Monthly Archives: December 2008

December 7, 2008 · 10:03 pm

The Amazing Race Season 13 Finale – “Episode Eleven”

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“You Look Like Peter Pan”

December 7th, 2008

After last week’s heartbreaking exit of Toni and Dallas, this finale is bittersweet. You have one team that’s been dominant, one team that’s been a bit tough to watch, and one team that for all rights shouldn’t even still be there. The season never really picked up much steam after a certain point, the explosive rivalries ending up being both early and driven by stupidity more than emotions (no offense, Kelly and Christy, but REALLY.)

Going into this leg, I believe that this can only be satisfyingly be won by Nick and Starr – yes, I think there is some type of story to be found in Dan & Andrew’s potential triumph, and Ken & Tina’s marital position would make for (at least) not an entirely boring victory, but I want to see good racers win for running a good race.

Or, perhaps to satisfy my demands, Nick and Starr can get the race-equivalent of pixie dust and fly to the finish line.

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December 7, 2008 · 7:36 am

Season Finale Preview: Who Will Win The Amazing Race Season 13?

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Season Finale Preview

[The race is over? Check out Cultural Learnings’ cover to find out who won and how they did it!]

It has been a few weeks since I last reviewed an episode of The Amazing Race, but you’ll have to forgive me. After this past week’s tragic events, and the previous week’s predictable non-elimination episode, the end of this season has been without anything even close to suspense. This isn’t to say that it has been bad television, or that the show has been off its game, but a series of circumstances outside of its control have led to a final three without anything approaching intrigue.

It’s also a final three, unfortunately, where I will only really be happy with one team’s victory. While Ken and Tina’s story of a marriage on the rocks would certainly make for a potentially emotional victory, her shrill attitude has been frustrating throughout the race and I don’t know if I necessarily want that to be their happy ending. Although Dan and Andrew want to make themselves out to be the underdogs, they really are the “Only left in the race because of sheer luck” dogs and don’t deserve to win a million dollars because of it.

No, Nick and Starr are the team that deserve this. And while some might feel that their prior dominance sucks all the fun out of their victory, I’d like to see a team with The Amazing Race that, well, actually ran a good race.

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December 5, 2008 · 11:18 pm

Fringe – “Safe”

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“Safe”

December 2nd, 2008

I wrote a piece a few weeks ago wherein I talked about the gradual serialization that was causing some viewers of one of the season’s successful demo hits; Fringe may be from J.J. Abrams, but it was taking a lot longer to feel like it was capable of rising to the scale of the shows we most often associate with Abrams (Alias, Lost). I argued at the time that this was part of the appeal, that it was designed (as will be Joss Whedon’s Dollhouse) to appeal to two different sectors of viewers.

Well, I’d tend to argue that between last week’s solid “The Dreamscape” and the quite eventful and entertaining “The Safe,” Fringe has officially entered into the next phase of its serialization. Picking up, really, where “The Equation” left off, this episode felt like vintage Alias. It put together pieces that we didn’t know were pieces, brought various recurring characters into one central location, and revealed that our charisma-less heroine is more central to the series’ biggest questions than we realized.

What we got, finally, is an episode that felt meaningful: where the science was being used not to terrorize but to disrupt, and where both our characters and the conspiracy took on new roles that will lead to a better series once the show returns in January.

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December 5, 2008 · 12:08 am

30 Rock – “Reunion”

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“Reunion”

December 4th, 2008

I do not know where to start with tonight’s episode of 30 Rock. “Reunion” was one of those situations where it was everything we should want it to be: no big name guest stars (although Janel Moloney counts for West Wing fanatics), numerous hilarious throwaway jokes, a situation bound to create awkward situations for Liz Lemon (and who doesn’t like awkward Liz Lemon?), and a chance for Jack Donaghy to both get drunk AND take on someone else’s identity. What could possibly go wrong?

To be honest, I don’t know if anything really went wrong, but my enthusiasm wavered throughout this one. There were definitely some moments of genius, and I thought the episode picked up a bit at the end, but it felt like a shotgun approach to the show’s comedy. While there might not have been any big guest stars, I thought the episode had much the same problem that we’ve seen all season: humour that feels like it’s trying too hard without any real sense of subtlety, and an emphasis on creating humour more than allowing it to develop organically.

None of this condemns the show by any means, but it just felt like Liz and Jack going to her high school reunion could have been perfectly funny and 30 Rock-esque without going in all of these directions. And while I know that doesn’t really do certain parts of the episode justice, it just kind of underwhelmed for me.

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December 4, 2008 · 11:28 pm

The Office – “Surplus”

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“Surplus”

December 4th, 2008

Last season, an episode like “Surplus” would have felt like a godsend at this stage of the season. After getting bogged down in hour-long episodes with no direction, something so driven by office politics and Michael’s inability to make a decision would feel like a breath of fresh air.

Instead, it felt a little bit too slight. While the charm was there, and it was a nice showcase for Jenna Fischer’s Pam in particular, I think I was missing something to set the episode apart. While the central storyline had its charms, the B-Story felt more like a predictable distraction, and I’d rather have eschewed the plot entire in favour of a more complete reaction to the crisis of Copier vs. Chairs.

But, nonetheless, I consider it a good sign for the show: a show that has a problem with excess needs one of these every now and then, an episode that is almost entirely fat-free and plentiful in, if not stuffed with, comedy.

