Category Archives: Chuck

Chuck – “Chuck vs. the Suburbs”

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“Chuck vs. The Suburbs”

February 16th, 2009

“We can’t go back there – it was just a cover.”

There has always been a certain question of how, precisely, Chuck is going to be able to manage to draw out the relationship between its eponymous hero and his handler/cover girlfriend Sarah. The “will they/won’t they” of the scenario could get old quickly, something that nobody really wants to see happen when Levy and Strahovski actually have a lot of chemistry and the episodes that focus on the intricacies of their relationship, like “Chuck vs. The Suburbs” are amongst the show’s most resonant.

The episode is a sign, though, that there is going to come a point where we can’t keep getting the same memo over and over again. While bringing Chuck and Sarah to the brink of a real relationship before tearing it away from them might have worked the first time around, or even the second, we’re getting to the point where it doesn’t really have the same impact. Changing their cover from “dating” to “married” and placing them in the confines of a happy suburbia with a golden retriever and a whole bunch of photoshopped photos of a happy couple is a pretty good setup for this part of the series’ identity, but I feel as if things are beginning to wear somewhat thin.

And yet, this is all in theory: in theory this episode shouldn’t work, its central theme of “we can’t return to something that wasn’t real” being something that the show has dealt with numerous times, but in practice Zachary Levi and Yvonne Strahovski bring so much pathos to these scenes that it feels like the honeymoon is still ongoing long after the post-wedding bliss should have ended. And that’s a testament to the show’s quality, even if I feel they’re tempting fate at this point in the show’s run.

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Chuck – “Chuck vs. Santa Claus”

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“Chuck vs. Santa Claus”

December 15th, 2008

When someone thinks of what a good Christmas episode should be, “Chuck vs. Santa Claus” will meet many of these criteria. It has plenty of jokes within the holiday spirit, characters dressed up in seasonal garb, generous samplings of Christmas-themed music, and the absolutely genius decision to have Reginald VelJohnson reprise his role as “Big Al” from Die Hard to go with the episode’s Christmas-themed hostage situation. In these moments this episode felt like what we all expected: one of the most funny and enjoyable shows on television delivering a note of holiday cheer.

But what we got was less an example of a good Christmas episode than it was a demonstration of Chuck’s ability to balance the emotional with the hilarious, the dramatic with the comic, and the danger with the laughter. When things seemed to be wrapping up too neatly at the halfway point of the episode, it became clear this was about something more: it was about learning how far people were willing to go to protect those they loved, and continued a long streak of fantastic dramatic work from both Zachary Levi and Yvonne Strahovski.

It’s another fantastic episode, if not quite the one we expected, from a show that put together quite a great opening to the season.

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Chuck – “Chuck vs. The Sensei”

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“Chuck vs. The Sensei”

December 1st, 2008

Any show coming out of a major story arc is going to have a bit of a tough time of their next episode. This isn’t to say that the episode is going to be bad, but rather that it’s inevitable: whether Lost after their premieres or Battlestar Galactica after its inevitable midseason pit stops, there’s going to be a point when the rising action has reached its climax and it’s too soon for the next story to really pick up.

This was, for Chuck, as good a time as any to return to the past of one John Casey, stern-faced Buy More employee in one life and…stern-faced NSA agent in the other. While I like seeing more of Casey, the episode spends a lot of time plainly stating that John Casey only has one speed: mad. There is no inner calm in John Casey, and while we get one moment of unquestioned humanity in the episode there is, for the most part, not going to be something approaching the emotional side that we get so often from Sarah.

But Adam Baldwin knows how to play mad, and the show knows how to balance an episode like this; while it doesn’t help it rise above the show’s standard this season, the choice to parallel Casey’s past with Ellie’s upcoming wedding and the pressures of in-laws offered a good chance for the storyline to slowly move forward even as Casey faces off against a familiar face from his past (and ours, as far as the TV spy game goes).

