And the Nominees Are…
2009 Emmy Nominations
For analysis of the surprises, the snubs, and everything in between, check out:
Power to the People?: 2009 Emmy Nominations Analysis [Link]
However, in list form, the nominees for the 61st Annual Primetime Emmy Awards are…
Outstanding Drama Series
- Big Love
- Breaking Bad
- Mad Men
Lead Actress in a Drama Series
- Glenn Close (Damages)
- Mariska Hargitay (Law and Order: SVU)
- Sally Field (Brothers & Sisters)
- Elisabeth Moss (Mad Men)
- Holly Hunter (Saving Grace)
- Kyra Sedgwick (The Closer)
Lead Actor in a Drama Series
- Gabriel Byrne (In Treatment)
- Bryan Cranston (Breaking Bad)
- Michael C. Hall (Dexter)
- Jon Hamm (Mad Men)
- Hugh Laurie (House)
- Simon Baker (The Mentalist)
Outstanding Comedy Series
- Family Guy
- Flight of the Conchords
- How I Met Your Mother
- The Office
- 30 Rock
Lead Actor in a Comedy Series
- Jemaine Clement (Flight of the Conchords)
- Alec Baldwin (30 Rock)
- Steve Carell (The Office)
- Charlie Sheen (Two and a Half Men)
- Tony Shalhoub (Monk)
- Jim Parsons (The Big Bang Theory)
Lead Actress in a Comedy Series
- Christina Applegate (Samantha Who?)
- Toni Colette (United States of Tara)
- Tina Fey (30 Rock)
- Julia Louis-Dreyfus (New Adventures…Christine)
- Mary-Louise Parker (Weeds)
- Sarah Silverman (The Sarah Silverman Program)
May 14th, 2009
If there is one blemish on 30 Rock’s solid, if not spectacular, third season that really stands out, it’s the criticism that the show has leaned too heavily on high profile guest stars in order to meet its ratings potential. First and foremost, it was “successful” in its goal: the show was renewed months ago, showing that critical attention and slight viewership growth really can save great comedy. However, the consequences of this was a reputation, that I’ve heard used as a sign of the show’s decline throughout the year.
But I’m with Liz Lemon in the end: it has been quite a year, and while I don’t think 30 Rock won the Thursday Comedy face-off at the end of the year I do think that “Kidney Now!” is a fine argument for the show’s ability to go above and beyond what one would normally expect. Combining two television cliches (the benefit concert and the organ transplant) and sprinkling with the most guest stars the show has ever crammed into it, it reads like one big middle finger to those critics who questioned whether the show could weather the network-pressured invastion of movie stars.
It’s not a fantastic finale, and perhaps lacked the cohesiveness of last year’s “Cooter,” but with a rollicking final song (which you can find more info on at NBC.com) and some fun material for Liz Lemon the episode delivered a nice sendoff for the season.
May 7th, 2009
What a difference a half hour makes: after an episode of the Office that started out without an idea at all and ended up coming together quite well, we have an episode of 30 Rock with a central storyline that was both quite funny and charming, but one that the show surrounded with two storylines that were anything but. And, although this is going to sound weird at first, the problem with this is Tina Fey.
No, not her as an actress: she was hilarious in this week’s episode overall. The problem was that I don’t know which Liz Lemon story to really focus on. Her role in Jack’s storyline, the central take-off of Mamma Mia, was absolutely hysterical, her excitement over realizing her good fortune of having the movie play out in real life maybe my biggest laugh all night. But then the show had her as both lead investigator in the quest to discover whether Tracy’s illegitimate son was a fraud and in a storyline where Jenna’s catchphrase led to fame and success and she was envious of the attention since she was given so little credit for writing it.
The concern here is not a lack of material, but a lack of editing: the episode wasn’t actually about Liz having to balance these three different roles, and her centrality to every story just didn’t end up making any sense. She was vain and petty in her quest to fight with Jenna, unnecessary in Tracy’s storyline when Pete was right there, and could have been used more often in Jack’s storyline to be quite honest.
While some have argued that 30 Rock suffers from a lack of strong supporting players, I don’t think the show is so hard off that Liz needs to be everywhere: a little bit of spreading the love to Kenneth, or Frank, or even Twofer would have really helped “Mamma Mia” get off the ground.