Category Archives: Battlestar Galactica

Season Premiere: Battlestar Galactica – “Sometimes a Great Notion”

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“Sometimes a Great Notion”

January 16th, 2009

I had to wait over forty-eight hours to watch this, the beginning of the end for Battlestar Galactica as it enters its final ten-episode stretch. I logged onto Twitter in my hotel on Friday evening, as I am in Montreal for the continent’s longest running debating invitational; it was a force of habit really, but I found something I wasn’t prepared for. I saw a tweet that said the words “Final Cylon.” I paused, threw my hands in front of my screen, and immediately went on a self-imposed twitter ban (which failed miserably once I devised security methods to avoid spotting more spoiler material).

I was, regardless of my adverse reaction to spoilers in general, shocked by this news: here is this piece of news that we were so desperate to discover, so apparently integral to this final season that they changed the opening title cards, and all of a sudden we have the answer in this episode’s final moments. It all felt so counter-intuitive, so different from how we expected this episode to go down.

In that sense, it is almost exactly the opposite of the fourth season premiere last year, which felt like the very basic repercussions we had spent a lengthy time imagining. Here, the common trait was that everything was bigger than we imagined: while not outside of the realm of possibility and the breadth of internet predictions, the events which transpired had an extremist slant that never felt sensationalist and more importantly never felt as if they were ending or simply stalling for time. The “who” question for the Final Cylon is not really the show’s preoccupation: instead, their identity is a sharpening of focus, a lynchpin of identity for what we now know is a far more complicated Cylon mythology.

The world of Battlestar Galactica was broken open when we learned the identity of eighty percent of the final five, but what resulted was an isolation of their turmoil to an investigation into their psychological well-being. The irony is that here, as their identity becomes public and the entire fleet becomes part of their journey, their inner trauma only becomes more profound: these characters now have even more complicated questions about their identity, just as humanity does facing the scorched earth they believed and prayed was home, and they have new factors such as history or destiny to consider more carefully.

“Sometimes a Great Notion” feels like another stage of escalation in the season’s general purpose: it is not about who the Final Cylons are so much as who they were, who they are, what they are understood to be, and who they wish to be in the future. Answering those questions is not so much about naming them than letting them loose in a world now even more defined by their unique journey. The result here is an episode that, more than anything in the first half of the season, feels like we’re sifting through the denseness of this serious to the intersection of philosophical and personal interests that will define the series finale.

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(Mid) Season Finale: Battlestar Galactica – “Revelations”

“Revelations”

June 13th, 2008

Since New Caprica, Battlestar Galactica has been a series defined by the intersection of two races – of their people, their beliefs, their actions and their futures. At odds with one another from the moment the Miniseries began, humans and Cylons have slowly but surely centralized into two groups of people who are searching for a greater purpose and a greater understanding. When the Cylons occupied humanity on New Caprica, Caprica Six and the other Cylon leaders felt that they were meant to co-exist – of course, one cannot force such a peace as easily as they had hoped.

No, it takes the right moment for that to happen, which is perhaps the very definition the show’s purpose in the first half of its fourth and final season. It seems as if the search for Earth is, in fact, that point of intersection: conveniently for the series’ narrative, the human desire to discover a new home on Earth requires the discovery of the Final Cylon models, the discovery of which is the goal of the current batch of renegade Cylons. And so we have spent nine episodes bringing these two groups together, now finally reaching the point where all the pieces are in play.

We started the season with a mysteriously untouched viper and four newly found Cylons, and they return here to ask the question of everyone on each side of the conflict: are you willing to accept the intertwined fate of these two peoples, or will old wounds win the day? As the driving force behind a tense showdown with an infinite number of potential outcomes, “Revelations” proves something we knew all along: that few shows on television can have us questioning everything as easily as this one, and that no show on television can measure up because of it. Plus, after all the questions are over, we’re left facing an answer we never saw coming, and a future that waiting seven months for will be, well, a frakkin’ bitch.

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Preparing for ‘Revelations’: Revisiting Battlestar Galactica Season Four Thus Far

It’s apparently streaming on SciFi.com, so I’m avoiding any and all discussion of anything even close to tonight’s midseason finale of Battlestar Galactica, “Revelations.” All signs point towards an intense and dramatic hour of television, so I’ll definitely be bracing myself for something engaging this evening. For now, however, thought I’d leave some links to my reviews of each week’s episode (With a pull quote!) so that we can remind ourselves what’s happened so far, and mentally prepare ourselves for what should prove a most stimulating forty three minutes.

