July 6th, 2009
As a medical drama airing on a network where 12-13 episode seasons are the norm, Nurse Jackie is in a very weird little position. On the one hand, like all medical dramas, there is a sense that its ongoing storyline isn’t necessarily going to change or evolve in each episode, and its procedural setting will result in storylines that only appear for a single week. On the other hand, as a show with a shortened season, there is an expectation that things will move with a bit more purpose, and that “filler” won’t be as necessary.
To an extent, I would argue that “Daffodil” is the most basic episode yet, one that features a couple of new pairings for the show and offers an interesting parallel but doesn’t seem to do anything with it. This is the first time we’ve seen a night shift episode, and yet it didn’t feel like a particularly novel setup, and the show’s balance of comedy and drama is more than a bit out of whack right now.
It was an entertaining half hour, driven by Jackie’s personal dilemma and some well-drafted characters, but it seemed just a bit too random and, ultimately, basic for me to suggest that it did enough to advance things forward or show us something new.
“Chuck vs. The Gravitron”
November 24th, 2008
The Jill Roberts-arc of Chuck was not what one would call new territory for the series, considering that Chuck’s past relationships from Stamford was such a focus of parts of the first season and earlier this season with the return of Bryce Larkin. The different of degrees, however, is that this is entirely Chuck’s burden: while Bryce had equal parts baggage as it related to Chuck and Sarah, Jill is all Chuck and therefore presents itself as his problem to handle. For two episodes, though, he’s melted into her arms only to have it all thrown out the window when he learns, as we did last week, that she is in fact a Fulcrum agent.
What “Chuck vs. the Gravitron” does so well is pit Chuck as much against himself than it does against Jill or against Fulcrum. While this entire season has been quite a fine showcase for Zachary Levi, this episode is a prime example of the kind of dramatic work that he is often required to bring forward in this type of role. His scenes with Jill this week followed exactly the arc they needed to: starting with terrified at the secret between them, moving into simple awkwardness, and then eventually turning into a realization that “the past is the past,” something that he hasn’t quite been able to do before.
And unlike some other shows, where burning through the built-in dramatic storylines leaves them nothing to accomplish, I get no sense from this episode that Chuck’s journey is complete, or that the season has no further direction. As it concludes Jill’s storyline on a high note, I have complete faith that they’ll find another one in a week’s time – and that’s the joy of Chuck right now.