Category Archives: NBC

For Your Consideration: Supporting Actors – Jack McBrayer and Dominic Monaghan

[In Week One of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actor awards in both comedy and drama. Today, we present our third set of candidates. For all candidates, Click Here]

Best Supporting Actor in a Comedy

Jack McBrayer (Kenneth the Page)

30 Rock

Kenneth the Page is perhaps one of the simplest characters in all of television. A lowly NBC page for the cast of the fictional The Girlie Show, Kenneth believes in the power of television and little else. We see glimpses of him talking to his skeletal mother, we see moments of absolute naivety, and on occasion his innocence can seem quite exaggerated. And yet, what we originally believed was cluelessness was actually just a different perspective, simple without being stupid. Kenneth believes in the magic of television, and I, as a result of Jack McBrayer’s performance, believe right along with him.

What McBrayer brings to the role is just the right balance of simple and smart, which is such a hard thing to balance. When Kenneth becomes a poker all-star, Jack spends days trying to figure out his tell. However, the point is that Kenneth has no tell. He is capable of looking and acting entirely smart, even when he’s really clueless. However, on the other hand, he is often able to be entirely smart even when he seems simple on the outside.

And it is that innocence that makes McBrayer’s performance so difficult: in the hands of the writers, McBrayer needs to walk the fine line between stupid and naïve every single episode. And yet he always achieves: while certain episodes are worse than others, Kenneth always is as endearing as he could possibly be, and completely funny when required. For being able to strike that balance and create a scene-stealing supporting character, Jack McBrayer is worthy of an Emmy Nomination.

Episode Selection: The Head and the Hair (Airdate: January 18th, 2007)

While the episode’s title refers to a storyline unrelated to Kenneth, and there are technically three stories at play within this episode, Kenneth has by far his finest moments within it. The reason is that he gets copious amounts of screentime with Alec Baldwin, who as per tradition is taking over Kenneth’s job for the day. We get to see Kenneth’s dirty work, the things he has to put up with on a regular basis, plus Kenneth gives multiple impassioned speeches about television. And then, at the end of the episode, he sells his game show idea to NBC executives. While Kenneth plays a major role in other episodes, here his story arc is touching, complete, and funny in a way that is deserving of Emmy Attention.

YouTube“The Head and the Hair”

Best Supporting Actor in a Drama

Dominic Monaghan (Charlie Pace)

Lost

I would not be putting Dominic on this list three weeks ago, which I guess is somewhat contradictory. Charlie has been absent from key storylines for a very long time this year, and I was amongst many who was happy to see that he was fated to die according to Desmond’s flashes. And yet, perhaps spurned on by his imminent departure from the show, Charlie began to become likable again. No longer saddled with nothing of consequence, Dominic delivered a performance towards the end of the season that almost made Charlie likable before finally nailing it by season’s end. And that delivery, making me actually care about his fate, is enough for me to deem him worthy of a potential Emmy nomination.

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Filed under 30 Rock, ABC, Award Shows, Emmy Awards, Lost, NBC, Television

The Midseason Contenders: The Shows You Might Be Watching in January

It’s now been two weeks since the glut of Network Upfronts coverage, and I guess you could say I’m a little nostalgic for it. Gone are the days when breaking television news hits every hour, which is really quite unfortunate. However, in recent days there’s been some news about the one thing that networks are always unwilling to talk about: the midseason substitutes.

You see, each network knows that they’re not going to actually be able to hold on to all of their fall dramas and comedies, but publicly they need to talk about how awesome they are and how they’ll run for years and years and years! In reality, they’re quietly organizing possible replacements that could be plugged in by January. While some networks have actually scheduled shows at midseason, there is still the possibility that new pilots or existing shows could be picked up. So, let’s take a gander at all of these possible contenders to see where they might fight in should a space open up.

The Contenders

CBS

Swingtown

What is it: 70s-set drama about an apparently quiet suburb that, as new residents discover, is actually a swingin’ sex haven.

Where will it go: It will be scheduled at 10pm somewhere, based on its subject matter. Chances are that it would be a good fit on Sundays, but we’ll see how Shark does in the timeslot. Shark is a show that could easily be moved to fill in for a struggling drama, so it could give up its spot to the new show.

Chances of Midseason Placement: High. CBS is only saving the show until midseason so it can air uninterrupted through to May.

Jericho

What is it: Post-apocalyptic drama turned town survival drama that garnered a strong enough cult following to result in the Nuts for Jericho campaign of the past few weeks.

Where would it go: I really, really don’t know. This is a tough one: technically, the spot guaranteed to open up (Wednesdays at 8 after Kid Nation ends) could work well, but it’s also going to run right back up against American Idol. Meanwhile, there isn’t a whole lot left in terms of timeslots. If CBS really wants to try to take its cult following with it, they could plug it in on Fridays and hope that people show up. Still, it wouldn’t be easy.

Chances for Midseason Placement: The ‘Save Jericho’ movement is still fighting, and the campaign is gaining steam daily, but the deadline is two weeks before CBS loses the cast to other projects. That’s a short amount of time to convince CBS to make a huge commitment, and a late fall miniseries might be the more likely option at this stage.

