The 2011 Oscar Nominations
January 25th, 2011
On Twitter, I suggested that I was relatively bored with this morning’s Oscar nominations…or, more accurately, I tweeted “Oscar nods = yawn,” which frankly says more about how much I enjoy being up at 7:30 in the morning than it does about the nominations themselves.
Still, though, I must admit to being fairly unexcited by the whole affair. While there were a few pleasant surprises, and a few snubs which raise my ire in the way that I more or less enjoy, something about the nominations just doesn’t sit right. While the nature of the 10 Best Picture nominations means that a large number of major films from the year enjoy a moment in the spotlight, I would actually argue that there are subtle ways in which this is ruining some of the other categories where voters should be more willing to go out on a limb. With the Academy’s populist and avant garde recognition now done in the main category, the ability for a director like Christopher Nolan to earn a Best Director nomination has been severely diminished, as the legacy of the five-film Best Picture race continues to hang over the remainder of the awards.
And while I wouldn’t quite call it a travesty, I would say that it demonstrates how awards voters only break out of patterns where they are absolutely required to do so.
David vs. Goliath vs. Laziness
March 8th, 2010
If you were going to watch a television show where two characters reach for the ultimate goal in their chosen field, one as the popular frontrunner and one as the almost-forgotten underdog, I think there’s a lot of dramatic potential there. There is something about the battle between David and Goliath that should automatically draw us in, and while Avatar and The Hurt Locker are not multi-dimensional characters (cue 3-D joke) they are fairly compelling award show narratives.
And while normal people, according to lore, only watch award shows to see things they like be liked by stuffshirts, people like me watch them because of the politics, because of the predictions, and because of the sense of surprise and anticipation. We watch them because we see a narrative in their story, able to chart momentum as the show goes on, moving towards the big award of the night with the pulse of a great year in film…ideally.
The 2010 Oscars will go down in the books as a rather colossal failure, the polar opposite of the simple and understated Oscars that followed the year before. In some ways, the show took risks not that dissimilar from last year’s show, but a few major missteps combined with some absolutely disappointing material from hosts Steve Martin and Alec Baldwin resulted in an infinitely cynical response that, unfortunately, became the pulse of this show.
What was supposed to be thrilling and exciting, the story of two films in an epic fight for victory, became the story of how the show’s producers chose interpretive dance over cinematic integrity, and the predictable winners in most categories did little to keep this Oscars from being tepid, uninteresting and, perhaps worst of all, uneventful. A show like this should be an event, and this…this was just sad.
Snubpocrisy: The 2010 Oscar Nominations
February 2nd, 2010
There are times in this life when I realize that I can be quite cynical, which I know flies in the face of everything that Conan O’Brien instructed me to do during his final episode of the Tonight Show. However, it’s not something that can be cured overnight, and during Awards season it’s hard to resist that cynicism when it is just so damn apt.
But with the Oscars this year (whose nominees were announced this morning, and can be found here), we have pretty much the definitive litmus test. It’s the first year (in a long, long time at least) with 10 Best Picture nominees, which means that the favourite films of a large swath of viewers have made it to the dance, so to speak. You’ve got your blockbusters like Avatar, your breakout hits like The Blind Side, your art house selections like A Serious Man and An Education, and even your animated selection in Up. Combine with your intelligent science fiction like District 9 and your prestige pictures like The Hurt Locker, Up in the Air, Precious and Inglourious Basterds, and you have something for everyone.
And it makes me sick.