Category Archives: Veronica Mars

Network Upfronts Extravaganza: ‘The CW’ Preview

 

UPDATE: Hey everyone! Final word is in: One Tree Hill was Renewed! Get up and celebrate!

That’s right:

One Tree Hill is Renewed

…so congratulations to everyone.

In their first year as a network, The CW has been forced to weather failure after failure. Between the failure of Veronica Mars to find an audience, the failure for 7th Heaven to turn its “Series” finale success into a final season of high-rated television, and the absolute decimation of its Comedy Lineup after being moved to Monday Nights, the network has struggled to define a new identity for itself . However, perhaps more than anything else, The CW’s largest failure is the fact that of its new pilots at the beginning of the season, none of them became anything even close to a success. So, they face a unique challenge this time around: they need to find pilots which give them an identity that will make them a successful network next season. Do they have what it takes?

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Filed under Gilmore Girls, Gossip Girl, One Tree Hill, Ratings, Reaper, Television, The CW, The O.C., Upfronts, Veronica Mars

A Change Will Do Her Good: The ‘Veronica Mars’ FBI Spinoff

It began as a rumour from Michael Ausiello at TV Guide yesterday, and by last night it was picked up by the Hollywood Reporter. The story is really quite a simple one: in the wake of the cancellation of Gilmore Girls and a successful story pitch for an FBI Spinoff, Veronica Mars might just be finding its way onto The CW’s fall schedule in some form. And I, for one, am quite pleased to hear this.

I wrote about the spinoff when it was first proposed, and at the time I felt it would be a good step forward, but I’m more convinced now than ever. Veronica is a complex character with qualities which make for strong character relationships and a penchant for witty dialogue that doesn’t seem forced. The show, as it stands now, is entirely contingent on the strength of her character, and as a result any spinning off of the original show that includes her can be successful.

I think this is especially true about last night’s episode, which was at the very least a return to basic form from last week’s abysmal episode. It got a few things back on track, such as the entire focus on relationships. While last week seemed like too much, too fast, this week things actually progressed at a reasonable speed. Veronica and Piz slowed things down, and the result was an episode where they actually did seem to connect a little. Their handholding at the end felt like it actually meant something, unlike their kissfest at the end of last week.

Similarly, although I would argue she made a terrible error in judgment, Mac’s relationship issues were much more psychological as opposed to overbearing. Last week was basically the boozefest, and this week was the sobering period; she came to the realization that she and Bronson were too dissimilar for her (Which I think is bull, but Mac’s old enough to make her own choices) and that she was connecting with the morally questionable geek instead. Instead of seeming like the show smashing “ROMANCE ROMANCE ROMANCE” into our brains, it felt like the characters were actually feeling things…and this is an improvement, and a return to better things for the series.

The problem is that this romance drama, as well as Keith’s Sheriff subplot, can only go so far. Sure, it was nice to have Deputy Leo (Max Greenfield, also recently seen on Ugly Betty) back, but there isn’t much potential there from a storyline perspective. The Sheriff stories have remained downright boring, even with Vinnie Van Lowe cutting in to the race for Sheriff, but they’re not the only problem. To be honest, I don’t think the college setting is working for the show either.

 

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The End of Gilmore Girls: Series Finale May 15th

EDIT: Well, the show has come to a close: tonight, May 15th, Gilmore Girls ended. For a full review of the kind of great finale, click on the link – “Reviewing the Series Finale…” 

I’ve been holding out some hope in recent weeks that things were looking bright of the future of The CW’s Gilmore Girls. It was finally heading back towards its main story threads, Luke and Lorelai appeared to be back on track, and by all accounts the show was in much better shape. While there were rumours of this being the show’s last season, there was also talk of a shortened 13-episode season to close out the show’s storylines in a meaningful fashion. I, personally, took to calling this the show’s epilogue. And yet, with today’s news that Gilmore Girls has been cancelled, the show will be having its series finale on May 15th. And to be honest, I’m kind of pissed about it.

There are some good notes to this story: this is one more slot The CW needs to fill, and therefore one more slot which a revamped Veronica Mars could find itself in. However, that’s a bit of a stretch of a bright side, I’d say, considering that I’m oddly more concerned about Gilmore Girls. While I enjoy Veronica Mars, I feel more emotionally attached to the world Amy Sherman-Palladino created and abandoned at the end of last season.

