April 19th, 2010
Last season, I managed to watch and enjoy an entire season of United States of Tara without writing about it beyond a preview, which seems like the sort of oversight which shouldn’t happen: sure, I don’t get paid to do this, and there are plenty of shows that I watch but don’t blog about (for various reasons), but this is a compelling and intriguing show featuring some great performances that seems like it would lend itself to the sort of analysis I like to do. And yet, here I am again this season – after writing about the premiere, I’ve fallen off the wagon for the past three weeks, and I still don’t really know why.
I think it happened last season because the show is admittedly paced a little bit slowly, and it seemed to be in a largely contemplative mood in regards to Tara’s conditions: if the show is going to do all the contemplation for me, largely playing out the paces of the stories we’d expect to see given its premise, then why do I need to write a thousand words about it? However, this season the show has switched gears: the show’s pacing has completely gone off the rails, and yet the characters continue to want to try to live as if things are normal, to ignore the chaos and try to sort of power their way through.
“Doin’ Time” manages to debrief a fairly substantial, and potentially show-breaking, development with an ease which reminds us that this show is on some really strong creative footing this year: while it remains at times slow and contemplative, it is applying those traits to situations that we couldn’t have imagined a season ago and making some damn fine television in the process.