Tag Archives: Acting

Snubpocrisy: The 2010 Oscar Nominations as Disappointing and Not Disappointing Enough

Snubpocrisy: The 2010 Oscar Nominations

February 2nd, 2010

There are times in this life when I realize that I can be quite cynical, which I know flies in the face of everything that Conan O’Brien instructed me to do during his final episode of the Tonight Show. However, it’s not something that can be cured overnight, and during Awards season it’s hard to resist that cynicism when it is just so damn apt.

But with the Oscars this year (whose nominees were announced this morning, and can be found here), we have pretty much the definitive litmus test. It’s the first year (in a long, long time at least) with 10 Best Picture nominees, which means that the favourite films of a large swath of viewers have made it to the dance, so to speak. You’ve got your blockbusters like Avatar, your breakout hits like The Blind Side, your art house selections like A Serious Man and An Education, and even your animated selection in Up. Combine with your intelligent science fiction like District 9 and your prestige pictures like The Hurt Locker, Up in the Air, Precious and Inglourious Basterds, and you have something for everyone.

And it makes me sick.

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2009 Emmy Awards Nominations Predictions: The Tale of the Tape

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The Tale of the Tape

July 15th, 2009

Heading into tomorrow morning’s nominations (5:30 Pacific Time, so 8:30 Eastern and 9:30 for me in the Atlantic time zone), there are a few certainties, and a few question marks. I talked before about the uncertainty of the popular vote, which places a show like Lost somewhere in between an equilibrium of popular shows like House and Grey’s Anatomy and more critical/industry favourites like Mad Men and Breaking Bad. Here, it’s tie to take a look at some of the big stories that could emerge from the nominations, as well as a glimpse at some of the categories that I didn’t get to during the week. So, let’s get the Tale of the Tape.

Mad Men = The New Sopranos?

Last year, Mad Men racked up an Emmy for Drama Series, a nomination for Lead Actor and Best Supporting Actor, and five other statues (including Writing for Matthew Weiner). The question now really comes down to just how much the show’s second season is going to increase those odds. Chances are that one of the show’s two leading women will break through, now much more household names when it comes to the show’s success, and there’s room for more supporting players at well. If it follows the Sopranos pattern, it could break through big – if it, however, gets held back by being on AMC, it could end up with roughly the same nominations.

The Year of CBS?

It may be unlikely, with far more popular shows in terms of Hollwood and the Emmys in the category, but How I Met Your Mother is at the point where its breakout year might be upon us. Neil Patrick Harris is hosting, the show’s ratings have solidified it as a hit in its own right, and it is no longer in fear of cancellation which makes it seem like the kind of show that will be around for a while. It has to compete with stablemate The Big Bang Theory, which has Jim Parsons breaking out in a big way, and Two and a Half Men, but that two more legitimate Emmy contenders than the network had a year ago (and, in my mind, two more than it should have, but that’s neither here nor there). Combine with a chance for The Mentalist’s Simon Baker, and CBS is maybe not just the people’s network anymore.

Breaking Bad Breaking Through?

Last year, Bryan Cranston won in a bit of a shocker in the Lead Actor category for his work on the other AMC drama, Breaking Bad. Many have taken that win and viewed it as a sign that the show, which got even better in its second season, has a chance of breaking through in its own right. I’m of the mind that it will, but Cranston’s win was as much for his lack of a win for Malcolm in the Middle than it was for his brave performance, so it will be interesting to see if the show can join Cranston in the Emmy race. It has the benefit of having aired fairly recently, but it’s yet to be seen if it can break through on the popular vote.

The Final Chance for Battlestar Galactica

A real chance of breaking into the Drama Series race, or the various acting categories, just isn’t in the cards; Battlestar Galactica may have had an amazing finale, and its actors may have stepped up more than ever before, but in a popular vote competition it just isn’t going to get the support it needs. Mary McDonnell is going to get pushed out of her category, although remains a long shot candidate if things get really weird, but the show’s real chance lies in both writing and direction. There’s probably room in those categories for Ronald D. Moore and Michael Rymer, as they’ve been represented before, so it will be interesting to see if they can pick up those nods. They’ll also dominate the special effects categories, with the Visual Effects team easily picking up their third Emmy.

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Song, Dance, and Commendation: Turning the 2009 Academy Awards into a Television Event

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Song, Dance, and Commendation:

Turning the 2009 Oscars into a Television Event

When the Academy Awards brought on a set of new producers, there was the usual buzzwords: on time! Big surprises! Excitement! On time! Thrilling! And yet, we all doubted that it could live up to the expectation, especially after the year’s most populist films were all but shut out of major awards, and the chance for big surprises was more or less out the door the second that the runaway train of Slumdog Millionaire pulled into the station. The odds were stacked against this show from being something that felt like a real television event, which is really the point of this whole affair.

Or, well, one of the points. In reality, this is an event that is about celebrating the best in the year of film, but that is an idea that is always so subjective and often disconnected from what the movie-going public actually experienced. At the very least, then, it’s supposed to be a celebration of the talent in Hollywood, something that is always tough with the red carpet affairs and the grasps at star power drive attention towards those with the most cache. And all the while they have to be entertaining, keeping us moving between awards and keeping our attention.

And while it didn’t run on time (who ever expected it to?), and there weren’t many major surprises (here’s a full list of winners), tonight’s Academy Awards will go down in the books as one that provided entertainment you’d see nowhere else, a celebration of the year in movies and not just those movies which happened to be nominated, and one where the fine line between indulgent self-aggrandizing and commending the year’s finest actors was walked with great control. And that, at the very least, created three and a half hours of engaging television.

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