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Filed under ABC, FOX, Jericho, Law & Order, Lost, Medium, NBC, One Tree Hill, Reality TV, Sarah Connor Chronicles, Television, The Amazing Race, The CW, Upfronts, Veronica Mars

The Results are In: Nielsen Ratings Data for 2006/2007 Season

This list is long. This list is extensive. And I really want to know what this list means. Nielsen (Via The Hollywood Reporter) has released their data for every single TV show that aired in America this past season. It tells us where our favourite shows ranked, where much maligned shows ranked, and how scripted drama did against reality programming.And, it raises a lot of questions about this data that I think Nielsen might not want to answer.

For instance, does this list include repeats in its viewers averages? Because that’s the only way CSI (#4) should be beating Grey’s Anatomy (#6) in total viewers by my calculations. If so, this gives a distinct advantage to shows without repeats (Reality Shows, Lost, Heroes, etc.) or those shows which repeat extremely well (House, CSIs, etc.)

The major thing to watch for in the list is the difference between 18-49 numbers and viewership rankings. It rises many shows into positions of being picked up, even with lacklustre performances in viewers. Some show, like 30 Rock, are in the doldrums in terms of total viewers but shoot up into the Top 75 with adults 18-49, which got it renewed for a second season.

After a few formatting errors, I’ve realized that getting it to highlight canceled shows would drive me crazy, so just refer to your memory. And, either way, some will seem a bit strange. However, remember that these are averages, and don’t reflect ratings dropoff in their later episodes.

This is the case for Jericho, which clearly performed better than many canceled shows. However, CBS did cancel the better rated Close to Home airing on Fridays, so it’s not as if Jericho was the only victim of CBS’ extremely highly place high bar. It might as well be a pole vault at this point.

With the 2006/2007 season over, the industry trades are going right for ratings as their barometer of success. Outside of this post, I’m unlikely to do so as I go into my own year in review season. For now, check out the ratings for all of the dirt, and stay tuned for less quantitative analysis at Cultural Learnings.

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Filed under 30 Rock, ABC, American Idol, Dancing with the Stars, Gilmore Girls, Grey's Anatomy, Heroes, House, Lost, NBC, Ratings, Reality TV, Scrubs, Television, The Amazing Race, The CW, The Office, Veronica Mars

‘For Your Consideration’ – The Emmy Awards Hype Begins

It will be some yet before I settle into extensive Emmy Awards coverage, considering that we are still over three months away from the show itself. However, the studios are not leaving it to chance, and the Emmy Awards season is officially beginning with a series of For Your Consideration [Wikipedia] ads popping up in Variety/The Hollywood Reporter…well, since I don’t quite have access to the papers themselves, more specifically on their websites.

In the case of some networks, they’ve actually gone so far as to create video databases hosted on the sites of Variety and The Hollywood Reporter, although the latter has a large amount more coverage. I’m guessing that these databases will grow as time goes on.

Variety

Emmy Contenders 2007

The Hollywood Reporter

For Your Consideration: Emmy showcase

Now, Hollywood Reporter has the really interesting shows, plus banner ads from ABC-Television for Lost and Scrubs. Now, the other shows (Most of which come from Sony Television and NBC Universal) all have multiple video clips from various episodes. For today, I’m going to analyze and run down three such shows (All of them NBC-owned Dramas): Heroes, Battlestar Galactica and Friday Night Lights. Will the clips do the shows justice?

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Filed under Award Shows, Battlestar Galactica, Emmy Awards, Friday Night Lights, Heroes, NBC, Television

Casting Call: Producers Plan to Expand the ‘Heroes’ Universe with New Characters

Well, we know little about them, but The Hollywood Reporter is telling us that the series will be dealing with some new faces next year. We knew that there would be some shifts in casting with the show, in order to keep things fresh, but these are certainly a cryptic and scattered array of casting selections. Via casting calls, the following are confirmed:

– A Boyfriend for Claire (Sexy, it says)

– A 28-year old Black Mother

– A Surrogate for Niki’s Son

– An Irish Mobster (Black Donnellys cast, hello!)

– A Twentysomething Latina

I worry about this, only because none of these character sounds all that interesting outside of an Irish Mobster. I also worry about the show’s ability to balance these character arcs: Hana, the Wireless girl, came and went so fast (Before showing up in Five Years Gone) that she didn’t even matter in the end. Was that really worth the short time we spent on her? I think the show needs to stick with its own characters, at some point.

Either way, this list remains tentative, and we can only speculate for now how these people might come into play…and what powers they might have.

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Reviewing the Finales: Lost, Heroes, 24 Ratings Breakdown

Well, this week has seen perhaps three of the biggest cult hits of the last decade end their seasons. 24, Heroes, and Lost are perhaps the biggest shows amongst the younger viewers that advertisers crave so much, and each show also shares something else: a rabid fanbase. These fanbases are devoted, and I have been a part of each of them since each series began. Which is why I want to, over the next few days, consider the way these three shows ended their seasons. I want to do so on a number of levels (Because my decision on quality will be one-sided). While the others will take time, the first thing that we need to consider is gloriously quantitative.

