Tag Archives: Mamma Mia

30 Rock – “Mamma Mia”

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“Mamma Mia”

May 7th, 2009

What a difference a half hour makes: after an episode of the Office that started out without an idea at all and ended up coming together quite well, we have an episode of 30 Rock with a central storyline that was both quite funny and charming, but one that the show surrounded with two storylines that were anything but. And, although this is going to sound weird at first, the problem with this is Tina Fey.

No, not her as an actress: she was hilarious in this week’s episode overall. The problem was that I don’t know which Liz Lemon story to really focus on. Her role in Jack’s storyline, the central take-off of Mamma Mia, was absolutely hysterical, her excitement over realizing her good fortune of having the movie play out in real life maybe my biggest laugh all night. But then the show had her as both lead investigator in the quest to discover whether Tracy’s illegitimate son was a fraud and in a storyline where Jenna’s catchphrase led to fame and success and she was envious of the attention since she was given so little credit for writing it.

The concern here is not a lack of material, but a lack of editing: the episode wasn’t actually about Liz having to balance these three different roles, and her centrality to every story just didn’t end up making any sense. She was vain and petty in her quest to fight with Jenna, unnecessary in Tracy’s storyline when Pete was right there, and could have been used more often in Jack’s storyline to be quite honest.

While some have argued that 30 Rock suffers from a lack of strong supporting players, I don’t think the show is so hard off that Liz needs to be everywhere: a little bit of spreading the love to Kenneth, or Frank, or even Twofer would have really helped “Mamma Mia” get off the ground.

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Song, Dance, and Commendation: Turning the 2009 Academy Awards into a Television Event

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Song, Dance, and Commendation:

Turning the 2009 Oscars into a Television Event

When the Academy Awards brought on a set of new producers, there was the usual buzzwords: on time! Big surprises! Excitement! On time! Thrilling! And yet, we all doubted that it could live up to the expectation, especially after the year’s most populist films were all but shut out of major awards, and the chance for big surprises was more or less out the door the second that the runaway train of Slumdog Millionaire pulled into the station. The odds were stacked against this show from being something that felt like a real television event, which is really the point of this whole affair.

Or, well, one of the points. In reality, this is an event that is about celebrating the best in the year of film, but that is an idea that is always so subjective and often disconnected from what the movie-going public actually experienced. At the very least, then, it’s supposed to be a celebration of the talent in Hollywood, something that is always tough with the red carpet affairs and the grasps at star power drive attention towards those with the most cache. And all the while they have to be entertaining, keeping us moving between awards and keeping our attention.

And while it didn’t run on time (who ever expected it to?), and there weren’t many major surprises (here’s a full list of winners), tonight’s Academy Awards will go down in the books as one that provided entertainment you’d see nowhere else, a celebration of the year in movies and not just those movies which happened to be nominated, and one where the fine line between indulgent self-aggrandizing and commending the year’s finest actors was walked with great control. And that, at the very least, created three and a half hours of engaging television.

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