After the jump, meanwhile, you can see how my views on certain episodes may have changed over time.

BSG Season Four So Far

“He That Believeth in Me”

“I actually quite loved the episode: laughed out loud, gasped in horror, loved the acting, etc. It’s just that after such a huge revelation, what was put on the screen was everything we had already imagined as fans of the series dealing with a year-long hiatus. And, well, that’s kind of a let down.”

“Six of One”

“You see, everyone’s a little bit Starbuck right now. Everyone sees a path ahead of them that they know they want to follow, and yet at the same time it seems as if everything is heading in the opposite direction. Everyone is worried about what will become of them if things don’t go their way: Roslin is worried about dying as the nobody she once was; Adama is worried about losing everyone around him and dying alone; Lee is worried about the runaway train he’s on away from his life, essentially; and the final four Cylon models are worried about, well, everything.”

“The Ties That Bind”

“I’m not saying that what we saw from Nikki Clyne last night was revolutionary performance, but Michael Taylor managed to draw from her past in order to craft, at the very least, an intriguing point of representation. Cally, through anti-depressant fueled journeys, becomes a loose cannon – she is suspicious and paranoid in her altered state, and begins to suspect Tyrol is hiding something. Upon investigation, she stumbles across his biggest secret, and all of a sudden Cally has gone from nuisance to all-out ticking time bomb.

And then it went off, much sooner than I think any of us expected.”

“Escape Velocity”

“…while certainly a lighter episode on plot than we are used to, there was nothing overly objectionable about its content. Considering that the themes of the season are very much returning to the opening of the second season and the division within the fleet along religious lines, it is good that we are seeing more of both politics and people relating to this development. While I do think that a few of the storylines felt like they were getting either too much or too little time, and that there were certainly some balance or editing issues to deal with, the end result is a decent setup for the things to come.”

“The Road Less Traveled”

“Last week felt totally wrong when it comes to the central conceit of the season: the blurring of the line between human and Cylon is integral to defining the series moving forward, and this week we return to the concepts of shared destiny and identity within the context of the series. The result is a sharper episode, one that feels like we are, indeed, traveling down a particular road as the two storylines missing last week converge.”

“Faith”

“I am kind of wary on “Faith,” if only because on a plot level it didn’t even live up to the low standards that I provided for it. It is one thing to spend a quarter of the episode with a very character/mythology driven story for Laura Roslin, that’s earned considering the show and Mary McDonnell’s respective pedigrees; the big problem is that the dramatic payoff to the Demetrius payoff was neither suspenseful nor dramatic on a broad plot level. We already knew what Kara Thrace learns from the Hybrid, we pretty well presumed what was going to be the end result of their journey, and outside of a random leg injury I never felt like anything was truly in jeopardy.”

“Guess What’s Coming to Dinner”

“Here, we have everything: the subtle character moments (albeit in smaller number than episodes past), the haunting thematics, the secret agendas, the political intrigue, the mythology of the series emerging, the cliffhanger endings, and most of all the kind of acting that you just don’t get on other shows these days. The episode leaves us with so many unanswered questions that you’d swear we are leaving for a lengthy break starting now as opposed to in (likely) a month’s time.”

“Sine Qua Non”

““Sine Qua Non” is an episode about losing control, or losing some element which is integral to existence. The latin meaning of the phrase, at least according to my extensive knowledge of using Wikipedia, is “without which (there is) nothing.” For various characters in our universe, this phrase has distinct meaning, and the episode does a strong job of emphasizing this fact in both subtle and broad fashions.”

“The Hub”

“it’s hard to screw up what the show does best, an intersection of human and Cylon combined with meaningful action sequences and a spiritual journey for humanity’s dying leader. There’s a certain diversity in the episode’s tone that could turn some off, with some strangely humorous or laid back sequences, but when much of it was given to Mary McDonnell and James Callis it was at least in good hands. By grounding itself in both the ongoing plot and the series’ central characters and themes, the episode can’t help but provide momentum into the final episode of the year.”

So that’s the season so far…but are all of these pull quotes still representative?

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Battlestar Galactica – “The Hub”

“The Hub”

June 6th, 2008

[I’m filling in for fellow blogger Todd VanDerWerff over at The House Next Door this week (Thanks to Todd, and Keith, for making that happen!), so here’s an excerpt of this week’s episode review and a link to the site. Enjoy!]

