Category Archives: Reality TV

Ratings Update: Sharks Circle Around ‘Pirate Master’

I might not be watching the series anymore, but I certainly am still watching the ratings for CBS’ Pirate Master. And while it isn’t the huge decline that hit FOX’s On the Lot earlier this summer, it is certainly bad news for the struggling reality series.

PIFeedback.com – Thursday June 7th Fast Nationals

Week two of CBS reality dud Pirate Master lived up to that description, with a disappointing 6.34 million viewers (#2) and a 1.9/ 7 among adults 18-49 (#2t) from 8-9 p.m. Comparably, Pirate Masters opened on May 31 with 6.99 million viewers and a 2.3/ 6 in the demo, based on the final nationals.

That means that the show dropped roughly 10% of its premiere viewers, while dropping a more disastrous 17% or so in the key demos; and this is without the same level of competition as last week! CBS, like FOX with On the Lot, is likely to stick with it to avoid admitting defeat, but Pirate Master will certainly not be returning for another voyage any time soon.

Also of note: ABC’s Fast Cars and Superstars failed to ignite racing fans:

Earlier in the evening on ABC was the debut of Fast Cars & Superstars at (an also estimated) 5.62 million viewers (#3) and a 1.9/ 7 among adults 18-49 (#2t) at 8 p.m.

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The Five Reasons I am No Longer Watching ‘Pirate Master’

Well, Mark Burnett, I gave Pirate Master two weeks of my time, but unfortunately I am not going to be able to continue walking the plank, dropping the anchor, or rigging the sails any longer, as Pirate Master has outstayed its welcome. I was all ready to follow you from sea to sea, from adventure to adventure (I even made a photoshop template last week, Mark, come on!). However, I’ve decided that sticking with it will only frustrate me further, so I should cut myself adrift before the ship sinks for good. But, of course, I can’t just say goodbye without letting you know my reasons for leading my mutiny.

5. The Confusion

On Survivor, and every other reality show, the rules are usually fairly simple (Or are ever-changing, like on Big Brother). Here, however, everything is left vague. Rules pop up out of nowhere, the Captain starts tossing around money as if it’s a normal strategy play, and the eliminations aren’t surprising but rather completely underdeveloped. It’s one thing to make a thinking man’s reality show, but it’s another to make one that only a doctorate thesis could properly dissect at this rate. They needed to set the rules down in this episode, and all they did was make them more confusing.

4. The Editing

Very simply, Mark Burnett has forgotten how to edit things. In the Eco Challenge era, he pioneered characterizations in reality television through smart editing, making sure that rivalries were fostered and created. Here, none of that seems to be present: the comments chosen for talking heads are often highly cliched, and fail to ignite any sort of character within these people. It is the job of the editing to make even boring people look good, and it just isn’t working here. There are no stories for these people, no identities. It’s not entirely the fault of the editing, but it should be stepping in to save these people. Speaking of which…

3. The “Pirates”

Reality contestants need to be either interesting or outrageous, and this cast consists of neither. When they’re asked to explain things in talking heads, like Cheryl explaining the Black Spot process, they are embarassingly terrible actors. When they were clearly told to dramatically look at the marked crew members and the captain during the elimination ceremony, they were wooden and terrible again. These people just are not good reality contestants. This episode at least showed them doing more of the work on the boat, which was cool, but none of them could even build a story around themselves. This episode boiled down to weaknesses, not strengths, and its highest profile pirate (Azmyth) didn’t even speak last week. That’s a cast filled with nobodies.

2. The Host

Cameron Daddo, you are not funny, charming, entertaining or engaging. I do not care when you’re on screen, and you don’t even try to get me to take your silly chest of Zanzibar seriously. A reality TV host is supposed to make even the most mundane challenege intriguing: when Jeff Probst or Phil Keoghan are stuck talking up a crappy challenge, they damn well make it sound like the best thing ever. Daddo just maintains his monotone perspective, believing that all pirates are soothed by stoic speech. This is not the case, and I certainly don’t tolerate it either. A good host could have steered this ship away from the sharp pointy rocks of suckage, but Cameron Daddo is not that host.