I had resigned myself to the possibility of cancellation at the beginning of the season, which was admittedly a rough one. New producer David S. Rosenthal had a pretty huge mess to clean up with Christopher re-entering the picture, and it was…well, an exercise in futility of sorts. The show really didn’t get back on track until Chris was out of the picture, and this was only recently. In recent weeks it has been building up to Luke and Lorelai reuniting (Often with an incredibly obvious swing of the metaphor hammer, or the use of Dolly Parton songs), and Logan is asking to propose to Rory. Rosenthal built a season that, as it concludes, could have ended the show when we came to this point.

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Tuesday Night TV Society – May 1st (Gilmores, Idol, Veronica)

Gilmore Girls

David S. Rosenthal is doing his darndest to salvage what was left behind by Amy Sherman-Palladino in the span of, oh, three episodes. He’s used every trick in the book: giant hay mazes, car shopping, wardrobe changes, and even karaoke of all things. And, do you know what? It’s heavy-handed, cliched, and yet in the end…it kind of works. This being said, I worry somewhat about where things are headed. With Lorelai and Luke heading towards some sort of resolution, Rory and Logan apparently heading to the altar, Zach heading out on tour with VapoRub…everything seems very, oh, I don’t know, final. It’s like they’re handicapping the possibility of a series finale hanging in the balance, and yet they don’t seem like they’re ready for it. I just want to avoid a 7th Heaven-like scenario where things clearly came to a resolution and then “Surprise!” we need to fill another 13-22 episodes.

With 13 episodes looking more and more likely, I at least hope that the show leaves us hanging and with some sort of future for these characters that can fill that period of time. I also hope, perhaps against all odds, that Amy returns to write/direct the eventual finale. I’m sure her new pilot will fail anyways, it’s on FOX.

American Idol

Note to American Idol Producers: there are a lot of terms synonymous with rock out there, and sadly Jon Bon Jovi is not one of them. I thought this was “Rock” night, not the catalogue of the enjoyable in their own special way Bon Jovi. It basically placed the contestants into a situation where no real individuality was easily shown (I’ll get to Blake in a second) and any originality that came out wasn’t a true extension of their own tastes. If it’s going to be a single artist week, they need to have a diverse catalogue: sappy ballads and raucous “I’m awesome, now I’m going to sing about it” is not diversity, as much as there’s some quality tripe in there.

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The Return of ‘Veronica Mars’

As Veronica Mars returns to The CW tonight for what is likely to be its final five episodes (Spread over three weeks with a 2-hour finale on the 22nd), I can’t help but be a little bit nostalgic. After all, Veronica Mars was one of the shows that I was a bit late to, catching up after the 5th episode. Even watching the opening episodes out of order, I couldn’t help but become entangled within a fascinating character study and an overarching mystery story. Perhaps it is fitting that I watched it out of order, then, considering that this final set of episodes will be the first without an overall narrative leading them.

With the mystery of Dean O’Dell’s murder solved, we find ourselves at a loss: what drives Veronica forward in the absence of this mystery? She went from Lily’s death in the first season to the bus crash in the next, and then had little to no time to react before entering the rape storyline, which moved quickly into Dean O’Dell’s apparent suicide. The show has always been operating in this serialized fashion, although featuring various sideplots at the same time, and the loss of that could be seen as a loss of part of the show’s identity.

However, we need to consider just what that identity is. If this was a show purely about mystery, about a serial plot to go along with each season, we never would have gotten three seasons. It is the characters that drive Veronica Mars forward, in the end, which is why I believe that this five-episode experiment of sorts should prove enjoyable for fans of the series. Now, the show will have a chance to have its characters act and interact without worrying about connecting them to a core mystery. The mysteries of the week can be organized without worrying about the bus crash, or Lily’s death, but about who these characters are and where they should be headed dramatically.

