Tag Archives: Galactica

Review: Battlestar Galactica – “The Plan”

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“The Plan”

October 27th, 2009

There has been an odd lack of excitement surrounding “The Plan,” which isn’t exactly surprising. On the one hand, the show’s finale proved somewhat divisive, which could have turned some fans away from revisiting the series. On the other, there is more long term interest in a project like Caprica which could run for multiple seasons than a one-off movie, which might have fans focusing more on its impending premiere. However, I really shouldn’t fit into either of these camps, as I’ve yet to get truly excited about Caprica (although I am certainly intrigued) and I quite loved the finale. And yet, nonetheless, the DVD release of The Plan (in stores today, October 27th) snuck up on me in a way I had not anticipated, and its release seems to lack the fanfare one would expect for what will be our last time spent with this universe (or this time period in this universe).

Perhaps it is best that one goes into this one with low expectations, however. As someone who loves this show, having written an undergraduate thesis about it and spending four hours writing about the series finale into the middle of the night with no regard for my personal health, the purpose of this film should excite me. Promising to explain the Cylon plan to destroy humanity, and to detail how the individual Cylon models came to play their roles in the first two seasons of the series, one feels as if there is some really compelling material to be had here, the kind of stuff that would have me wishing I could go back and rewrite my chapter on the Cylon/Human binary all over again.

And yet, “The Plan” is a qualified failure, raising some intriguing issues but in an indulgent fashion that in its relentless need to fill in the gaps of where this is happening relative to the show’s narrative proves more distracting than informative, more confusing than enlightening. I feel as if there is an intriguing narrative waiting to be found somewhere in this mess of a two-hour television movie, but that narrative is lost when it is so clearly segmented to fit into the series’ existing structure. While we’re busy playing the game of “spot which footage was from the show and which was shot new for the movie,” there’s something interesting going on here that’s just not coming through as clearly as it needed to.

In individual moments, this feels like Battlestar Galactica – as a whole, it feels like a DVD extra where you can click a button and see what the Cylons are busy plotting at that particular time, something which would be more interesting if they hadn’t tried to turn it into a motion picture event.

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BSG: The Long Goodbye – The Critical Response to “Daybreak”

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The Critical Response to “Daybreak”

March 21st, 2009

[I always write my reviews without reading what other critics have written, not because I don’t respect their opinions (precisely the opposite) but rather because I feel as if I have nothing to add once I finish reading them on occasion, and I want to feel motivated to write and produce blog material. And while I may have gone with the “volume” approach with the Series Finale, this doesn’t mean that other critics haven’t been able to far better focus on some of the issues I really wanted to emphasize myself. So, let’s take a trip through the critical response to the finale as we start our Long Goodbye.]

Critics love Battlestar Galactica, and those that don’t do feel kind of bad about it. This is one of those “events” in the world of television criticism, where it becomes the dominating topic of discussion within critical fields, and while there is a mostly positive buzz surrounding the finale this doesn’t mean that there isn’t some disagreement. So let’s, below the fold so as to not spoil anyone, start sorting through the reviews for some things they made me reconsider, and some things that I want to question.

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BSG: The Long Goodbye – Introduction

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Introduction

March 23rd, 2009

I have written a lot about Battlestar Galactica over the past two years of this blog. One of my very first posts, in fact, was about how Battlestar Galactica was more or less taking over my life, leading me to see parallels in literature, in every day life, and expecting in some way that it would slowly meld with my own life. And, on Friday night, it pretty well did: after watching the finale, I shut myself into my room and turned out an epic, sprawling and rather indulgent review that was part catharsis and part exorcism. It was not, however, a goodbye.

