“End of Line”
March 26th, 2010
While I hadn’t seen “End of Line” before writing my post about Caprica’s memorable scenes and their impact on its storytelling earlier today, I could feel myself posturing towards the finale throughout writing it. While I liked “End of Line” just fine, its position as a hackneyed [mid]season finale designed to allow SyFy to split up its original programming across different quarters meant that it would be pretty much forced to push the stories that haven’t had the same sort of thematic dialogue and striking sequences as Zoe’s story to some sort of conclusion sooner than might be ideal.
And while I know Battlestar Galactica got a reputation for its cliffhangers, I don’t think Caprica is particularly good at them, especially with its pacing as it is. The result was an episode that forced every story along like it was a high speed chase, leaving no time to really stop and consider the consequences or the thematic ramifications in the process. The few stories that had a chance to stop and slow down turned out alright, and those desperate for plot advancement are probably somewhat appeased, but “End of Line” is very clearly not the end of the line, and the usual slow build that defines the series was entirely absent in an episode that offered some good thrills but left out the chills.
“The Imperfections of Memory”
March 12th, 2010
One of the largest concerns that many seem to be citing when explaining their dislike of SyFy’s Caprica is “poor pacing,” which isn’t an uncommon complaint of any serialized drama. Really, Caprica is trapped between the two most common circumstances where pacing becomes a concern: not only is it a new series that is taking a while to get to the bulk of its story, but it’s also being (unfairly) viewed as a continuation of a previous series, which creates other expectations about how fast the show should (or shouldn’t) be moving. For some it’s starting from scratch, and for others it’s having to contend with concerns over pacing that plagued the final season of Battlestar Galactica.
I don’t intend to repeat my previous argument on why I disapprove of the latter concern, but the former issues are legitimate and, to some degree, quite accurate. “The Imperfections of Memory” reminds us that this is in some ways the story of a group of people stumbling into knowledge that we as an audience (regardless of whether we’ve seen BSG) already know, and watching that unfold can be at times a slow and unsatisfying process.
However, personally, I think there’s something interesting about watching the process of discovery, and the power that yields has thus far been worth the slow build, and worth the sideways momentum, and worth the “poor” pacing so long as it’s building to something as philosophically intriguing as it seems to be.
“There is Another Sky”
February 26th, 2010
Early last week, I posted some thoughts which had been percolating for a while about SyFy’s Caprica, in particular how some people just can’t seem to get over the fact that it’s connected to Battlestar Galactica and judge it based on its own merits. And while I didn’t get to this week’s episode, “There is Another Sky” when it aired on Friday, I did notice that I wasn’t the only one with this point of view: both Todd and James came out with much the same perspective after this week’s entry, which indicated that the show’s roll continued into its fifth episode.
“There is Another Sky” is probably not the best episode of the show thus far, but I would argue it may be the most significant. You see, while I wrote last week about how the show shouldn’t be judged solely on its connections to the world of Battlestar Galactica, this week painted a picture (and visited a world) which offers a serious expansion of the Caprican landscape that blows this series wide open and yet simultaneously narrows in on what we know will happen in the future thanks to our BSG knowledge.
And by managing to juggle these two roles so successfully, Caprica remains on a rather exciting journey, whether you know the destination or not.