So, in the spirit of these new character-based episodes, let’s take a little time to run down where the characters stood before this very long hiatus:

Veronica: Well, things were somewhat complicated for Veronica. She finished solving the Dean’s murder case, and felt pretty good about it, but personally she’s somewhat conflicted. She and Logan seem to be broken up for good at this point, which is clearly on her mind, and yet she’s really moving forward with a relatively clean slate. How long it stays that uncomplicated, of course, we’ll have to see.

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“Veronica Mars. F.B.I.” – Show-Changing Spinoff in the Works?

Now, I don’t usually just post a link to an article and run, but I want to get this out there before I comment on it in detail over the weekend. While E! Online had some rather unfortunate news that Veronica Mars was being canceled this season last evening, this morning brought a somewhat different story from The Hollywood Reporter.

‘Veronica toys with time warp’ – The Hollywood Reporter

Veronica Mars might be looking at a quick graduation from Hearst College. The fate of the CW’s cult favorite remains uncertain, but if the show returns for a fourth season in the fall, it might find the young sleuth in a different setting. “Veronica Mars” creator Rob Thomas has come up with an idea to fast-forward a couple of years and have Mars studying at the FBI Academy. (As a freshman at Hearst College, Mars (Kristen Bell) has been taking criminology classes and been looking to do an internship at the FBI.) Thomas is filming a trailer for the alternative fourth season of the Warner Bros. TV/Silver Pictures show, which will be submitted to the CW.

This is a move designed to save the show for its creator and…parts of its cast, at the very least. I’m trying really, really hard not to comment, but briefly: I believe in Rob Thomas’ vision, Kristen Bell’s performances, and the casting abilities of this staff.

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On the Bubble – The Shows in Danger of Cancellation

As I’m headed off to deal with some family business, here’s something to tide you over until that point. Variety has released their shows which they view as “on the bubble” at each of the main networks; it’s usually a pretty darn good indicator of things, so take a look.

Variety – Shows Face Their Zero Hour

Some things of note:

30 Rock appears to be somewhat safe, along with Friday Night Lights, all thanks to the precedent set by The Office. This is good news.

Scrubs may be moving to ABC? That would be in everyone’s best interest, in my book; licensing fees are scaring away NBC, and since it’s owned by Touchstone anyways it would be a nice and easy transition to a network (ABC) searching desperately for a successful comedy.

Jericho started so strong at CBS, and now it finds itself struggling…which is not good news for a show on CBS. With so many CSIs which could rerun in any timeslot to great success, you need to stay strong.

– The CW has the same problem as last season, really; no slam dunk drama pilots, nothing is really succeeding anywhere, and this might save a show like Veronica Mars. Contract talks with Gilmore Girls will prove quite interesting, but I’m disappointed to see no mention of One Tree Hill being canceled in the article. The idea of Veronica Mars being canceled and One Tree Hill remaining on the air hurts my brain.

So, which of your favourite shows that have struggled in the ratings are you looking to save for next season? Studio 60? Medium? Feel free to comment.

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Filed under 30 Rock, Gilmore Girls, Scrubs, Television, Veronica Mars

The Top 10 Episodes of February Sweeps 2007

It’s perhaps the most important non-premiere/finale month in the TV Calendar, the month where shows and networks are made and broken. Now, while I’m enough of a TV Geek to know when these periods are, Wikipedia has actually taught me a whole lot more on the subject. What is a Sweeps Period, you ask?

Link: Wikipedia – Nielsen Ratings System – Sweeps

“Much of the ratings system, however, still consists of the completion by viewers of ratings diaries, in which a viewer records his or her viewing habits, generally for a week, in exchange for being advanced a nominal fee. These diaries play an especially important role during the four sweeps periods conducted in February, May, July and November in an attempt to measure smaller local market audiences in markets that are not covered by People Meter samples already…”

Television networks and other programmers make unusual efforts to attract additional viewers during these periods, including airing mostly first-run programming as opposed to repeats, airing more special broadcasts, and including special content in programming such as guest stars, controversial and unexpected plots or topics, extended episodes, finales, and increased competition in advertising.”

So, during these periods the Nielsen ratings system is gathering data on those areas that are not usually found within their polls of the nation. As a result, this is the time when advertisers are most interested in seeing what people in the entirety of the U.S. are watching, so networks have a vested financial interest: the more different populations watching, the more advertising dollars they may be able to charge in the upcoming season.

