Tag Archives: Joel

Same as it Ever Was?: Second Impressions for Life Unexpected, Parenthood

“Ocean Uncharted”

&

“I Hear You, I See You”

September 14th, 2010

Life Unexpected and Parenthood have a lot in common, industrially speaking: while their thematic similarities don’t go beyond “family” being a central component of each, their most important connection is that they are both midseason shows which were renewed for a second season.

This is important because it means that they, compared with other sophomore series, didn’t get as much time to tell their stories. Without full 22-episode seasons, we never really got to see everything that Liz Tigelaar and Jason Katims had to offer, which makes these debuts especially important. We’re not as committed as we would have been after a “full” season, and therefore each series goes into its second year looking to prove that they are going to make the most of this opportunity and that we should continue watching.

I want to discuss the two series together because they take two very divergent paths (and because I’m short on time): while Life Unexpected presents entirely new scenarios which complicate the series’ existing premise, Parenthood seems entirely comfortable in the rhythms it developed last season. Neither decision is necessarily better than the other, but I do think that one premiere was more effective than the other as a result of their strategy.

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Parenthood – “The Big ‘O'”

“The Big ‘O'”

April 6th, 2010

I am well aware that Parenthood is not a perfect show, oscillating between moments of quiet complication and moments of tidy resolution without really earning the latter, but here I am reviewing it despite being a day “late.”

Part of that is due to the show’s ratings success: settling in at a solid demo rating that actually saw the show best both ABC’s highly-promoted V and CBS’ hit The Good Wife (which skews old), all signs point to the show receiving a second season, which means that any time I invest now will help me chart the show’s growth in the future.

However, most of it is due to the fact that as the show goes along, it continues to become more confident: it isn’t necessarily that much more consistent, but its inconsistencies are sort of moving around. Criticizing the show is in many ways like trying to hit a moving target: it isn’t that a single story is causing all of the show’s problems, but rather there’s always one story that just doesn’t quite add up, or which feels like it’s unfolding in a fashion too beholden to the unavoidable clichés the show’s premise creates. But because that’s never the same story, with the same characters, there’s always something new to talk about both good (in that past problem stories manage to pull off something quite subtle) and bad (in that some other stories take a wrong turn).

“The Big ‘O'” is certainly one of the stronger hours of the series, managing two fairly “big” moments in the show’s serialized narrative in a nice subtle fashion while going a tad bit off the rails with some of the other developments – next week, I’m sure, things will switch all over again, but let’s stick to what we’ve got for now.

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