The Ratings

[Ratings Data from PIFeedback and TheFutonCritic]

Lost

Hour One

Total Viewers: 12.4 Million

18-49: 5.2

Hour Two

Total Viewers: 15 Million

18-49: 6.4

Total Average

Total Viewers: 13.66 Million

18-49: 5.8

Lost needs to be commended for a HUGE Post-Idol boost, as people seemed willing to watch just the final hour of the season after the reality show concluded. That huge boost in viewership boosts Lost’s total viewers ahead of Heroes, and its overall 18-49 within the same range. Facing off against stiffer competition, Lost is inevitable the ratings champion amongst the three shows with a strong performance in all key categories in the tougher spot…and it bodes well for next season with 15.4 Million catching the last half hour of the episode.

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Filed under 24, ABC, FOX, Heroes, Lost, NBC, Ratings, Television

Reviewing the Finales: Heroes – “How to Stop an Exploding Man”

Heroes’ first season has been a rollercoaster ride for fans as it reaches its season finale. For me personally, it has been at its best when it deals with either awesome comic book action (The overrated but exhilarating ‘Five Years Gone’), or investigations of the personal sacrifice of these individuals (the stunning ‘Company Man’). However, there are other episodes which fail to be either of these things. These episodes are instead complicated hours of television which follow traditional drama plotting, losing sight of the show’s comic book ties in favour of clichéd resolutions right out of, well, a lesser TV show. “How to Stop an Exploding Man”, unfortunately, falls into this latter category. The episode was supposed to be an epic conclusion with ramifications for future seasons, but instead felt like a feel good story of redemption with nothing but teases at what the future holds. And, for this unsatisfying season finale, I place the blame on series creator Tim Kring.

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The End of ‘The Apprentice’: Trump Goes Out His Own Way

Donald Trump, it seems, does not get cancelled. No, instead Donald Trump is the Canceller. And always will be. After NBC revealed its fall schedule a week ago, there was one show that wasn’t mentioned and yet was left open to discussion. That show was Donald Trump’s The Apprentice, and after series-low ratings and struggles, it was clear that NBC wasn’t going to bring back the series. When even a high-profile feud with Rosie O’Donnell can’t save you, I don’t know what could. As a result, things looked bleak for Trump…so he has emerged to get the final word.

Yahoo News – Donald Trump to NBC: “You can’t fire me, I quit!”

“Donald Trump, whose low-rated reality show “The Apprentice” was left off the new prime-time schedule unveiled this week by NBC, says the network can’t fire him — he quits.

The real estate mogul issued a statement on Friday saying he has informed the U.S. television network he is “moving on from ‘The Apprentice’ to a major new TV venture,” though he declined to elaborate.”

So, with this Trump gets to end things his way. Mind you, no one is actually going to think he wasn’t forced out (If he really wanted to pull this off he would have done this before last week’s upfront presentation and not a week after), but still Trump gets the last word. And, of course, hypes his upcoming television venture (I figure he’s going to try to launch a take-off of America’s Next Top Model looking for some new recruits for Trump Modeling).

It is funny, however, that Trump is the one to put the final nail in the coffin of The Apprentice, because I would argue that it is he who ended the show’s quality as well. The show began with a fairly reputable structure that was actually quite compelling. The show’s tasks weren’t laden with sponsorships, the board rooms were civil and intriguing, and the winner actually seemed like they could work for a major corporation.

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Filed under NBC, Reality TV, The Apprentice, Upfronts

The Three Timeslots to Watch on the 2007/2008 Fall Schedule

In a final word on the 2007/2008 Upfronts, I figure it’s time we returned to the schedule as a whole. Because, let’s face it, some of us watch a lot of TV. And, sometimes, that TV all falls within the exact same timeslot. As more and more shows emerge as fan favourites, more and more conflicts take place. This year’s Fall Schedule has created many of these conflicts, and some of them are sure to be key ratings battlegrounds in the year to come. Which five, however, will prove the most interesting? And, as a result, which ones will be a nightmare for non-TiVo owners across North America? Well, there’s only one way to find out.

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Filed under 30 Rock, ABC, Bones, Chuck, Dancing with the Stars, FOX, Gossip Girl, Grey's Anatomy, House, NBC, Private Practice, Ratings, Reality TV, Reaper, Scrubs, Television, The Bionic Woman, The CW, The Office, Upfronts

The Five Most Promising Pilots of the 2007/2008 Upfront Presentations

Yes, this is it: the top five pilots which I believe have the most potential in the coming year. This is not a potential for success in ratings, or ad dollars, or anything like this: no, this is very much more about how well I think these shows can advance themselves creatively. It’s a list full of wishful thinking, if you will. While these shows might not light up the Nielsen ratings come next season, I think that part of me will feel better that they exist…and will cross my fingers that they succeed. They’re the next Veronica Mars, if you will, and I can only hope that networks have as much patience for these shows as they did for that one. Which pilots make the cut? There’s only one way to find out.

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Filed under ABC, Back to You, Chuck, FOX, Gossip Girl, House, NBC, Pushing Daisies, Reaper, Television, The Bionic Woman, Upfronts