Tag Archives: Max

Breaking Bad – “Hermanos”

“Hermanos”

September 4th, 2011

There are some definite echoes to be found in the paths of Zjelko Ivanek and Giancarlo Esposito when it comes to their Emmy Award ambitions.

Both actors were regulars on series in which they played minor roles on a weekly basis (Ivanek on FX’s Damages), and both became the focus of episodes later in the season where their characters were fleshed out through flashback. And, both were strong enough in those episodes that they were labeled as Emmy contenders; while we will have to wait twelve months to see if Esposito will have any success in this area, Ivanek stole the Emmy out from his co-star Ted Danson (and a lot of other contenders) in 2008.

The difference, I would argue, is that Ivanek’s episode is meant to be shocking. We knew nothing about Ivanek’s Ray Fiske (a name I wouldn’t remembered without the help of Wikipedia) before that episode, and hadn’t really been given any reason to care about the character beyond considering him as a legal opponent. And so when we started delving into his past, including his homosexuality and his self-destruction related to an unrequited love, it was meant to throw the viewer off-guard. Fiske’s arc in the episode is a statement, a singular one in fact, and it was the “shock” of it all that made it resonate in subsequent episodes and with Emmy voters.

By comparison, Gus Fring has been an enigma from the minute he was introduced. The show has always kept a certain distance from Gus, always resisting showing us his perspective on events, and in the process it has created a large number of mysteries. Whereas Ray Fiske was a character taken from obscurity to a sudden point of interest, Gus has always been a character begging for an origin story, or in the case of “Hermanos” an origin story mixed in with another escalation in the season’s focus on perspective (this time focused more closely on the narrative). As a result, it comes with a great deal of anticipation but also a great deal of expectation, and raises another question entirely: is it worse to have too many questions or too many answers?

Or, of course, you could just split the difference and embrace them both equally, as “Hermanos” achieves quite admirably.

[Heads up: while I tiptoed around it above, I’m going to spoil Damages Season One here, so skip past the next paragraph if you’ve still got those DVDs sitting around. I’ll drop in another warning when it’s done.]

Continue reading

Advertisements

6 Comments

Filed under Breaking Bad

Season Premiere: United States of Tara – “…youwillnotwin…”

“…youwillnotwin…”

March 28th, 2011

When United States of Tara entered its second season, the Gregson family thought that everything had changed: Tara had defeated her alters through the use of medication, and the entire family was ready to move forward with something approaching a normal life. Of course, normalcy proved unattainable: the old alters returned, new alters emerged, and turmoil between family members left Max, Kate and Marshall confronting their own identities in light of their mother’s struggle.

What is immediately clear in the show’s third season premiere is that there is no such false normalcy. For better or for worse, the Gregson family has embraced (or will be forced to embrace) that they are in no way, shape, or form normal, and it shows in “…youwillnotwin…” It is a confident premiere on a number of levels, but primarily because it embraces the stabilizing influence of instability. By embracing the cyclical nature of life, and by placing the characters in positions to be impacted – but not defined by – those cycles, United States of Tara is in a position to continue to evolve without having to introduce dramatic new elements into the equation.

All it takes, it appears, is a bit of a push in the right direction and a willingness to ride the wave.

Continue reading

Leave a comment

Filed under United States of Tara

Same as it Ever Was?: Second Impressions for Life Unexpected, Parenthood

“Ocean Uncharted”

&

“I Hear You, I See You”

September 14th, 2010

Life Unexpected and Parenthood have a lot in common, industrially speaking: while their thematic similarities don’t go beyond “family” being a central component of each, their most important connection is that they are both midseason shows which were renewed for a second season.

This is important because it means that they, compared with other sophomore series, didn’t get as much time to tell their stories. Without full 22-episode seasons, we never really got to see everything that Liz Tigelaar and Jason Katims had to offer, which makes these debuts especially important. We’re not as committed as we would have been after a “full” season, and therefore each series goes into its second year looking to prove that they are going to make the most of this opportunity and that we should continue watching.

I want to discuss the two series together because they take two very divergent paths (and because I’m short on time): while Life Unexpected presents entirely new scenarios which complicate the series’ existing premise, Parenthood seems entirely comfortable in the rhythms it developed last season. Neither decision is necessarily better than the other, but I do think that one premiere was more effective than the other as a result of their strategy.

Continue reading

5 Comments

Filed under Life Unexpected, Parenthood

Season Finale: United States of Tara – “From This Day Forward”

“From This Day Forward”

June 7th, 2010

I wish that I had more to say about United States of Tara’s second season finale, but for the most part I don’t. This is not to say that the episode wasn’t enjoyable, or well-acted, but rather it seemed that the show had more or less choreographed all of its reveals, and so the primary function of “From This Day Forward” was more or less appearing to reset things to the status quo.

