“There is Another Sky”
February 26th, 2010
Early last week, I posted some thoughts which had been percolating for a while about SyFy’s Caprica, in particular how some people just can’t seem to get over the fact that it’s connected to Battlestar Galactica and judge it based on its own merits. And while I didn’t get to this week’s episode, “There is Another Sky” when it aired on Friday, I did notice that I wasn’t the only one with this point of view: both Todd and James came out with much the same perspective after this week’s entry, which indicated that the show’s roll continued into its fifth episode.
“There is Another Sky” is probably not the best episode of the show thus far, but I would argue it may be the most significant. You see, while I wrote last week about how the show shouldn’t be judged solely on its connections to the world of Battlestar Galactica, this week painted a picture (and visited a world) which offers a serious expansion of the Caprican landscape that blows this series wide open and yet simultaneously narrows in on what we know will happen in the future thanks to our BSG knowledge.
And by managing to juggle these two roles so successfully, Caprica remains on a rather exciting journey, whether you know the destination or not.
January 29th, 2010
I was warned ahead of time that Caprica’s pilot was not necessarily representative of the series, and that the two additional episodes sent to critics seemed to offer something very different. However, all of those people who had seen the episodes seemed excited but in a way that was at the same time quite cautious: when I chatted about the episodes with Todd over at Media Elites, he indicated that, while he was quite taken with the episodes, not everyone is going to fall head over heels in love with the show that Caprica has become.
I, however, have. What surprised me about Caprica was that it managed to resist diving straight into melodrama, despite a premise that lends itself to that sort of interaction. After a pilot that felt steeped in the complexities of holo-bands and avatars, “Rebirth” takes that scenario and investigates the human consequences: stories that are big philosophically, like the fate of Zoe Graystone’s Avatar, are small in the context of the story, while the stories which go public are those which are more personal and thus more devastating. Rather than focus on creating conflict between characters, the episode allows the characters to start developing independent of that conflict, discovering new ways to adapt to a world without a daughter or a family shattered by tragedy.
It’s an episode that manages to subtly investigate the show’s premise while also triumphantly proclaiming that Caprica is a place of great complexity, and a place that has no idea the changes that the next decade or two will bring; in short, it’s a damn fine start for the series at hand.
“Someone to Watch Over Me”
February 27th, 2009
For an episode driven by the power of melody to transcend minds and to bring people together, there was a return to a familiar rhythm to “Someone to Watch Over Me,” a return to form for Battlestar Galactica as it heads into its final three episodes. What’s been missing in the last few episodes is the sense that this is all coming together to add up to something, that what we’ve been seeing and the answers we’ve been searching for have been worth our time. While, perhaps, the content of “No Exit” or “Deadlock” will make a difference in the end, neither episode in and of itself added up to something profound, something progressive, or something that gives us some peace of mind that the show knows where its most powerful material lies as it heads towards its finale.
But this week this all changed under the guidance of Bradley Thompson and David Weddle, delivering their last episode with a deft sense of pacing and momentum. It is an episode that leans heavily on the past to demonstrate the power that it has over us, and then allows that to play out in the present in a way that is simultaneously revelatory and, more importantly, diversionary from the laidback, almost nonchalant path the show has been on since the end of the mutiny. The result is a clear path to the future, centering its storyline on the two major unanswered questions and using both of them to drive us into something approximating a climax. More importantly, though, the actions in the episode are ones which actually have broad implications for almost everyone: while the most recent drama has remained far too isolated to one side of humans and Cylons, here we finally have something that everyone can get really frakking pissed about.
And, well – finally.