“Islanded in a Stream of Stars”
March 6th, 2009
“You know sometimes I wonder what “home” is. Is it an actual place? Or is it some kind of longing for something, some kind of connection?”
The entirety of Battlestar Galactica has been about a search for a new home. From the end of the miniseries, when Commander William Adama told everyone that they had a map to a new home called Earth, there was always a preoccupation with finding someplace to settle, someplace to rebuild what they had before, somewhere to plant the roots that had been so violently uprooted by the Cylon attack. But from the very first moments of ’33,’ it became very clear that this wasn’t going to be a simple journey, and at every point where they felt like they had found home (In season 2’s visit to Kobol, appropriately titled “Home,” or on New Caprica at the start of Season 3) it was taken away from them by some cruel reality from their past.
But every character on the show has nonetheless remained buoyed by something, some sort of vision or location which connects them to something imaginary yet more real than anything they were experiencing. It’s almost a metaphor for the show itself: even with all of its spaceships and explosions and epic battles, the show has found grounding in human emotions and human relationships in the same way that its characters, faced with the surreality of their years of struggle, return to that which offers the most peace with themselves. We saw our first direct example of this last week, wherein Boomer had actually built a home for her and Tyrol that, when she was sad, she would go to in order to get away from it all.
Moving this into the realm of Cylon projection is reflective in the fact that the search for a home has become even more complicated when you include the Cylon side of this equation – they too had their initial home destroyed by some unknown force, and were forced into a bitter search for purpose. And they too thought they had found the answers, whether it was the Colony revealed in this episode (where the Final Five built the Other Eight Models) or Caprica and Boomer’s plan to settle the Cylons on New Caprica with humanity. But for whatever reason, fate and destiny never led them to the point where either Cylons or humans were able to find a home that was their own, that brought them not just complicated questions or theories but rather something approaching the peace that only the imagination could create.
While the second half of this season has had a number of episodes which serve as a clearing of the air in an effort to make distinct the themes the show is looking to delve into in the two-part finale to come in the weeks ahead, this one is the one that is most broad-reaching: whether it is Adama’s realization that his search for Home never really even started, or how the principles of fatherhood drive both Helo and Tigh into very different perspectives of what makes a place or home, or how Laura Roslin has always held onto her own dream-like projection, or eventually how someone like Kara Thrace acknowledges that she’ll never quite be home until she accepts just who she is. The only thing that ties everything together is that, for all but one of them, none of their conceptions of “home” have anything to do with Caprica and its ruins, Kobol and its gods, or even Earth and its destruction.
They’ve been “Islanded in a Stream of Stars” since the attack began, but the island meant something different to every single one of them; the problem has not been that their actual location or condition have been wrong, but rather that the various different secondary realities have been in conflict. Now, as we move closer to our conclusion, the people aboard Galactica are starting to rise to the occasion, finding in themselves not just their place of peace but also the self-awareness necessary to either let go of their inhibitions or accept that their vision of home might not be what they’ve been searching for all along.
And the result is an emotionally powerful penultimate episode of a series that, having always been about a search for home, has at the very least found itself one in the annals of television history.
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