Tag Archives: Dissociative Identity Disorder

Season Finale: United States of Tara – “From This Day Forward”

“From This Day Forward”

June 7th, 2010

I wish that I had more to say about United States of Tara’s second season finale, but for the most part I don’t. This is not to say that the episode wasn’t enjoyable, or well-acted, but rather it seemed that the show had more or less choreographed all of its reveals, and so the primary function of “From This Day Forward” was more or less appearing to reset things to the status quo.

Again, this isn’t a slight on the episode: with some strong performances and some intense emotional moments, I think the series nicely capped off a complex and intriguing second season. The problem is that it works a little bit too hard to get to the point where the Gregson family is dancing wistfully in a beautifully lit backyard, cutting away the clutter of their lives for that brief moment of bliss. I understand the impulse behind that action, and the catharsis of the episode is helped by the calmness of those final moments, but it seems to be putting a button on too many story points which went unresolved or were cast aside with remaining potential. The series kept hinting at hidden motivations or long-kept secrets, and yet after revealing the biggest secret of them all the rest were sort of just chalked up to either misdrection or the frakked up nature of the Gregson family.

There’s something about that which is just a bit too easy, and something which all the catharsis in the world isn’t going to fix, and I feel like the finale needed to acknowledge that just a little bit more.

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United States of Tara – “Doin’ Time”

“Doin’ Time”

April 19th, 2010

Last season, I managed to watch and enjoy an entire season of United States of Tara without writing about it beyond a preview, which seems like the sort of oversight which shouldn’t happen: sure, I don’t get paid to do this, and there are plenty of shows that I watch but don’t blog about (for various reasons), but this is a compelling and intriguing show featuring some great performances that seems like it would lend itself to the sort of analysis I like to do. And yet, here I am again this season – after writing about the premiere, I’ve fallen off the wagon for the past three weeks, and I still don’t really know why.

I think it happened last season because the show is admittedly paced a little bit slowly, and it seemed to be in a largely contemplative mood in regards to Tara’s conditions: if the show is going to do all the contemplation for me, largely playing out the paces of the stories we’d expect to see given its premise, then why do I need to write a thousand words about it? However, this season the show has switched gears: the show’s pacing has completely gone off the rails, and yet the characters continue to want to try to live as if things are normal, to ignore the chaos and try to sort of power their way through.

“Doin’ Time” manages to debrief a fairly substantial, and potentially show-breaking, development with an ease which reminds us that this show is on some really strong creative footing this year: while it remains at times slow and contemplative, it is applying those traits to situations that we couldn’t have imagined a season ago and making some damn fine television in the process.

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