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Chuck – “Chuck vs. The Gravitron”

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“Chuck vs. The Gravitron”

November 24th, 2008

The Jill Roberts-arc of Chuck was not what one would call new territory for the series, considering that Chuck’s past relationships from Stamford was such a focus of parts of the first season and earlier this season with the return of Bryce Larkin. The different of degrees, however, is that this is entirely Chuck’s burden: while Bryce had equal parts baggage as it related to Chuck and Sarah, Jill is all Chuck and therefore presents itself as his problem to handle. For two episodes, though, he’s melted into her arms only to have it all thrown out the window when he learns, as we did last week, that she is in fact a Fulcrum agent.

What “Chuck vs. the Gravitron” does so well is pit Chuck as much against himself than it does against Jill or against Fulcrum. While this entire season has been quite a fine showcase for Zachary Levi, this episode is a prime example of the kind of dramatic work that he is often required to bring forward in this type of role. His scenes with Jill this week followed exactly the arc they needed to: starting with terrified at the secret between them, moving into simple awkwardness, and then eventually turning into a realization that “the past is the past,” something that he hasn’t quite been able to do before.

And unlike some other shows, where burning through the built-in dramatic storylines leaves them nothing to accomplish, I get no sense from this episode that Chuck’s journey is complete, or that the season has no further direction. As it concludes Jill’s storyline on a high note, I have complete faith that they’ll find another one in a week’s time – and that’s the joy of Chuck right now.

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Chuck – “Chuck vs. The Fat Lady”

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“Chuck vs. The Fat Lady”

November 17th, 2008

One of the things that Chuck has done so well in its second season is the integration of all three parts of Chuck’s life, specifically how the Buy More and Friends/Family storylines have integrated (mostly) seamlessly into the cases that dominate the rest of Chuck’s time. “Chuck vs. The Fat Lady,” in many ways, is the toughest test of this yet: reintroducing Fulcrum in a big way, the show is given the task of personalizing a group that has remained very vague and poorly defined since the show’s first episode.

But, proving once again that it’s absolutely on the right path this season, the show demonstrates with a deft hand how it is able to personalize that which could seem impersonal, and familiarize storylines which could have felt even more diversionary. Capture under the theme of surveillance, the episode provides ample pleasures on every level: charactertization, eye candy, plot development and John Casey demonstrating his ability to hit a High C with only his pristine voice.

And that’s just fantastic stuff, there.

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Chuck – “Chuck vs. The Ex”

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“Chuck vs. The Ex”

November 10th, 2008

If I was going to make one complaint about Chuck’s 99% sublime second season, it would be that we haven’t spent enough time on Chuck himself – sure, he had his crisis in the premiere, but the show has dealt mainly with his relationship with Sarah as opposed to really letting Zachary Levi cut loose in this role. While he is perhaps the most unsung hero of the show, Levi continually gives Chuck a certain humanity that makes this show work, quite simply – without him, I’m not sure it would be the show it has been so far this season.

As far as episodes go overall, this one was a bit slower and more open-ended than our last few, the multi-episode arc element meaning that we get only part of a broader story (plus, this week’s Buy More storyline was one of the weaker ones in a good season for the store). But the return of Jill, Chuck’s ex-girlfriend from Stamford who broke his heart by running off to Bryce Larking so soon after their breakup, is the kind of thing that lets Levi demonstrate that he is the heart of this show, an element that can often be forgotten when we’re running at the kind of breakneck speed this season has been maintaining.

And that’s what turns what could have felt like a slow, exposition-driven introduction to a new character into something so successful: sure, it’s a bit slower plot wise than anything we’ve seen lately, but the episode was so chock full of double entendres, stylish one-liners and hilarious iPhone photos that any loss of momentum is entirely negated. This is a show that can stop, detour, or hit any multitude of speed bumps, and something will be there to pick up the slack, what little of it there is.

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Chuck – “Chuck vs. Tom Sawyer”

“Chuck vs. Tom Sawyer”

October 27th, 2008

With some shows, enjoyment is just enough.

Chuck is in a unique position this season, already given a full season order even while its ratings are struggling. That NBC was willing to shell out a back nine for a show based on quality alone does, indeed, say something about its rather dire pilot situation, but more importantly it says something about the show’s quality: in the early part of this season, Chuck is perhaps the most “on” series of all.