Say what you will about “Sine Qua Non,” nearly unanimously considered the fourth season’s worst episode yet, but the dramatic undercurrent that has propelled the rest of this season was present in certain aspects of the episode. The episode was too blatant with its plot movements, no question, but there was also tantalizing hints of the story we weren’t seeing.

While there was dramatic purpose in keeping us in the dark to reflect the fleet’s confusion in the wake of the “Guess What’s Coming to Dinner?” cliffhanger, we were really waiting for “The Hub.” Written by Jane Espenson and directed by Paul Edwards, this story of the basestar’s quest to destroy the Cylon Resurrection hub and unbox D’Anna (Lucy Lawless) is the one that we wanted to see last week, which made those brief hints more frustrating than intriguing.

This is not the first time the season has done this – Espenson’s last episode, “Escape Velocity,” was coincidentally itself a divergence from the Cylon Civil War and the Demetrius’ search for Earth in favour of building Tyrol and Baltar’s interesting, but less pressing, storylines. Here, however, Espenson trades off, drawing the gig of writing the payoff for a change.

For the most part, she succeeds – it’s hard to screw up what the show does best, an intersection of human and Cylon combined with meaningful action sequences and a spiritual journey for humanity’s dying leader. There’s a certain diversity in the episode’s tone that could turn some off, with some strangely humorous or laid back sequences, but when much of it was given to Mary McDonnell and James Callis it was at least in good hands. By grounding itself in both the ongoing plot and the series’ central characters and themes, the episode can’t help but provide momentum into the final episode of the year.

Continue reading @ The House Next Door.

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Battlestar Galactica – “Sine Qua Non”

“Sine Qua Non”

May 30th, 2008

Yes, you’re not seeing things: that date above is in the future, which means that I have perfected the art of time travel. Or, more accurately, I’ve perfected the art of hijacking a British satellite feed in order to watch this week’s episode of Battlestar Galactica three days before it airs on this continent.

Yes, SkyOne is now three days ahead due to the Memorial Day holiday break on Sci-Fi, which is good news for those of us able to see it early. Now, I was trying to decide whether to write a review now or later for this one, and know that my decision to focus on the former is largely due to a desire to discuss it while it is still fresh in my mind; I know how hard it will be for those of you on feeds to resist the temptation to read before you watch, and I apologize for the trouble.

However, there’s a lot to talk about here, some of which I found interesting and some which, well, I didn’t. Plus, the return of a much-loved character that, although engaging, ultimately falls in the latter category…I think.

So, head below the jump for thoughts and spoilers…and, if you’re not coming back until Saturday, see you then!

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Battlestar Galactica – “Guess What’s Coming to Dinner?”

“Guess What’s Coming to Dinner?”

May 16th, 2008

Ladies and gentlemen, welcome to Season Four.

Yes, certainly, there has been some strong episodes in this first half of the fourth season, so my apparently very late welcome to the series is not to say that the show has been wholly off its form since its premiere in early April. However, with this our 7th episode in the first half of the season that is likely to serve as our only episodic Battlestar fix in 2008, the show is finally returning to what it does best: episodes that combine every conceivable point of strength for the show into a single forty-minute segment.

Here, we have everything: the subtle character moments (albeit in smaller number than episodes past), the haunting thematics, the secret agendas, the political intrigue, the mythology of the series emerging, the cliffhanger endings, and most of all the kind of acting that you just don’t get on other shows these days. The episode leaves us with so many unanswered questions that you’d swear we are leaving for a lengthy break starting now as opposed to in (likely) a month’s time.

But, nope – in two weeks time, we will find out what all of this week’s fantastic episode means. For now, let’s dig in.

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Battlestar Galactica – “Faith”

“Faith”

May 8th, 2008

If there’s anything that Battlestar Galactica’s latest episode asks for, it is certainly the episode’s title: faith in its vision, faith in its journey, and faith in its slow as molasses pacing. If there was any hope in this changing, then “Faith” certainly set the record straight: with still a large number of episodes to go, Ronald D. Moore is going to take his sweet time getting to “the point.”

Of course, I am not one to criticize this decision – the nature of this final season is that it is having to tie together three seasons worth of action, suspense and drama into something even bordering on conclusiveness. It’s the same problem that any series faces towards the end of a season, or the show itself, but one that is particularly tough when you have two distinct societies, with multiple destinies intertwined within each one, to deal with. Human and Cylon are both on a collision course with something big, but how they get there needs to be choreographed.

