For those of you who realize that I am in fact Canadian, and that I spent a fair amount of time covering American Idol, you might be wondering why I have yet to even care to mention the recent launch of the summer programming juggernaut that is Canadian Idol. And, for those few of you who meet that description, I have this following explanation: it’s not at all compelling for me.
While the audition stages are always a huge draw for the American Idol audience, and for good reason, I believe that Canadian Idol has never quite figured out how to achieve the desired effect. On American Idol, the audition stages provide a glimpse into the future of the competition: with each episode you get an idea of a certain level of talent, and you connect with these people. I think a lot of it has to do with the judges: the dynamic that Simon, Farley and Paula have created is something consistent, set in stone. When people step before them we can immediately predict their reaction, or approximate it at the very least. This is, in actuality, a good thing: it allows the candidates to be judged on a fairly consistent set of standards.
I don’t know what it is about Canadian Idol’s judging panel, but I swear they’re all of them schizophrenic. They outright jeer certain contestants like an over-sized peanut gallery, but then fawn over others who are merely average. One second Farley’s Mr. Nice Guy, the next he’s destroying some poor contestant. Sass usually has nothing of import to say, and yet she can’t even decide whether she’s mean or nice in the process. Yes, I know most of this is purely natural behaviour: Zack isn’t a villain all the time, so why should be play one on this show? These people have to like people at some point, so what’s the problem?

Although we’re still in the middle of Cultural Learnings’ Upfronts Extravaganza, that doesn’t mean that there isn’t other news to worry about. For example, today brings news regarding the upcoming finale of Lost that I figure people should be made aware of:





