Category Archives: House

Season Premiere: House – “Dying Changes Everything”

“Dying Changes Everything”

September 16th, 2008

Well, thanks for the obviousness lesson, House. Or, more appropriately, everyone other than House.

After perhaps the most emotionally powerful episodes in the show’s history ending the show’s fourth season, it was easy to romanticize the world of House: we’re supposed to be paying attention to Wilson’s grief process and 13’s reaction to news that her lifespan has been cut in half by Huntington’s disease, but nothing about the season finale really dealt with the show’s other problems. “House’s Head” and “Wilson’s Heart” were two episodes that stand alone as an emotional highpoint, but their fallout is somewhat less groundbreaking.

Don’t get me wrong: I like the show’s choice to investigate reactions to mortality, and there is nothing wrong with House working hard to keep Wilson from leaving the hospital after Amber’s death, but the rest of the episode kind of struggles dealing with the rest of the series. Whereas the finale demonstrated an intense connection between case and character, here the case is quite literally just a pawn in House’s game and, at worst, just a bland cliche to the same degree as Wilson’s desire for a clean start. And the show does nothing to help deal with the imbalance between characters, spending so much time with mortality that it’s continuing to let some of them die off, figuratively speaking.

So while dying is supposed to change everything, it doesn’t appear to change House much at all; while this means that the show is still entertaining, it’s taking its time to get to the point where it can improve on last season’s problems.

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Season Finale – House – “Wilson’s Heart”

“Wilson’s Heart”

May 19th, 2008

Last week, I thought House was style over substance for 55 minutes before, in the final moments, it transcended into something more interesting – suddenly, a rather pointless and indulgent episode took an intensely personal turn, and “Wilson’s Heart” had a lot more dramatic resonance by default. Placing Amber in danger is actually an incredibly smart move, mainly because we really don’t know what will happen.

Anne Dudek has been enough of a revelation as Cutthroat Bitch that keeping her in the cast could be a theoretical option, or at least keeping her alive long enough for her to appear as a recurring character. At the same time, this episode in particular did a great job of escalating tension to the point where Amber’s death could fundamentally change these characters enough to justify the whole selection process that resulted in three new cast members in the first place.

The result is a finale far less interesting or eventful as last week’s finale, but a hell of a lot more tension-filled, and with a lot more dramatic interest – I didn’t really care about House’s head games last week, but this is the most that I’ve cared about a patient on the show in forever. And in a procedural show that is too often self-centered on House, it was great to see a final hour that barely even dealt with his head in favour of Wilson, 13, and more people who really needed their time in the sun.

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House – “House’s Head”

“House’s Head”

May 12th, 2008

When spoilers emerged regarding the setup for this season’s finale of House, I must admit to being somewhat skeptical – it sounded a lot like the House finale from two years previous, wherein we spent an entire episode unknowingly inside House’s head after he was shot. It was a mind-bending episode, to be certain, and was certainly an intriguing glimpse into how his mind works. Here, it seems a bit predictable: faced with a pending finale, we find ourselves delving back into his mind for an extra special House extravaganza.

This time, the subconscious is aware, so it’s a bit trippier, and that House is actively attempting to solve a mystery where the answers are in his own mind proves dramatically interesting. The problem is that the previous finale was a personal crisis for House, and eventually evoked ideas and concepts that would help to focus on his concerns with his leg. Here, we lack that personal connection: the episode tries to draw out feelings between House and Amber, which doesn’t seem as eventful for him as a character.

It’s also now far more detrimental to focus so heavily on only one character: with three new fellows, three old fellows, Wilson and Amber all floating around searching for a point of identity, to spend an episode so clearly wrapped up in House’s own mind. While it has some vague reflections on the other characters (And promises for further complications in the episode’s second part), his physical, emotional and psychological trial is really his own…and I don’t know if a show of this breadth is in a position to be so centered on its titular character at this point.

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House – “No More Mr. Nice Guy”

“No More Mr. Nice Guy”

April 28th, 2008

Of all of the shows who had set up extravagant storylines before the strike, House had perhaps the most to lose without returning: it had gutted its existing team, hired on new cast members, and had left at a point with nothing resolved. David Shore and company wanted to be able to see this to its end, whatever that end may be, so here we are with “No More Mr. Nice Guy.”

The episode is a fitting return: a central question of House’s lack of niceness, a chance to further indulge House’s relationship with Wilson and his new girlfriend Cutthroat Bitch, and a sly way to both reference the writers’ strike and find a way to add more of Cameron and Chase to the show all at the same time.

If I were to, like House, give the series a performance review, I’d say that it’s back on track: it’s hard to really analyze the various medical cases, largely interchangeable, but this one was smartly unmemorable in favour of allowing these characters to regain some space in the viewer’s mind. As my mother says, the new lineup wasn’t as favourable once it settled in beyond the entertaining reality show metaphor, so it is important that we get to know them more than we get to know a lovable oaf.

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House – “97 Seconds”

“97 Seconds”

October 9th, 2007

This will be fairly short as I was admittedly not entirely paying attention to tonight’s episode of House. However, there are a few observations I wanted to make about it. Because the episode tried to do a lot of things, and I wasn’t entirely buying it.

House with a death wish was just bizarre, and I still don’t entirely “get” the situation with the car accident victim. I know there’s the obvious connection to House’s own past, but it felt too arbitrary and pulled House out of the episode’s reality. The storyline had no connection to the rest of the episode, and its purpose was not clear by episode’s end.

As for Foreman’s attempt at pulling a House, I think that is actually serves to point out one of the show’s glaring flaws: no one would ever let House do what he does. While this is supposed to drive Foreman back to House, all it did for me was confirm that Cuddy would never have kept her job this long without firing him, results or no results. House’s apparent immunity to what Foreman experienced is a flaw the show has never really addressed in a real fashion.

And while it was actually a strong episode for the potential cottages, I find that the suspense is gone when I know who they cast (I won’t spoil it here). It is interesting to see how they try to mess with our heads, and one of them was pretty well decided within this episode (I’ll let you assume who you wish to assume), and their case drama certainly made for some interesting elements.

But in the end, it didn’t feel like a cohesive episode of House: I would have almost rather they left out House’s storyline altogether and simply let him terrorize the fellows with more great Survivor-style tribal councils. Going for the death wish just felt…false.

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House – “The Right Stuff”

“The Right Stuff”

October 2nd, 2007

Although the episode might not be labeled as such, I would argue that tonight’s House was really the second part of a two-part opener. After last week established House’s issues regarding bringing in a new team, this week gave us plenty of the House we like while also providing some important revelations. This would make last week a prologue (Although one I was vastly entertained by), and this week finally gets back to the meat of the issue.

And it really did: we learned what happened with Chase and Cameron, we were introduced to the new prospective fellows, and we got to see a new level of House’s unethical behaviour. For all the details, continue on to a diagnostic on the episode.

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Season Premiere: House – “Alone”


September 25th, 2007

House is a series that is always good at two things: finales and premieres. As a procedural drama, the rest of the time is spent meandering through repetitive and predictable medical cases, but it is at these moments of ending and beginning that House becomes a well-written and engaging character drama. After a finale that left everything in upheaval, “Alone” fast-forwards only two weeks as House tries to set out on his lonesome to prove that he doesn’t need a team.

Mind you, the series hinges on House’s interactions with his “Cottages,” so we know that this isn’t going to last long. This particular episode, however, benefited from the lack of added weight: it was, for the first time in a long time, House being House. Whether it was interactions with Wilson, Cuddy or Dr. Buffer (A Janitor turned Fellow), House was at his Tuesday best tonight. And, even if it didn’t answer all of our questions, I’d say that you can call this case a success.