Again, this isn’t a slight on the episode: with some strong performances and some intense emotional moments, I think the series nicely capped off a complex and intriguing second season. The problem is that it works a little bit too hard to get to the point where the Gregson family is dancing wistfully in a beautifully lit backyard, cutting away the clutter of their lives for that brief moment of bliss. I understand the impulse behind that action, and the catharsis of the episode is helped by the calmness of those final moments, but it seems to be putting a button on too many story points which went unresolved or were cast aside with remaining potential. The series kept hinting at hidden motivations or long-kept secrets, and yet after revealing the biggest secret of them all the rest were sort of just chalked up to either misdrection or the frakked up nature of the Gregson family.

There’s something about that which is just a bit too easy, and something which all the catharsis in the world isn’t going to fix, and I feel like the finale needed to acknowledge that just a little bit more.

Continue reading

6 Comments

Filed under United States of Tara

United States of Tara – “To Have and To Hold”

“To Have and To Hold”

May 31st, 2010

“Is every single thing just lurking beneath the surface?”

United States of Tara isn’t a mystery show, per se, but there is a central search for answers at its core which we seem to be returning to once a season. After reaching out to her college rapist in an effort to discover the truth behind her condition only to discover that it went far deeper than that particular trauma, Tara stepped away from trying to find the source of her problems and instead tried to medicate and try to continue living life without that knowledge. However, as the second season has progressed, it’s clear that her condition is creating more strain in her life now than ever before, and through the help of a new alter (Shoshannah) and whatever it is that the Hubbard house brings out in her.

I recently caught up with the past three episodes of Tara (the end of the season turned out to be too busy to get to it live), and I’m on record as suggesting that Tara’s second season is perhaps the most confident on TV this year outside of Parks and Recreation and perhaps Sons of Anarchy. “To Have and to Hold” is another strong episode which speaks to both the mysteries of Tara’s past (which I think we have enough information to sort out, if not entirely comprehend) and the damage of Tara’s present, emphasizing the long-term ramifications of the former while reminding us that the gravity of the latter has yet to be determined.

Continue reading

3 Comments

Filed under United States of Tara

Parenthood – “Perchance to Dream”

“Perchance to Dream”

April 27th, 2010

Last week, Parenthood was given a second season, and I was pleased: yes, I have at times voiced my intense frustration with some of the show’s tonal inconsistencies, but in doing so I admit that they seem like a show working itself out more than a show which has no chance of ever reconciling its various parts. Rather, it’s a show that very clearly doesn’t want to know what it is yet, a show which wants to embrace the slack that we cut freshman series by trying out as many things as possible. The result is occasionally a show that makes me want to tear my hair out, but it’s also occasionally a show that really resonates emotionally, and there has always been moments which make you think that maybe these crazy Bravermans might just make it after all.

“Perchance to Dream,” easily the most consistent episode of the show thus far, feels perfectly timed to make me excited to see where this show goes in its second season. The show has, to this point, felt like one where the characters are sort of adrift in a sea of uncertainty, as changes and challenges to their family force them to react and respond accordingly. However, this week’s episode dials down the drama and creates “slice of life” scenarios which the show plays for some humour but ultimately uses to draw out some meaningful character moments that feel like they’re building towards something more than a saccharine conclusion. It finally feels like we’re seeing something out of Act Two rather than Act One, and showing characters capable of being self-aware and who share relationships with other characters which don’t have clear hierarchies that lead to formulaic storylines.

Dare we dream that Parenthood might some day become the dramatic powerhouse that is Jason Katims’ other show, Friday Night Lights? Well, no, but I do think we’re to the point where the idea doesn’t seem like a hilariously improbable notion.

Continue reading

2 Comments

Filed under Parenthood

United States of Tara – “Doin’ Time”

“Doin’ Time”

April 19th, 2010

Last season, I managed to watch and enjoy an entire season of United States of Tara without writing about it beyond a preview, which seems like the sort of oversight which shouldn’t happen: sure, I don’t get paid to do this, and there are plenty of shows that I watch but don’t blog about (for various reasons), but this is a compelling and intriguing show featuring some great performances that seems like it would lend itself to the sort of analysis I like to do. And yet, here I am again this season – after writing about the premiere, I’ve fallen off the wagon for the past three weeks, and I still don’t really know why.

I think it happened last season because the show is admittedly paced a little bit slowly, and it seemed to be in a largely contemplative mood in regards to Tara’s conditions: if the show is going to do all the contemplation for me, largely playing out the paces of the stories we’d expect to see given its premise, then why do I need to write a thousand words about it? However, this season the show has switched gears: the show’s pacing has completely gone off the rails, and yet the characters continue to want to try to live as if things are normal, to ignore the chaos and try to sort of power their way through.

“Doin’ Time” manages to debrief a fairly substantial, and potentially show-breaking, development with an ease which reminds us that this show is on some really strong creative footing this year: while it remains at times slow and contemplative, it is applying those traits to situations that we couldn’t have imagined a season ago and making some damn fine television in the process.

Continue reading

Leave a comment

Filed under United States of Tara