Tag Archives: Olive Snook

Series Finale: Pushing Daisies – “Kerplunk”

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“Kerplunk”

Series Finale – June 13th, 2009

I should have known this day would come.

No, I don’t mean that I was actually in denial that, after the show struggled to regain its ratings foothold towards the end of Season One and bombed out the gate during season two, the show was short for this world, and that its final episode would be tossed aside in a ridiculous Saturday timeslot by ABC. Rather, I should have known when I first watched and fell in love with this pilot, but struggled to convince people I talked to that the show was worth watching, that it would never get the ending I knew it deserved.

When I reviewed that pilot (oh, sorry – “Pie-Lette”), I said the following:

…Pushing Daisies is as much a fairy tale romance as it is a dramatic television series. Unrequited love is one of those concepts that you see a lot of in television, but never has it been so whimsically (and maturely) portrayed. The entire pilot is about love and loss, and how mending those fences can be more difficult than you realize.

We, of course, don’t have Ned’s power to bring things back to life, but if we did I think all of us who watched until the end would, in an instant, touch this show and rescue it from the television graveyard as Ned did with Chuck. However, we can’t do that (although, presuming Lost would be protected, I’d be totally willing to let fate choose which ABC show has to die as a result of keeping it alive), and we’re left with a finale that we know shouldn’t be the end, that promises more than it concludes and that captures in its aquacades and elaborate disguises the whimsy that has set the show on a well-deserved pedestal that ABC chose to knock down late last year.

But I will give ABC credit for inadvertantly assisting in my ability to mend the fences of love and loss, delaying the airing of this episode until the show’s cancellation was no longer fresh. It may still hurt, certainly, but it’s given me a less angry and more celebratory perspective. While not everything you want a finale to be, and ending on a cliffhanger that seemed poised to breathe new life into the series, this finale finds the show joyously entertaining in a scenario and an environment that could only exist in the world of Papen County, the mind of Bryan Fuller, and, as fate has decided, the fond memories of viewers.

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The Final 3 Pushing Daisies – “Window Dressed to Kill”

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“Window Dressed to Kill”

Season 2, Episode 11

“The more you face your trauma the more power it has over you.”

I had meant to make a note of the return of Pushing Daisies to readers ahead of time, considering that ABC certainly isn’t promoting their 10pm Saturdays burn-off of the remaining three episodes of the show’s second season, but part of me wasn’t quite looking at this as a real event. I haven’t seen an episode of Pushing Daisies in over five months, and while some got to view the episodes online (their aired in the U.K.), and others got to see them screened during PaleyFest (I was unfortunately at Coachella that day), I’ve been entirely free of the exploits of a certain Pie Maker, the Alive Again Avenger, my favourite private dick and the subject of tonight’s episode, Olive Snook.

I don’t think I realized how much I missed them until I faced that fact tonight, watching a fantastic hour of comic/dramatic television knowing that there are only two hours left to go, and that after that these characters will fundamentally cease to exist outside of a comic book or whatever other form Fuller keeps the series alive in. These characters deserve more than what they received from ABC: the show, canceled in favour of ABC’s plentiful number of midseason replacements (all but one of which failed), was certainly struggling, and wasn’t destined for stardom, but in all of our commotion over Chuck’s fate I think part of me will miss Pushing Daisies’ unique blend of whimsy and mystery more than I would have missed that show.

“Window Dressed to Kill” wasn’t a particularly noteworthy Pushing Daisies episodes outside of its position as one of the “Final 3,” but it so embodied what the show does best that it’s hard not to be overpowered by this desire to write letters, buy pies, and just about anything else you could imagine, even when you know it’s all for nothing. This review, similarly, is positioned as such that it is only a celebration of the episode, knowing that whatever character development I speak of will have only two more episodes to continue, and that whatever stories I think have potential will likely prove unable to reach that stage in their development.

But damnit, I’m going to talk about them anyway.

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Pushing Daisies – “The Legend of Merle McQuoddy”

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“The Legend of Merle McQuoddy”

December 10th, 2008

I am going to miss Olive Snook most of all.

Yes, I will miss everything else about Pushing Daisies: Emerson Cod’s quippy one-liners, Chuck’s emotional integrity, Ned’s neurotic worrying, Jim Dale’s charming narration, Lily’s shotgun, Vivian’s heart on her sleeve, and the various quirky individuals who populate this world week after week, incapable of sitting still as they balance between our world and the whimsical universe Bryan Fuller has created.

But there is something about Olive Snook that pleases me the most, and makes me most upset for the show’s passing. It’s her sheer exuberance: without Ned and Chuck’s burdens, or Emerson’s gruff persona, Olive is the character who most gets to interact with the more fanciful elements of these storylines. The best mysteries are often the ones in which Olive takes part, or where Olive’s participatory spirit extends to the other characters – they have a certain bounce to them, a visual and aural sharpness only possible by the spunk her character brings to each scene, and they are in fashion throughout “The Legend of Merle McQuody.”

It is a testament to Kristin Chenoweth that Olive is still this charming even as she returns to idea of unrequited love, a notion which nearly sunk the character in the first season when it felt like an excuse to keep Ned and Chuck from connecting. Now that the show has settled, Chenoweth has made Olive’s emotional state more natural while also being integrated more closely into the week’s mystery. After being paired with Ned on “Comfort Food,” Olive here becomes a Jr. P.I. in Training with Cod Investigations, resulting in a fantastic comic pairing, some wonderful Olive moments and, most importantly, another in a series of great segments as Pushing Daisies marches towards its final Legend.

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Pushing Daisies – “Comfort Food”

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“Comfort Food”

December 3rd, 2008

When I was watching this week’s special Monday episode of Privileged, it struck me that what I like about the show is how comfortable it feels: its storylines were rote, but the execution was such that it all felt like part of a longstanding relationship despite the show only being ten episodes old. And, I got the same feeling watching tonight’s aptly titled “Comfort Food,” the eighth episode of Pushing Daisies’ second season.

It will also be one of the last: ABC only has plans to air two more episodes, a rather frustrating reality when I consider that this is a show that is not complacent in its comfort. The episode’s central mystery, a charming and cameo-filled zany cook-off scenario, was in line with the series’ tradition, but it also featured a chance for Ned and Olive to interact on an individual level. Meanwhile, Chuck’s storyline took her character in a whole new direction, while giving her and Emerson a chance to interact in a new way as well.

What we got was, as a result, was an episode that reminds us what we will lose when Pushing Daisies leaves our television: an enormously pretty, extremely entertaining, and wonderfully whimsical world. And even if it’s not redesigning the world, I don’t want to lose my weekly visit to this world.

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