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Cultural Learnings’ Fall 2007 Lineup: Tuesdays

[The above/below is really quite tentative, if only because of CTV’s lack of a consistent Fall Schedule. Right now, Gossip Girl is airing a day before its U.S. airings on CTV in Canada, so I’m covering it a day early. However, Pushing Daisies is debuting in the same timeslot two weeks from now. I expect Pushing Daisies to get moved, but this could all change]

Tuesdays are a perfect day for television at Cultural Learnings thanks to a relatively light schedule on Wednesdays. Of course, spiting me once again, the TV deities weren’t kind enough to offer a plethora of shows on this particular evening. As a result, let’s look at the three shows that (for now) have made the cut into the rotation.


FOX’s biggest drama series has never quite had itself in a state of upheaval like this one: with Chase, Foreman and Cameron unemployed and a new set of residents incoming (Including Kal Penn (Kumar) and Olivia Wilde (The O.C.’s resident lesbian)), it seems like a good time to start paying closer attention to Hugh Laurie and company. I’m hoping this new element might cut down on the procedural predictability, but we’ll see.

Cultural Learnings’ House Coverage


Faced with the enormous task of battling off with House, a show that controls all sectors of the viewing audience, Reaper might struggle to gain traction. However, its pilot is quite sharp, and I think that there is a lot of potential in its concept that is worth investigating further. A few weeks in, I might be begging people to stop watching House to switch over to The CW for a change, but we’ll see if it even lasts that long. Fingers crossed.

Cultural Learnings’ Reaper Coverage

Gossip Girl

Earlier this evening, I already started covering this new drama from O.C. creator Josh Schwartz; it’s one of those shows where slick production values and adequate writing elevate what may otherwise be tossed aside as teen fare. My cynicism may grow too large to be contained within shorter articles, but for now we’re going to follow the Serena/Blair battle until the bitter end.

Cultural Learnings’ Review: Gossip Girl


Filed under 2007 Fall Preview, CTV, FOX, Gossip Girl, House, Reaper, Television, The CW

Emmys 2007: Cultural Learnings’ Final Emmy Awards Predictions

[Months ago, Cultural Learnings put its neck out there to predict which shows and performers might get those coveted Emmy Nominations. Now, it’s time to put the prediction power to the test again, predicting who will win during tomorrow night’s ceremony. Some of them might be wishful thinking, others might be far too safe. Regardless, it’s our job to stand by them to the bitter end. We’ll see how things turn out during tomorrow night’s LiveBlogging Extravaganza!]

Cultural Learnings’ 2007 Emmy Predictions

Oustanding Drama Series

The Sopranos [WINNER]


Boston Legal

Grey’s Anatomy


[It only won once, it had a critically acclaimed final season, and the rest of the competition was either too uneven or too green. Simply put, it is the class of this field, and will easily walk home with the Emmy]

Oustanding Comedy Series

The Office


Two and a Half Men

30 Rock [WINNER]

Ugly Betty

[This is going with my gut on this one, but I think that 30 Rock combines the liberal-minded sentiment of Emmy voters and strong pedigree in Baldwin/Fey. The Office got their due last year, and Ugly Betty will get theirs eventually. This is 30 Rock’s year.]

Lead Actor in a Drama Series

James Spader (Boston Legal)

James Gandolfini (The Sopranos) [WINNER]

Kiefer Sutherland (24)

Denis Leary (Rescue Me)

Hugh Laurie (House)

[While Laurie is a potential spoiler, I’d say that Gandolfini should easily ride the Sopranos wave to victory within this category.]

Lead Actor in a Comedy Series

Alec Baldwin (30 Rock) [WINNER]

Ricky Gervais (Extras)

Steve Carell (The Office)

Tony Shahloub (Monk)

Charlie Sheen (Two and a Half Men)

[Picking between Carell and Baldwin is very tough, as Carell got robbed last year, but I think that Baldwin was the breakout star of the year in comedy, while Carell’s star just didn’t shine as brightly.]

