October 6th, 2009
I’m in New York at the moment (my Twitter account likely reflects this), but I had a chance to catch this week’s Being Erica before I left. It’s, again, a return to the first season’s structure, hesitating to “open up” the show’s universe as much as the season premiere seemed to indicate. However, at the same time, the episode also reminds us that Judith as a character still exists, a problem with a show that deals with sending a character back to her past when some of the people in her life weren’t actually involved.
So, in many ways, the reason that Judith and her newborn haven’t been around Erica are quite similar to why they haven’t been on the show thus far this season, and “Mama Mia” does well justifying her absence and adding a few more shades to their relationship. The episode had a few hiccups, but it followed one of my favourite patterns for the show so it’s ultimately another enjoyable hour for the show.
May 7th, 2009
What a difference a half hour makes: after an episode of the Office that started out without an idea at all and ended up coming together quite well, we have an episode of 30 Rock with a central storyline that was both quite funny and charming, but one that the show surrounded with two storylines that were anything but. And, although this is going to sound weird at first, the problem with this is Tina Fey.
No, not her as an actress: she was hilarious in this week’s episode overall. The problem was that I don’t know which Liz Lemon story to really focus on. Her role in Jack’s storyline, the central take-off of Mamma Mia, was absolutely hysterical, her excitement over realizing her good fortune of having the movie play out in real life maybe my biggest laugh all night. But then the show had her as both lead investigator in the quest to discover whether Tracy’s illegitimate son was a fraud and in a storyline where Jenna’s catchphrase led to fame and success and she was envious of the attention since she was given so little credit for writing it.
The concern here is not a lack of material, but a lack of editing: the episode wasn’t actually about Liz having to balance these three different roles, and her centrality to every story just didn’t end up making any sense. She was vain and petty in her quest to fight with Jenna, unnecessary in Tracy’s storyline when Pete was right there, and could have been used more often in Jack’s storyline to be quite honest.
While some have argued that 30 Rock suffers from a lack of strong supporting players, I don’t think the show is so hard off that Liz needs to be everywhere: a little bit of spreading the love to Kenneth, or Frank, or even Twofer would have really helped “Mamma Mia” get off the ground.