I don’t think I’ll ever say “goodbye” to the show, what with the DVDs I could watch, or the academic papers I might eventually write, but at the same time I felt after writing that review that I need some more time, and some more posts, to really come to terms with this ending. And so, throughout the week I’ll be posting a myriad of thoughts on the show, whether it’s some links to the views of other critics, or an extended analysis of Season Four’s narrative structure, or potentially even something I’ve been resisting for a while but may have found its ideal time frame in the wake of the finale. I’m also considering the rather insane task of confronting the issue of the finale’s religious elements, but perhaps I’ll come to my senses before wading into that particular conflict.

Regardless, it’s one last chance to get some of this off my chest before I know I’ll have to put it on the backburner in favour of academic pursuits.

Monday:

The Critical Response to “Daybreak” – A collection of various critical analyses of the finale, with some of my own insight sprinkled in for good measure.

Tuesday:

Finale Discussion – A two-hour discussion of the series finale done with Devindra Hardawar and Meredith Woerner, recorded as a special edition of the /Filmcast, is now available for download at the above link.

Wednesday:

The Trouble with Twenty – As ironic as it sounds, an analysis of how the problems of feeling like the season needed more time could have been solved by shortening its season to tighten the show’s narrative.

Thursday:

The Real Higher Power – With all this talk of God and religion, let’s realize who really holds the most control in the BSG universe: Bear McCreary, composer of the Gods, controls our emotions and reactions more than any writer, producer, or higher power ever could.

Friday:

Romancing the Cylon, Revisited – My obsession with BSG is perhaps best represented by my undergraduate thesis about the series’ connection with Medieval Romance, so what better way to finish this cathartic week than spreading it to the world?

[Come back daily for another dose of The Long Goodbye.]

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Battlestar Galactica – “Daybreak Part One”

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“Daybreak Part One”

March 13th, 2009

Methinks that Ronald D. Moore has placed a red line right down the ranks of the Galactica faithful, which is something that he seems to revel in – it is not that the beginning of “Daybreak” is inherently a bad episode, but rather that it represents a very cautious approach that is treating this three-hour finale as an episode in and of itself as opposed to an extension of the episodes that came before it. The result is another in a long line of setup episodes, weaving in and out from his main character’s past lives in Caprica City in a way that makes thematic sense to the show as a whole, but doesn’t actually feel like it connects with the mutiny, or the rest of the fourth season thus far.

There’s something to be said for this kind of approach: with a cast this large and with a timeline this varied in terms of both action and reaction, it’s easy to see why returning to who these people were before “the Fall” would be of some value. And yet, at the same time, I left the episode not pondering how much these characters have changed but rather how much they’ve remained the same. Something about the way the episode was structured made it a bit too easy, the parallels between their former lives and their current predicament too simply stated, for us to forget some of what has happened to them, to remove the context of forward momentum and replace it with a potent nostalgia.

The result is something different, not something wrong: when Adama has his heroic speech, we are properly on the edge of our seat, properly considering the gravity of this situation, and properly realizing just how epic this is going to eventually be. But we’ve been waiting for something epic for a long time now, and by layering that suspense with the catharsis of the flashbacks we’re taken out of the season and placed into a series perspective perhaps too disconnected from the season thus far.

I’m left wondering not whether Moore is steering this ship in the right direction for the finale, which has the right kind of epic qualities as we need it to have coupled with a strong connection to these characters and their past lives, but rather whether this finale remains unchanged from the plan originally designed for when the second season was to be only 13 episodes – I have a feeling that it wouldn’t have been any different. As a result, while it feels like we’re heading in the right direction for a series finale, I don’t quite know if it feels like an ideal capoff to the season in and of itself.

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Battlestar Galactica – “Someone to Watch Over Me”

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“Someone to Watch Over Me”

February 27th, 2009

For an episode driven by the power of melody to transcend minds and to bring people together, there was a return to a familiar rhythm to “Someone to Watch Over Me,” a return to form for Battlestar Galactica as it heads into its final three episodes. What’s been missing in the last few episodes is the sense that this is all coming together to add up to something, that what we’ve been seeing and the answers we’ve been searching for have been worth our time. While, perhaps, the content of “No Exit” or “Deadlock” will make a difference in the end, neither episode in and of itself added up to something profound, something progressive, or something that gives us some peace of mind that the show knows where its most powerful material lies as it heads towards its finale.

