Tag Archives: Alexander Gould

Pushing Daisies – “The Legend of Merle McQuoddy”


“The Legend of Merle McQuoddy”

December 10th, 2008

I am going to miss Olive Snook most of all.

Yes, I will miss everything else about Pushing Daisies: Emerson Cod’s quippy one-liners, Chuck’s emotional integrity, Ned’s neurotic worrying, Jim Dale’s charming narration, Lily’s shotgun, Vivian’s heart on her sleeve, and the various quirky individuals who populate this world week after week, incapable of sitting still as they balance between our world and the whimsical universe Bryan Fuller has created.

But there is something about Olive Snook that pleases me the most, and makes me most upset for the show’s passing. It’s her sheer exuberance: without Ned and Chuck’s burdens, or Emerson’s gruff persona, Olive is the character who most gets to interact with the more fanciful elements of these storylines. The best mysteries are often the ones in which Olive takes part, or where Olive’s participatory spirit extends to the other characters – they have a certain bounce to them, a visual and aural sharpness only possible by the spunk her character brings to each scene, and they are in fashion throughout “The Legend of Merle McQuody.”

It is a testament to Kristin Chenoweth that Olive is still this charming even as she returns to idea of unrequited love, a notion which nearly sunk the character in the first season when it felt like an excuse to keep Ned and Chuck from connecting. Now that the show has settled, Chenoweth has made Olive’s emotional state more natural while also being integrated more closely into the week’s mystery. After being paired with Ned on “Comfort Food,” Olive here becomes a Jr. P.I. in Training with Cod Investigations, resulting in a fantastic comic pairing, some wonderful Olive moments and, most importantly, another in a series of great segments as Pushing Daisies marches towards its final Legend.

Continue reading


Filed under Pushing Daisies

Weeds – “Little Boats”

“Little Boats”

August 11th, 2008

There have been many episodes of Weeds more eventful than Monday night’s ninth episode of the show’s fourth season; in a show that in later seasons has really delved into the more sensational elements of Nancy Botwin’s career choice, episodes have featured action and comedy that tends to feel like something out of a movie versus something out of, well, “reality,” as trite as that may seem.

So it is with pleasure that I say that “Little Boats” may be my favourite episode of the season so far primarily because it owes all of its drama to character, to a very human reaction from the show’s central character as it pertains to her family as opposed to her employers. This is the side of Weeds that we have, perhaps, lost in recent years: this was a show about a family first and foremost in the beginning, and this is one of the strongest examples of that in the past few seasons.

Faced with the behaviour of the people of both her own children and her extended family, and disconnected from Esteban, Nancy turns into someone who isn’t defined by drug trafficking or anything else – she’s just another Mother struggling to care for those she loves. And the result is definitely one of the season’s strongest episodes.

Continue reading

Leave a comment

Filed under Weeds