And finally, the #1 Reason I’m no longer watching Pirate Master…

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Cultural News Bytes (June 4th) – On the Lot Format Shift, Spurned Pilots Find New Life

‘On The Lot’ Cuts Back

If you turn on FOX tonight looking for a new one-hour installment of ‘On the Lot’, you’ll be disappointed. Thanks to extremely poor ratings, the series will be cut back to a single hour-long segment each week to air at 8pm on Tuesdays. Reruns of House, FOX’s only real rerunnable series, will air on Mondays for the foreseeable future ahead of returning reality series ‘Hell’s Kitchen’ (Debuting tonight at 9pm).

There is no official word on how Burnett and Co. are going to turn a results show into both a presentation and a result show, but magically it will happen. Personally, I think they should ditch the audience vote altogether and have the judges make the decisions based on screenings of the films. It would make a hell of a lot more sense, and get a lot better filmmakers in the process. We’ll find out tomorrow night, regardless, when ‘On the Lot’ returns to see if it can make a go of it.

ABC, FOX Pilots Find New Life

While Upfront season is long over, it appears that, according to The Hollywood Reporter, the drama is just beginning for two high-profile pilots from the creative teams behind two cult-favourites: Arrested Development’s Mitch Hurwitz and Battlestar Galactica’s David Eick.

Hurwitz is behind “The Thick of It”, a pilot about a congressman dealing with his new surroundings that is based on a British sitcom. The pilot found no traction at ABC, who went with Cavemen instead (Ugh), but it is apparently seeing life in both fans of Hurwitz’ work and fans of British comedy adaptations. Showtime, fans of Hurwitz ever since they attempted to acquire Arrested Development for a 4th season, want to work with him and even bid on the pilot before ABC nabbed it. NBC, meanwhile, is in the running since new boss Ben Silverman was responsible for The Office (US) and is therefore seeing a strong future for a similar adaptation. HBO is apparently also considering it.

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Filed under ABC, FOX, House, On The Lot, Reality TV, Television, Upfronts

‘Pirate Master’ Walks the Ratings Plank

Edit for July 24th 

Pirate Master has officially walked the plank for good, as CBS has pulled the show from its lineup and will stream the remaining episodes online each Tuesday. For more info, head to Variety. Or, really, less info, it’s not very informative.

So, Overnight Ratings are in, and Pirate Master was not embraced by viewers. At all. This highly advertised CBS Reality series was supposed to make a big splash, but it wasn’t appointment television for viewers [You can read Cultural Learnings’ full recap for more info]:

In series-premiere news, Survivor-clone Pirate Master on CBS did not fool the audience, with just 7.09 million viewers (#2) and a 2.4 rating/ 8 share among adults 18-49 (#2) from 8-9 p.m. Considering how tired the Survivor franchise is, what sense did it make introducing the same show with a different title this summer? Wouldn’t it have been better resting the format, and filling the hour with a game show? Bad move, CBS.

Now, there’s multiple reasons this probably took place.

1. Competition

The show faced competition from Are You Smarter Than a 5th Grade? and the Scripps National Spelling Bee, along with repeats of My Name is Earl and 30 Rock. A special event, an established reality series, and some solid comedy reruns: that’s a tough-ish draw for the summer.

2. The Jericho-fan led CBS Boycott

I’m not entirely convinced that the Jericho numbers are substantial enough to skew things at this stage, but CBS is certainly having some trouble launching what was supposed to be a sure-fire success. That’s got to count for something, and is definitely a buoy for the campaign. Yes, that’s right, a buoy. A Pirate Buoy.

3. The Mark Burnett Curse

Survivor might be surviving, but with The Apprentice gone and FOX’s On the Lot falling fast, Mark Burnett has gone from reality-tv poster child to washed up failure. Well, not quite, but still: his days as Midas have ended.