But this week this all changed under the guidance of Bradley Thompson and David Weddle, delivering their last episode with a deft sense of pacing and momentum. It is an episode that leans heavily on the past to demonstrate the power that it has over us, and then allows that to play out in the present in a way that is simultaneously revelatory and, more importantly, diversionary from the laidback, almost nonchalant path the show has been on since the end of the mutiny. The result is a clear path to the future, centering its storyline on the two major unanswered questions and using both of them to drive us into something approximating a climax. More importantly, though, the actions in the episode are ones which actually have broad implications for almost everyone: while the most recent drama has remained far too isolated to one side of humans and Cylons, here we finally have something that everyone can get really frakking pissed about.

And, well – finally.

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Left on the Cutting Room Floor: “Deadlock,” Editing and Soap Operatic Indulgence

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Left on the Cutting Room Floor:

“Deadlock,” Editing and Soap Operatic Indulgence

Last weekend, still stewing in frustration over “Deadlock,” [my review] the latest episode of Battlestar Galactica, I tweeted the following to my twitter followers:

Pretty sure I could write five blog posts this week delving into points of contention on last night’s BSG. I must resist this.

As you can see, I lasted until this morning, as I have in weeks past, before needing to delve back into episodes that frustrated me, trends which concerned me, and that voice in my head that for all of my enjoyment of BSG’s four seasons is extremely cynical about the show’s direction when the show ends in three weeks. The last three episodes of the show have all felt “off” for me, and I’m at a point where I need to see something in tonight’s episode, “Someone to Watch Over Me,” that convinces me less of Katee Sackhoff’s talent or Bear McCreary’s musical genius and more of Ronald D. Moore and David Eick’s vision for completing this thing in only 4 more hours of television.

I am aware, of course, that these hours are really only 43 minutes, and that in that amount of time the show only has time to do so much. In fact, on numerous occasions this year, there have been moments where I’ve wondered what was left off the cutting room floor, and how some content seemed ill-fitting for particular scenarios. And after reconsidering “Deadlock,” and reading some of the interviews with the show’s writers regarding episodes like aforementioned Deadlock and No Exit, I’ve come to a conclusion that somewhere, in those minutes of uncut footage and those ideas not followed through on, there might have been a way to quell my cynicism.

But we got a love triangle instead.

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Cold Water Commentaries: Ronald D. Moore and the End of Speculation

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Cold Water Commentaries:

Ronald D. Moore and the End of Speculation

If you remember last week’s episode of Battlestar Galactica, with the exposition-packed “No Exit” providing an enormous amount of detail about the Cylon origins, you likely also remember asking yourself a very important question: who, or what, is Daniel, the 7th Cylon model? We learned some of the details of his existence, however brief, during the episode itself, but there were a lot of outstanding questions about how it could relate to Starbuck, or how it could relate to any of the other Cylons, and how it fit into these questions of identity that have long driven the series forward. It is impossible that any fan left that episode without a fundamental question about this Cylon’s whereabouts.

And then Ronald D. Moore’s Podcast Commentary was released, and he shrugged it off: oh, sorry everyone, Daniel’s gone, it’s not a big deal, just go about your business.

Effectively, Moore has thrown cold water on the theorists, the prognosticators, the obsessed Battlestar fans who spend more time trying to figure out where the show is going than they do considering where the show has been. And while I wouldn’t put myself within the group who is solely concerned about the series’ forward momentum, I am someone who likes to have a complex framework for heading into upcoming episodes, and to be honest I feel as if Moore has somewhat betrayed that principle.