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Filed under 30 Rock, ABC, Award Shows, Emmy Awards, Entertainment, Grey's Anatomy, Heroes, House, How I Met Your Mother, Lost, NBC, Reality TV, Television, The Amazing Race, The Office, The Sopranos, Ugly Betty

2007-2008 Fall Premiere Dates – FOX, NBC, CBS, ABC and The CW

This fall, all of your favourite shows will be returning, and some new blood will join the pack. Which nights should you be scheduling off? Here’s the full calendar list of premiere dates for the Big 5 Networks.

NOTE: New shows are shown in blue.

September 6th


Are You Smarter Than a 5th Grader [FOX]

September 11th


The Biggest Loser [NBC]

September 12th


Kitchen Nightmares [FOX]

September 14th


Nashville [FOX]

September 17th


Prison Break [FOX]


K-Ville [FOX]

September 18th


Beauty & The Geek [Two Hours] [The CW]

Bones [FOX]

September 19th


Kid Nation [CBS]

America’s Next Top Model [The CW]

Back To You [FOX]


‘Til Death [FOX]


Gossip Girl [The CW]

September 20th


Survivor: China [CBS]

September 23rd


The Simpsons [FOX]


King of the Hill [FOX]


Cold Case [CBS]

Family Guy [FOX]


Shark [CBS]

September 24th


How I Met Your Mother [CBS]

Chuck [NBC]

Dancing with the Stars [ABC]


Big Bang Theory [CBS]


Heroes [NBC]

Two and a Half Men [CBS]


Rules of Engagement [CBS]

The Bachelor [ABC]


CSI: Miami [CBS]

Journeyman [NBC]

September 25th


New Amsterdam [FOX]


Dancing with the Stars (Results) [ABC]


House [FOX]

The Unit [CBS]

Reaper [The CW]


The Singing Bee [NBC]

Boston Legal [ABC] [Special 90 Minute Premiere]


Cane [CBS]

Law & Order: Special Victims Unit [NBC]

September 26th


Deal or No Deal [NBC]


The Bionic Woman [NBC]

Criminal Minds [CBS]

Private Practice [ABC]


Life [NBC]

CSI: New York [CBS]

Dirty Sexy Money [ABC]

September 27th


My Name is Earl [NBC]

Smallville [The CW]

Ugly Betty [ABC]


The Office [NBC]

CSI: Crime Scene Investigation [CBS]

Grey’s Anatomy [ABC]



Without a Trace [CBS]

Big Shots [ABC]

September 28th


Ghost Whisperer [CBS]

Deal of No Deal [NBC]


Moonlight [CBS]


Las Vegas [NBC]

Numb3rs [CBS]

September 30th


Extreme Makeover: Home Edition (2 hours) [ABC]


Desperate Housewives [ABC]


American Dad [FOX]


Brothers & Sisters [ABC]

October 1st


Everybody Hates Chris [The CW]


Aliens in America [The CW]


Girlfriends [The CW]


The Game [The CW]

October 2nd


Cavemen [ABC]


Carpoolers [ABC]

October 3rd


Pushing Daisies [ABC]

October 4th


30 Rock [NBC]


Supernatural [The CW]

October 5th


Friday Night Lights [NBC]

October 12th


20/20 [ABC]


Women’s Murder Club [ABC]


Men in Trees [ABC]

October 15th


Samantha Who? [ABC]

October 18th


Viva Laughlin (Preview) [CBS]

October 21st


Viva Laughlin [CBS]

October 25th


Scrubs [NBC]

November 27th


Cashmere Mafia [ABC]


Filed under 'Til Death, 2007 Fall Preview, 30 Rock, Brothers & Sisters, Cavemen, Chuck, CSI: Miami, Dancing with the Stars, Desperate Housewives, FOX, Friday Night Lights, Gossip Girl, Grey's Anatomy, Heroes, House, How I Met Your Mother, My Name is Earl, NBC, New Amsterdam, Prison Break, Private Practice, Pushing Daisies, Reaper, Scrubs, Shark, Supernatural, Television, The Bionic Woman, The CW, The Office, Ugly Betty