4. People were all Pirated-out

With At World’s End tearing up the Box Office over the past week, were people just already too mired in pirate-talk to really embrace such a series?

5. It was boring

While I think the premise has potential, the first episode definitely wasn’t a fast-paced affair. It was more of a “Here’s what could be interesting in the future”, which would turn people away fairly quickly.

Will this signal an end to CBS’ reality dirge? It is unlikely, considering they’re likely to just develop more. Still, for new summer reality series, things are not looking good in the least.

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‘Pirate Master’: Series Premiere Recap and Review

If you’ve watched Survivor before, Pirate Master will seem extremely familiar. It has 16 average people out of their element, it has challenges that feature keys and maps, it has interpersonal relations that challenge the patience of its competitors, and it has really fancy opening credits. And yet, with all of these comparisons to Survivor, you might think that Pirate Master is little but a derivative of Mark Burnett’s first reality smash hit. And well, it is derivative…but not really in a bad way. Believe it or not, I think I’ve secretly been craving a decent Survivor clone for a while now.

Pirate Master takes the basic elements of Survivor and includes within them an initially confusing structure that unveils slowly through this episode. In this episode, teams are first introduced to their home, the Picton Castle, and then immediately embark on an early morning journey to their first challenge. Here, split into teams of two, they compete: the winning team divides the treasure amongst themselves, and then the winning team elects a captain. That captain gets to pick two officers, and they get to stay in a posh captain’s quarters and be safe from Pirate’s court, where one of the pirates is sent home…but the pirates have the option of declaring mutiny against their captain as well.

Confused? Well, the episode rolled it out at a slow enough pace for it to resonate, and the result was a glimpse at what could be coming in future weeks. And, perhaps most importantly, there were glimpses at the type of drama that the structure can create. Not only are people competitive for the cash prizes (In the form of gold pieces), but they also have to deal with direct subordination and mutiny within the ranks. It adds some nice layers to the proceedings, and it gives reason to the often petty dislike that spreads within these reality shows. Unofficial authority figures are one thing, but real ones? They’re just scum.

Now, the show is not without problems: right now, host Cameron Daddo is more than a little bit absent from the proceedings, and he needs to develop a personality quickly (Note: Australian does count as a personality automatically, but I think he isn’t Australian enough to do with it and it alone).

The show’s biggest problem took place in its challenge: a sprawling, multi-part journey, it was basically a Survivor race challenge…but without Jeff Probst’s constant commentary and without the same sense of urgency as the teams were separated by a fair margin. Rather than being on a set path, things were quite hectic, resulting in a challenge that never really seemed dramatic. These treasure hunts are likely to vary slightly, so I hope others can step up to the plate.

However, on the whole I think Pirate Master has its priorities in the right place: like Survivor, the show’s very structure immediately created villains and heroes. Gruff Louie (Pictured), a Rupert clone of sorts, is immediately the hero as he rails against authority, while Joe Don immediately plays the role of arrogant villain as captain. Meanwhile, the two officers (Ben and Cheryl) each become pawns: they represent the authority, but yet have no true power themselves. They’re safe, but yet targeted, created conflicted minds. And then there’s the rest of the crew, left to swab the decks and plot mischievously. And plot mischievously John does, as the cocky Scientist/Exotic Dancer combo makes a power play to try to save himself at episode’s end.

This opening hour didn’t even introduce us properly to every character, and that’s definitely going to be a challenge for the show: while some personalities came through, there is really only Louie and John that stood out. Hopefully, over the next few episodes more people start to break through and make a difference. The show is missing Survivor’s Tribal Council discussions where everyone gets a voice, and the result is a disconnect with those people we haven’t even really met yet (One person I don’t think even spoke). As a result, there is yet work to do.

And yet, perhaps naively, I enjoyed myself. The concept has intrigue, there was enough fun characters to make this particular episode charming, and I’ve always been a big fan of the pirate-related reality television I’m imagined in my mind. The result is that I’ll be tuning in next week: we’ll see if anyone else feels the same as the ratings come in tomorrow afternoon.