While it is well within Moore’s right to decide what speculation he will quash and those elements of an episode that he will leave open for interpretation, there is also a point where fans of a complex science fiction series could probably handle the open thread of a corrupted Cylon while still being focused on the drama at hand. Part of me understands Moore’s decision, as it is in line with some of the other choices that he has made going into the latter half of the season, but I feel as if one of my few caveats for enjoying “No Exit,” its myriad of unanswered questions that promise a highly complex future, has been eliminated.

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Battlestar Galactica – “Blood on the Scales”

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“Blood on the Scales”

February 6th, 2009

For the second time this season, I found myself in a situation wherein being able to watch Battlestar Galactica wasn’t in the cards. I am not a fan of this particular development, as it is inherently frustrating, especially when the episode was actually spoiled for a couple of people I was with for the weekend. BSG’s friday night time slot seems great in theory sometimes, but when you actually have an event going on it’s kind of tough to find the time to slot it in.

And by the time I did sit down late Saturday night to watch “Blood on the Scales,” I have to say that I didn’t find it quite as exciting as some others did. Perhaps it was the scenario in which I watched it, but there is something about this episode that felt like it was the simplest of solutions. There wasn’t anything surprising in the episode, outside of a couple of loose ends that never really played a role in the episode. This isn’t to say that the episode lacked excitement, or that its darkest moments had no impact on me, but rather that for all the escalation and all the entertaining turnarounds it ended up exactly where we knew it would end up.

So this isn’t likely going to be incredibly lengthy, primarily because I wrote so much about “The Oath” that saying too much more here is probably going to get redundant.

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The Morning After “The Oath”: BSG Links

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The Morning after “The Oath”

Reviews and Analysis

Since some of you have probably already read last night’s BSG review [which you can read here], figured I’d highlight some links in a separate post instead.

  • Mo Ryan has some of her own thoughts up, but she precedes them with an interview with Mark Verheiden, the writer of the episode.
  • Alan Sepinwall has his review, and there is no greater spot for indepth episode discussion with a legion of loyal commenters; I think he’s a bit too harsh on Baltar, but I think that I know where he’s coming from.
  • Todd VanDerWerff at The House Next Door mediates between his eight-year-old self and his critical side when analyzing the episode, successfully marrying the two (as I think most critics have had to do).
  • Bear McCreary has his blog post about the episode up, where he even insinuates that next week required MORE action cues, which implies it could be even more epic in scale. That’s just plain intense.

So…is it next Friday yet? “Blood on the Scales” can’t come soon enough.

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Battlestar Galactica – “The Oath”

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“The Oath”

January 30th, 2009

“Every revolution begins with one small act”

This was what Tom Zarek told Felix Gaeta when they made their uneasy alliance at the end of “A Disquiet Follows My Soul,” and the events of “The Oath” are in many ways the result of this particular theory, if not quite in the way that Zarek meant these words.

Fundamentally, yes, the act of mutiny that begins at 0630 hours was in fact one small act that would spiral into something much large, but at this point it is impossible to consider any action or any event as anything but a culmination of past tensions. The entire episode is spent taking a trip down memory lane: to Anders’ days back on Caprica surviving the Cylon attack, to the fight of the resistance on New Caprica, to the treasonous activities during the reunion of Galactica and Pegasus, they all played a role in who these people are and how they came to be there. They all took an oath, every single one of them, and although that Oath has been tested it is in this moment that they will make a decision.

The result is quite literally a showdown between the present and the past, one that each character on an individual level is forced to reconcile. Despite being the most action-packed episode perhaps of the entire season thus far, and featuring in my mind the most tense and human-driven action we’ve seen since “Pegasus,” this was much less about the action than it was about what it meant to the people involved. From grunt marines to basic civilians to the former political and military leaders of these people, humanity is indeed at a crossroads, and this is as much an inner revolution of their minds as it is an attempt to take over control of Galactica.

Every revolution may begin with a small act, but “The Oath” was anything but small, and certainly represents a return to seat of your pants, edge of your seat engagement without sacrificing the psychological investigation of characters that truly sets the show apart.

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