I am kind of wary on “Faith,” if only because on a plot level it didn’t even live up to the low standards that I provided for it. It is one thing to spend a quarter of the episode with a very character/mythology driven story for Laura Roslin, that’s earned considering the show and Mary McDonnell’s respective pedigrees; the big problem is that the dramatic payoff to the Demetrius payoff was neither suspenseful nor dramatic on a broad plot level. We already knew what Kara Thrace learns from the Hybrid, we pretty well presumed what was going to be the end result of their journey, and outside of a random leg injury I never felt like anything was truly in jeopardy.

But, in the process, there was a few key scenes that elevated the material, and a sign that even though we’re not moving as fast as some would like we are definitely on the water in the river between the past and the future storylines.

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Battlestar Galactica – “The Road Less Traveled”

“The Road Less Traveled”

May 2nd, 2008

After last week threw us into the psychological and religious conflict brewing on Galactica, it’s natural that this takes a back seat to the plots we really want to see: Starbuck’s struggles to find Earth and the Cylon’s internal conflict. We’re thrown right into the action this time around, with Mark Verheiden’s script starting with a definitive revelation for the Demetrius.

That was what was lacking last week, as to an extent “Escape Velocity” seems unnecessary by comparison: here, we get the kinds of reactions that we expected to find last week but didn’t. We get a glimpse of Baltar, and one that perhaps didn’t need such an extracted investigation as we saw last week. Similarly, did we really need last week’s events to explain Tyrol shaving his head and obsessing over his wife’s death? I liked last week’s episode alright, but it feels as if it was a lot of exposition without much comparative value.

Last week felt totally wrong when it comes to the central conceit of the season: the blurring of the line between human and Cylon is integral to defining the series moving forward, and this week we return to the concepts of shared destiny and identity within the context of the series. The result is a sharper episode, one that feels like we are, indeed, traveling down a particular road as the two storylines missing last week coincide.

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Battlestar Galactica: “Escape Velocity”

“Escape Velocity”

April 25th, 2008

It was inevitable: after a monumentally eventful third episode for the show’s fourth season, we were bound to find ourselves at least mildly disappointed in “Extreme Velocity.” Written by Jane Espenson and directed by Edward James Olmos (Adama, for the unknowing), the episode was very slight: of the four plots that we picked up on last week, we abandoned two of them while the other two never really showed any new potential to the level that fans had imagined it.

In other words, we probably wouldn’t have conceived an episode that portrays a predictable Tyrol-like response to Cally’s death, and we wouldn’t have abandoned the Cylon Civil War in order to focus on not Baltar’s character, per se, but rather the emergence of his total religiousity. For others, it might hearken back to the unfortunate string of episodes at the conclusion of the third season that the show admits were desperate attempts to save an episode in the editing room.

I don’t think it is nearly to that level: while certainly a lighter episode on plot than we are used to, there was nothing overly objectionable about its content. Considering that the themes of the season are very much returning to the opening of the second season and the division within the fleet along religious lines, it is good that we are seeing more of both politics and people relating to this development. While I do think that a few of the storylines felt like they were getting either too much or too little time, and that there were certainly some balance or editing issues to deal with, the end result is a decent setup for the things to come.

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Battlestar Galactica – “The Ties That Bind”

“The Ties That Bind”

April 18th, 2008

Speaking to a friend ahead of this episode, I said the following:

“I’m curious to see where it goes from here – the human plot has kind of hit a roadblock, so it’s going to be up to the Cylons to carry the dramatic weight I fear.”

So, considering these expectations, I should have been really frustrated with “The Ties That Bind,” an episode where almost all of the dramatic weight was founded on Cally, one of the most maligned characters amongst certain populations of the show’s fans. While there were a series of intriguing and fairly fantastic revelations on the Cylon side of the coin, it was ultimately a footnote in the episode compared to our central drama.

Now, I’ve never been on the side of Cally haters per se, but rather of the mind that Cally’s character was never given a justifiable reason to exist outside of her relationship to Tyrol. The character was never asked to carry any dramatic weight outside of either being beaten to a pulp or being placed in mortal danger – as a result, we got a lot of screaming and crying, but little in the way of nuanced emotion or any such things.

I’m not saying that what we saw from Nikki Clyne last night was revolutionary performance, but Michael Taylor managed to draw from her past in order to craft, at the very least, an intriguing point of representation. Cally, through anti-depressant fueled journeys, becomes a loose cannon – she is suspicious and paranoid in her altered state, and begins to suspect Tyrol is hiding something. Upon investigation, she stumbles across his biggest secret, and all of a sudden Cally has gone from nuisance to all-out ticking time bomb.

And then it went off, much sooner than I think any of us expected.

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