Tag Archives: Top 6

When SYTYCD Art Meets SYTYCD Structure: Stacey Tookey’s Carefully Designed “Mad World”

When Art Meets Structure: Stacey Tookey’s Carefully Designed “Mad World”

July 29th, 2010

I’ve spent a lot of time during So You Think You Can Dance’s seventh season discussing the non-dancing parts of the show, primarily in terms of the producers’ decisions in regards to the changes to the series’ format. I think this is ultimately because I don’t actually know anything more about dancing than what the show tells me, and because this season has (for better or for worse) been defined my competition elements other than dancing – injuries, All-Stars and choreographer conflict have been key topics of discussion, and frankly all of that takes away from the fact that I actually think there are four legitimate contenders for this year’s title of “America’s Favorite Dancer.”

This week, it’s tempting to go down the same path: we have Adam Shankman dropping a “Balls Out,” we’ve got Nigel Lythgoe showing just how much attention he’s paying to this competition as he accidentally drops an “American Idol” in there (which he chalks up to his mind being elsewhere, as he’s returning to Idol as its executive producer for Season 10), and you’ve even got yet another injury, with Lauren being attended to by the medics following her Foxtrot with Adechike (and making for a woeful final sendoff where Cat Deeley has to inform America that the judges, minutes after cheering about the lack of injuries, that they had jinxed it.

And yet, for once I want to focus on the dancing, and one dance in particular. Stacey Tookey’s societal piece with Billy and Ade was perhaps not the most emotional dance of the season, but it by far (for me) the most impressive conceptually. And while I think that part of this has to do with its artistic value, which I don’t entirely feel comfortable discussing what I do want to briefly analyze is how the dance is the perfect mediation of the choreographer’s artistic image and this season’s structural challenges, delivering something which is capable of standing as a piece of art while also being something which seems to absolutely capture not just the vague “spirit of dance” but instead the show’s competitive elements.

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The Irony of Monotony: Why SYTYCD’s Season of Reinvention Still Feels Stale

The Irony of Monotony: Why SYTYCD’s Season of Reinvention Still Feels Stale

July 22nd, 2010

Earlier in the seventh season of So You Think You Can Dance, I commented at length on how the All-Star structure seemed to take away some of my favourite parts of the series, including seeing the contestants develop chemistry as a team and working together to overcome challenging choreography. However, as the season has gone on, the show was willing to break up the All-Star format to allow the dancers to pair up with each other, which helped bring some of that chemistry back to the table even if we didn’t get to see it develop over the weeks.

And yet, I think that the structure of the season has run into another roadblock tonight: when I heard word that they had chosen to send no one home, sparing an injured Billy Bell and a struggling Jose from their potential exits, I realized that the show’s biggest problem this season is how monotonous it has become. Sure, I’m not the kind of fan who has that moment of relief when my favourite is saved and gets to dance another day, but the biggest problem with So You Think You Can Dance this season is that even with all of the various reinventions I’m getting really tired of seeing these people dance.

Which I think is more of a reflection of the way the season has been structured than a reflection of the dancers themselves.

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