So, much like the article says, February is defined by event programming and new episodes of shows. There are guest stars, huge new plot arcs, explosions, premieres, and just about everything else you can imagine. And, it is now my job to go back through this month and television and find out which 10 episodes stood out above all others. It’s a tough task, but I believe I’m up to the challenge.

Honourable Mentions

There are the episodes that were considered for the list, but just didn’t make the cut. Still, they represent some quality television and should be commended. Also, since I limited the final list to one from each show, some of these could have ranked quite easily.

The Amazing Race – “Beauty is Sometimes Skin Deep”
Gilmore Girls – “I’m a Kayak, Hear Me Roar”
Grey’s Anatomy – “Wishin’ and Hopin’”
Heroes – “Unexpected”
Lost – “Flashes Before Your Eyes”
The Office – “Cocktails”
Ugly Betty – “I’m Coming Out”

The Top 10 Episodes

Of February Sweeps 2007

(Episodes must air between January 29th and February 28th)

10. Veronica Mars – “Papa’s Cabin”
Airdate: February 27th, 2007

While not reaching the heights of its first season, the end of the 2nd Season Three arc on “Veronica Mars” felt more satisfying than its first. Things came together in a logical way, the perpetrator (Tim Foyle) didn’t turn into a raving lunatic at the episode’s end, and there were some nice comedic moments along the way to keep things a little bit light. The show will never be as cohesive as it was in its first season, but this episode shows that they’re still capable of ending an arc in a satisfactory manner.

9. Gilmore Girls – “I’m a Kayak, Hear Me Roar”
Airdate: February 19th, 2007

While certainly not the show’s best episode, and one that certainly won’t be remembered as a pivotal episode for the series, the fallout from Lorelai’s breakup with Christopher was incredibly well handled. Lorelai told Rory first, and then painstakingly told her mother while both were a little bit drunk. That level of mother-daughter bonding between Lorelai and Emily is rare for the series, and it was handled extremely well; when Lorelai woke up the next morning to find that her mother was now cold and angry about it all, it seemed even more natural. I’ve stopped thinking about the switch in producers for the show, and episodes like this are not changing that any time soon.

8. The O.C. – “The End’s Not Near, It’s Here”
Airdate: February 22nd, 2007

Although my detailed thoughts about the episode can be found within Thursday Night TV Club, on a simple level it was a satisfactory finale to a show that, a year ago, I had written off. While it was certainly not the simplest finale, and it was plenty contrived, it did its job well enough to deserve a spot on this list. It was an hour of television that made you forget, for just a second, that you sat through two seasons of absolute shit to get to this point; I’d say that’s a successful finale. As it ended with a young Ryan look-alike sitting, clad in his grey hoodie, looking lost, it was fitting; Ryan has turned into Sandy, and the circle continues.

7. The Office – “Business School”
Airdate: February 15th, 2007

While it may not be the show’s best episode of the season, and lacked the drama inherent within the next week’s “Cocktails,” I think that Joss Whedon defeated J.J. Abrams in the battle of the guest directors. From the hilarious “Jim the Vampire” storyline, to the handling of the bat by Dwight, to Michael’s candy bar lecture style, the episode delivered the comedy. However, it also dealt with the relationship between Ryan and Michael, an oft ignored one, and Pam’s art show provided some drama between her and Roy and a nice moment between her and Michael. It wasn’t a perfect episode, but it blended comedy and drama into a quality half hour of television.

6. Battlestar Galactica – “Dirty Hands”
Airdate: February 25th, 2007

Stuck with three filler episodes during the February Sweeps period, Battlestar Galactica managed to make one of them work to great effect. Tyrol’s return to a position of labour boss, as the episode was advertised was predictable, but it was the context which provided a great deal of interest. The idea of Baltar smuggling a book out of his prison cell is another nod to historical events, and its effects on the core storyline were immediate; painting Adama and Roslin as the aristocracy ,and then having them be a little bit crazy, paints a picture that is a fascinating microcosm of true events and one that complicates the fleet’s dynamics. Battlestar may be at its most explosive when dealing with the Cylons, but it’s at its best when it delves into the political drama inherent in their situation.

