The Irony of Monotony: Why SYTYCD’s Season of Reinvention Still Feels Stale
July 22nd, 2010
Earlier in the seventh season of So You Think You Can Dance, I commented at length on how the All-Star structure seemed to take away some of my favourite parts of the series, including seeing the contestants develop chemistry as a team and working together to overcome challenging choreography. However, as the season has gone on, the show was willing to break up the All-Star format to allow the dancers to pair up with each other, which helped bring some of that chemistry back to the table even if we didn’t get to see it develop over the weeks.
And yet, I think that the structure of the season has run into another roadblock tonight: when I heard word that they had chosen to send no one home, sparing an injured Billy Bell and a struggling Jose from their potential exits, I realized that the show’s biggest problem this season is how monotonous it has become. Sure, I’m not the kind of fan who has that moment of relief when my favourite is saved and gets to dance another day, but the biggest problem with So You Think You Can Dance this season is that even with all of the various reinventions I’m getting really tired of seeing these people dance.
Which I think is more of a reflection of the way the season has been structured than a reflection of the dancers themselves.
SYTYCD (For the Cameras) & SYTYCD (with Another Dude)
June 30th, 2010
I was going to discuss some of the ways in which the All-Stars format continues to wreak havoc with some of the important qualities of So You Think You Can Dance, in relation to the judges comments that Billy Bell needs to work on his partnering skills, but since Nigel Lythgoe is apparently plugging his ears to any such criticism I won’t bother – if he’s not willing to accept the fact that there are trade-offs in his particular plan, and that some viewers don’t believe they come down in his favour, then that’s his prerogative and I won’t beat a dead horse.
However, there’s two things that I do want to discuss from tonight’s episode, which continues to provide plenty of fascinating insight into just how this competition works. Say what I will about the All-Star format, but it has revealed many of the contradictions inherent within the series’ structure, which gives me something to write about each week. In particular, I want to focus on Adam Shankman’s comment that Kent Boyd is one of the most “hireable” dancers the show has ever had, as well as the episode-ending, “gender-bending” hip-hop number performance by Alex and Twitch – while the former is predicated on a fairly rigid view of how dancers are judged by the audience (arbitrarily defined by the judges), the latter is a conscious (and hyped) effort to break away from that rigidity for the sake of memorability.
…and yes, it sort of comes back to the All-Star format, whether Nigel is listening or not.
All-Stars, No Story: SYTYCD Season 7
June 16th, 2010
When it was announced that So You Think You Can Dance would be changing its structure for its seventh season, in theory there shouldn’t be any complaints: after all, many of the show’s fans were frustrated by the sixth season, where the series felt stale for the first time. However, that staleness wasn’t really the result of the show’s structure so much as the decision to schedule the series in the fall (only weeks after the fifth season ended) and an unfortunate new stage which sucked some of the life out of the series. We were suffering from fatigue more than anything else, and while some small changes could bring us back to the franchise it seems as if Nigel Lythgoe decided to throw the baby out with the bathwater.
While we’ve known for a while that the series was throwing out its Top 20 structure and going with a Top 10 (in fact a Top 11) and teaming up the individual competitors with All-Stars from previous seasons, it wasn’t entirely clear just how that would work. The show is still a collection of 11 dance routines as it was before, but there are newfound conflicts in who we’re supposed to be paying attention to (the competitor or the All-Stars), and with Mia Michaels sitting in for Mary Murphy there is simply something different in the air.
And it’s proving to be, at least right now, a diversion from what used to make the show so engaging – while my choice of title may make it seem like the problem is that the show is focusing too much on the All-Stars (I couldn’t resist the play on No Guts, No Glory), the truth is that they didn’t focus on the all-stars at all, which is even more distracting and confusing for audiences and judges alike.
“Season Finale: Results”
August 7th, 2008
After one of the most well-structured pieces of fan service I’ve seen in a reality finale, emphasizing reliving past dances, seasons and even careers for its judges, it’s come down to this.
Could Twitch emerge from a few Bottom Three placements to win the day? Can Courtney overcome her technical deficiency with her charm and determination? Is Katee’s technicall brilliance a hindrance or a benefit with voters? And will Joshua’s feel good story and versatility win over America?
The votes are in, and it’s hard to argue with the decision.
August 6th, 2008
I haven’t blogged about what I deemed the summer’s guilty pleasure all those weeks ago, thus riling up a sizable segment of the show’s fanbase who viewed the term was disaffectionate. Well, needless to say, it was not intended as such – sitting around and watching So You Think You Can Dance has become a weekly ritual, first with some friends and then eventually with my parents as I’ve been spending a few weeks visiting at home.
It’s a show that you grow into more than perhaps any other reality program – there is a combination of personal achievement and massive variety that is unparalleled, and the limited audience involvement in selecting candidates keeps the dead weight out. This is a show where people are brought on for talent: not for how they play to the audience, not for their condescending attitude, but for their ability to dance.
And that means that, even with some surprises along the way, you get a finale of four strong dancers who offer up a great deal of entertainment and where all of the intense nepotism and laudatory comments usually dominating finales seems justified and deserved. I won’t pretend to know everything about dancing, but I have been watching enough to know where things might shake down for the impending final results.