Didn’t catch the episode? Want to remind yourself of what occurred, or who received the black mark and why? Continue reading for Cultural Learnings’ full recap.

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The Midseason Contenders: The Shows You Might Be Watching in January

It’s now been two weeks since the glut of Network Upfronts coverage, and I guess you could say I’m a little nostalgic for it. Gone are the days when breaking television news hits every hour, which is really quite unfortunate. However, in recent days there’s been some news about the one thing that networks are always unwilling to talk about: the midseason substitutes.

You see, each network knows that they’re not going to actually be able to hold on to all of their fall dramas and comedies, but publicly they need to talk about how awesome they are and how they’ll run for years and years and years! In reality, they’re quietly organizing possible replacements that could be plugged in by January. While some networks have actually scheduled shows at midseason, there is still the possibility that new pilots or existing shows could be picked up. So, let’s take a gander at all of these possible contenders to see where they might fight in should a space open up.

The Contenders

CBS

Swingtown

What is it: 70s-set drama about an apparently quiet suburb that, as new residents discover, is actually a swingin’ sex haven.

Where will it go: It will be scheduled at 10pm somewhere, based on its subject matter. Chances are that it would be a good fit on Sundays, but we’ll see how Shark does in the timeslot. Shark is a show that could easily be moved to fill in for a struggling drama, so it could give up its spot to the new show.

Chances of Midseason Placement: High. CBS is only saving the show until midseason so it can air uninterrupted through to May.

Jericho

What is it: Post-apocalyptic drama turned town survival drama that garnered a strong enough cult following to result in the Nuts for Jericho campaign of the past few weeks.

Where would it go: I really, really don’t know. This is a tough one: technically, the spot guaranteed to open up (Wednesdays at 8 after Kid Nation ends) could work well, but it’s also going to run right back up against American Idol. Meanwhile, there isn’t a whole lot left in terms of timeslots. If CBS really wants to try to take its cult following with it, they could plug it in on Fridays and hope that people show up. Still, it wouldn’t be easy.

Chances for Midseason Placement: The ‘Save Jericho’ movement is still fighting, and the campaign is gaining steam daily, but the deadline is two weeks before CBS loses the cast to other projects. That’s a short amount of time to convince CBS to make a huge commitment, and a late fall miniseries might be the more likely option at this stage.

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Filed under ABC, FOX, Jericho, Law & Order, Lost, Medium, NBC, One Tree Hill, Reality TV, Sarah Connor Chronicles, Television, The Amazing Race, The CW, Upfronts, Veronica Mars

‘On the Lot’ Week One: Uhhh…that was awful.

I posted over the weekend the following statement about FOX’s new reality series ‘On the Lot’:

As we head into the finalist-segment of the show where people will compete on a weekly basis, the show is in jeopardy of being cancelled and being replaced by repeats of House and ‘Til Death. I believe that the show deserves to continue as its real format that will be followed for the rest of the year has yet to be revealed. However, it needs to pull itself together and emphasize the product that it is creating. That website is worthwhile, interesting: I can only hope that the show, at some point, becomes the same.

Well, last night in a two-hour extravaganza, we saw what that final format was. And, I think the general consensus is that it was a soul-sucking, awful, derivative version of American Idol with little to no understanding of the show’s true qualities. It had a number of different problems, all of which are the result of simply poor execution on the part of producers.

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The Results are In: Nielsen Ratings Data for 2006/2007 Season

This list is long. This list is extensive. And I really want to know what this list means. Nielsen (Via The Hollywood Reporter) has released their data for every single TV show that aired in America this past season. It tells us where our favourite shows ranked, where much maligned shows ranked, and how scripted drama did against reality programming.And, it raises a lot of questions about this data that I think Nielsen might not want to answer.

For instance, does this list include repeats in its viewers averages? Because that’s the only way CSI (#4) should be beating Grey’s Anatomy (#6) in total viewers by my calculations. If so, this gives a distinct advantage to shows without repeats (Reality Shows, Lost, Heroes, etc.) or those shows which repeat extremely well (House, CSIs, etc.)