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December 4, 2008 · 3:45 pm

Friday Night Lights – “Game of the Week”

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“Game of the Week”

December 3rd, 2008

“It would be good to get the ball rollin’, you know?”

It’s “Beer-Thirty” in the afternoon in Dillon, Texas, and Buddy Garrity sits in his recliner with a beer and a football game. A knock at the door sends him a reminder: it can’t be his ex-wife, who hates him, or one of his friends, because he doesn’t have any of them. For Buddy Garrity, his life is football.

But while the show has always used football as a point of dramatic tension in the lives of these players, and this episode featured some of the most football-oriented plotting since the show’s first season, this episode was about the show’s continued reminder that their lives go beyond the gridiron. While our two “goodbyes” pre-planned before the season may be over, this doesn’t mean that the theme won’t continue: they have a lot of characters to send off into some form of television sunset, and we’re starting to see the plot, well, get the ball rolling.

While the stories don’t quite have the same resonance as did the emotional exits for Smash and Street yet, what they do have is football. If this week’s game is any indication, the stakes are higher than ever and we’re back to having the big games as the backdrop for our action. What resulted here was a reminder that, as the stakes for the Panthers grow higher by the week, so too do the characters’ drive to go to college, to solve their interpersonal crises, and to (in some cases) get over significant hurdles to their future.

And if things are this captivating now, I’m fairly certain the State Championship will be happening in my living room, live in person.

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December 4, 2008 · 12:12 pm

Chuck – “Chuck vs. The Sensei”

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“Chuck vs. The Sensei”

December 1st, 2008

Any show coming out of a major story arc is going to have a bit of a tough time of their next episode. This isn’t to say that the episode is going to be bad, but rather that it’s inevitable: whether Lost after their premieres or Battlestar Galactica after its inevitable midseason pit stops, there’s going to be a point when the rising action has reached its climax and it’s too soon for the next story to really pick up.

This was, for Chuck, as good a time as any to return to the past of one John Casey, stern-faced Buy More employee in one life and…stern-faced NSA agent in the other. While I like seeing more of Casey, the episode spends a lot of time plainly stating that John Casey only has one speed: mad. There is no inner calm in John Casey, and while we get one moment of unquestioned humanity in the episode there is, for the most part, not going to be something approaching the emotional side that we get so often from Sarah.

But Adam Baldwin knows how to play mad, and the show knows how to balance an episode like this; while it doesn’t help it rise above the show’s standard this season, the choice to parallel Casey’s past with Ellie’s upcoming wedding and the pressures of in-laws offered a good chance for the storyline to slowly move forward even as Casey faces off against a familiar face from his past (and ours, as far as the TV spy game goes).

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December 4, 2008 · 8:57 am

Terminator: Sarah Connor Chronicles – “Self-Made Man”

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“Self-Made Man”

December 1st, 2008

After catching up with last week’s episode of Terminator: Sarah Connor Chronicles, I posted on twitter that anyone who was actually interested in science fiction television should be watching this show instead of Heroes (Five episodes behind and feelin’ fine). There are a lot of reasons for this, from the show’s willingness to engage with the human implications of its events to its simultaneous interest in building its characters individually as opposed to en masse as part of broader story arcs. While at times one wishes the show would be less vague in terms of the grand scheme of things, it manages to take that vague setting and find a foundation in the characters and their plight.

At its core, “Self-Made Man” is a procedural mystery: spotting a Terminator model in a photograph from New Year’s Eve 1920, Cameron goes on a journey through the archives in search of a clue to why a Terminator would be sent back to that particular date. But what the Josh Friedman and his staff have been demonstrating all season is that they have a command of this series: even those elements which feel quite simple (in this case, largely inconsequential and without detailed reasoning beyond an episodic context) are executed with such a precise sense of both character and theme that it doesn’t matter when we don’t get the “Why?”

While other shows spend so much time focused on building suspense for that particular question and forget to build characters, Terminator is carving out a niche for itself as the kind of show that uses its characters for more than acting out plots – while it’s still not to the level of some of Lost or BSG, it is nonetheless quality science fiction television at this stage of the game.

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December 4, 2008 · 12:17 am

Pushing Daisies – “Comfort Food”

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“Comfort Food”

December 3rd, 2008

When I was watching this week’s special Monday episode of Privileged, it struck me that what I like about the show is how comfortable it feels: its storylines were rote, but the execution was such that it all felt like part of a longstanding relationship despite the show only being ten episodes old. And, I got the same feeling watching tonight’s aptly titled “Comfort Food,” the eighth episode of Pushing Daisies’ second season.

It will also be one of the last: ABC only has plans to air two more episodes, a rather frustrating reality when I consider that this is a show that is not complacent in its comfort. The episode’s central mystery, a charming and cameo-filled zany cook-off scenario, was in line with the series’ tradition, but it also featured a chance for Ned and Olive to interact on an individual level. Meanwhile, Chuck’s storyline took her character in a whole new direction, while giving her and Emerson a chance to interact in a new way as well.

What we got was, as a result, was an episode that reminds us what we will lose when Pushing Daisies leaves our television: an enormously pretty, extremely entertaining, and wonderfully whimsical world. And even if it’s not redesigning the world, I don’t want to lose my weekly visit to this world.

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