusting to a new environment, Andy and Doug working on their Coyote business, Celia trying to keep herself conscious, and Nancy cavorting with Esteban south of the border.

So, “I Am The Table” can’t possibly satisfy all of these stories, and as a result one can’t expect it to. I’ve often wondered how this show would play as an hour-long, and I really think that it would do many parts of it a lot of favours.  At the same time, however, the short format did lead to some great comedy here: the Shane and Celia stories, in particular, are well served with just some small moments of really great comedy, and with Elizabeth Perkins and Alexander Gould up to the task it’s hard to argue that there isn’t entertainment.

I just sometimes wish that the glacial pace of everything else had either Nancy and Esteban’s passion or the aforementioned humour.

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