The major thing to watch for in the list is the difference between 18-49 numbers and viewership rankings. It rises many shows into positions of being picked up, even with lacklustre performances in viewers. Some show, like 30 Rock, are in the doldrums in terms of total viewers but shoot up into the Top 75 with adults 18-49, which got it renewed for a second season.

After a few formatting errors, I’ve realized that getting it to highlight canceled shows would drive me crazy, so just refer to your memory. And, either way, some will seem a bit strange. However, remember that these are averages, and don’t reflect ratings dropoff in their later episodes.

This is the case for Jericho, which clearly performed better than many canceled shows. However, CBS did cancel the better rated Close to Home airing on Fridays, so it’s not as if Jericho was the only victim of CBS’ extremely highly place high bar. It might as well be a pole vault at this point.

With the 2006/2007 season over, the industry trades are going right for ratings as their barometer of success. Outside of this post, I’m unlikely to do so as I go into my own year in review season. For now, check out the ratings for all of the dirt, and stay tuned for less quantitative analysis at Cultural Learnings.

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Filed under 30 Rock, ABC, American Idol, Dancing with the Stars, Gilmore Girls, Grey's Anatomy, Heroes, House, Lost, NBC, Ratings, Reality TV, Scrubs, Television, The Amazing Race, The CW, The Office, Veronica Mars

The Future of FOX’s ‘On The Lot’

So, at some point in the Fall of last year Steven Spielberg and Mark Burnett announced a reality show. This pairing is pretty powerful, or was at the time anyways. Since that point, Burnett has actually lost some of his lustre with an atrocious season of The Apprentice and the further decline of Survivor. And, while Spielberg remains Spielberg, one wonders how he’d have time for the series between movies and his new venture into video fames. So, as we moved closer to the series’ late Spring launch, I guess you could say that expectations had cooled.

And for good reason: the show ‘On The Lot’ became, in its first weeks, was an American Idol-style boot camp with group activities, eliminations, and a misplaced focus on the drama of it all instead of the product of that drama. In other words, these first few weeks have been a bit of a mess in terms of reality television production…but it is my belief that we should stick with this show. Because the product of that drama is actually kind of cool.

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The End of ‘The Apprentice’: Trump Goes Out His Own Way

Donald Trump, it seems, does not get cancelled. No, instead Donald Trump is the Canceller. And always will be. After NBC revealed its fall schedule a week ago, there was one show that wasn’t mentioned and yet was left open to discussion. That show was Donald Trump’s The Apprentice, and after series-low ratings and struggles, it was clear that NBC wasn’t going to bring back the series. When even a high-profile feud with Rosie O’Donnell can’t save you, I don’t know what could. As a result, things looked bleak for Trump…so he has emerged to get the final word.

Yahoo News – Donald Trump to NBC: “You can’t fire me, I quit!”

“Donald Trump, whose low-rated reality show “The Apprentice” was left off the new prime-time schedule unveiled this week by NBC, says the network can’t fire him — he quits.

The real estate mogul issued a statement on Friday saying he has informed the U.S. television network he is “moving on from ‘The Apprentice’ to a major new TV venture,” though he declined to elaborate.”

So, with this Trump gets to end things his way. Mind you, no one is actually going to think he wasn’t forced out (If he really wanted to pull this off he would have done this before last week’s upfront presentation and not a week after), but still Trump gets the last word. And, of course, hypes his upcoming television venture (I figure he’s going to try to launch a take-off of America’s Next Top Model looking for some new recruits for Trump Modeling).

It is funny, however, that Trump is the one to put the final nail in the coffin of The Apprentice, because I would argue that it is he who ended the show’s quality as well. The show began with a fairly reputable structure that was actually quite compelling. The show’s tasks weren’t laden with sponsorships, the board rooms were civil and intriguing, and the winner actually seemed like they could work for a major corporation.

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