5. House – “One Day, One Room”
Airdate: January 30th, 2007

An episode so divisive that I felt like blogging about it specifically, it very much redeemed House in my eyes after it had struggled to keep my attention. While I think that the episode featuring Cuddy’s blind date may have been more entertaining, I think that this story of a rape victim that relates to House was far more interesting. The philosophical discussions were not life-changing, but they were necessary to balance out the fairly boring medical cases which had come before it.

House is at its best when it balances these elements, and this episode was something that I needed in order to continue to enjoy the show. While I can understand that some people may disagree with this, and considered the episode too preachy and abstract, I also think that neither of those are overly negative attributes. After the absolutely dreadful Tritter arc, which took the show in circles for a good six episodes, it was good to return to something on a larger scale that could actually change the titular character in some fashion. Divisive or not, the episode was the perfect example of what House needs to do to stay relevant.

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Filed under Battlestar Galactica, Gilmore Girls, Heroes, Lost, Television, The O.C., The Office, Veronica Mars

Tuesday Night TV Society – February 20th

Perhaps to help organize my TV blogging, I figure I should introduce another weekly feature to cover the breadth of TV on Tuesday evenings. This particular feature might be a bit slow-moving once one of the shows goes on Hiatus, but I can pick up another one or two if necessary to flesh things out. And yes, fancy writing denotes a society.

Gilmore Girls – “I am Kayak, Hear Me Roar!”

Not a show to let the happy train leave the station too soon, Gilmore Girls once again found itself a few problems to deal with as it heads into the end of what could be its last season. While the end result of things (Luke and Lorelai being together, Rory and Logan being together, etc.) is quite clear, it’s also clear that it’s going to take us awhile to get there.

On the Rory and Logan front, we’ve got Logan being screwed over on his patent deal, perhaps losing all of his trust fund. I think a Logan no longer tied to his father’s existence would be in the show’s best interest at this point; it’s clear that he struggles to remove himself from his father’s shadow, what better way to do so than to make Logan financially dependent on Rory? They’ll be remotely happier without Mitchum in their lives. It seems bad now, but this will end up a positive methinks.

The situation with the elder Gilmores, however, is quite foreboding. The drama at the Gilmore household was very well handled, ranging from Richard’s frustration with Emily’s helplessness. Emily relationship with Lorelai has always been tenuous, but her motherly advice while drunk was touching. By the same account, her anger in the morning was realistic. The characters were handled well, and things are back to the status quo.

This status quo allows us to head back to Stars Hollow for some Baby Showers, and likely some Luke and Lorelai drama, next week. With 7 episodes to go, time is running up for their relationship to come to fruition. Continue reading

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An Open Letter to The CW

Dear The CW,

So, how’re things? We’re now into the sixth month of your existence, and I’d like to be frank with you. I greatly appreciate your efforts to offer youth-oriented programming, and you’ve managed to develop America’s Next Top Model into a buzz-worthy program on the same level as other reality shows. And yet, as we enter your sixth month, I have a message for you: you need a complete makeover, in every possible way.

Now, I know that this might seem drastic, but let’s consider this year as a bit of a practice run. You just weren’t the huge success that they wanted you to be, all you could do was increase demo numbers in women from 18-34. This is good, and all, but there has been no breakthrough, no tremendous change; there is not yet a CW identity.

I know it’s difficult, when you’re taking on mostly shows from other networks, you’re not going to be able to suddenly brand everything together. UPN was a network that focused primarily on an African-American and female audience, while The WB appealed to families and young adults. These are two identities that can’t just be integrated overnight, it takes time.

This wasn’t helped by a few decisions that most definitely did not prove beneficial. The decision to keep 7th Heaven was a detriment to both of these images. It was clear that the family focus of the WB was headed out the window, the show only served to confuse your message further. Couple this with the decision, financially motivated, to renew Reba, and you’ve got a Sunday Night lineup that lacks any relation to the rest of your audience.

But, this isn’t your only problem. Even with this Sunday lineup, there was a chance to define something new that could be built on in the future. And yet, for two reasons, this failed. Continue reading

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