So while I haven’t been dissecting each individual episode like I have been with Mad Men, know that I’ve been spending the past few weeks enjoying the wonderful world of Chuck Bartowski. With “Chuck vs. Tom Sawyer,” it’s a much smaller world than we’re even used to: it takes place almost exclusively in the Buy More (Outside of one particularly stimulating excursion), it features no fancy new identities, and has nothing cluse to what you might call stuntcasting.

However, it has everything else: it has tension between Chuck’s two lives, it has some great integration of the Buy More crew, it has the emphasis on Sarah being placed into attractive costumes and shown in slow motion, and ends with moments of meaningful (and awesome) moments of character achievement. I don’t know what kind of frequency Chuck is operating on this year, but “Tom Sawyer” is as good a choice as any.

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Chuck – “Chuck Versus The Seduction”

“Chuck Versus The Seduction”

October 6th, 2008

As mentioned last week for the show’s second season premiere, Chuck is just “on” right now. If there is anything that gave the show some problems in the first season, it was managing to handle all of the different elements of the series: the numerous settings (Buy More, Home, Missions), the various supporting characters, and worse of all the weekly storylines and the recurring plots, both romantic and unromantic.

With “Chuck Versus the Seduction” it becomes clear that the premiere was no fluke: flawlessly introducing a case that dredges up Chuck and Sarah’s relationship as well as the continued growth of Chuck as an actual agent as opposed to just an asset. Even though the show goes so far as to throw around the L-word as it relates to our central relationship, it still feels like a show that is letting things move organically. When a show can trot out John Larroquette and Melinda Clarke in the same episode and still not feel like it’s trying to hard, you have a show that is playing with the right themes at the right time.

In other words, the show is more or less seducing the audience in the same nature as the four-prong attack: as long as it doesn’t become a bastard, the show is on a very strong trajectory.

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Season Premiere: Chuck – “Chuck Versus the First Date”

“Chuck Versus The First Date”

September 29th, 2008

When the TV critics started receiving their screeners for the first three episodes of Chuck’s first season, there was a lot of very positive things being said about the show really flourishing in its sophomore episodes. When the first six episodes were watched by NBC, they saw enough growth to give the show its Back Nine before it even aired an episode. And when the first episode streamed on Hulu.com, iTunes and Amazon a week ago, reviews were simple: this is a show that knows where it’s going.

For those of us who followed it last year, this news is that much more welcome. This was a show that everyone kind of appreciated, whether it was Adam Baldwin’s angry John Casey, the charm of Zachary Levi’s Chuck Bartowski, or the beauty of Yvonne Strakhowski’s Sarah. The problem was that it felt like we were appreciating parts and not the whole: while there were building blocks that really clicked on an individual level, trying to find a balance between the spy antics, the interpersonal team dynamics between Chuck/Sarah/Casey, Chuck’s relationship with his family, and the antics of the Buy More employees was something that couldn’t be done in only twelve episodes of a strike-shortened season.

But Josh Schwartz and Chris Fedak went back to the drawing board over the lengthy break, and they’ve come back with a bang: even with an “imposing” guest star, the need for heavy exposition to welcome back (or welcome in) viewers, and a lot of emotional baggage from last season, Chuck is at its finest for its premiere – if it can continue on this trend, this is (as many have called it) the show to watch in the coming season.

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Season Finale: Chuck – “Chuck Versus The Marlin”

“Chuck Versus The Marlin”

January 24th, 2008

I’ve decided to actually post this after the episode airs, as a courtesy considering that it is a bit of a suspenseful ride of sorts. After “Chuck Versus The Undercover Lover” was amongst the best episodes of the series yet, it’s hard not to see this as a bit of a step backwards in terms of its comic timing in particular. The first episode was certainly funnier, and perhaps more enjoyable, but I think that “Chuck Versus The Marlin” is nonetheless an important and entertaining episode of the series.

It’s particularly strong as a cap of sorts to the first 13-episodes of Chuck’s existing 22-episode order. Both of these episodes do an admirable job of marrying the show’s three elements (Chuck’s Spy Game, Chuck’s Family, the Buy More), and here it comes together in a plot that seems meaningful at this stage of the season. I worry that things will prove largely repetitive if this formula continues, and I hope that the magical hopefully seen this season back nine addresses this, but for now it’s a solid if unfortunately early season finale for the series.

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