May 27th, 2011
“What else is different?”
You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.
The term “Cultural Catchup” really has two meanings.
The first is the broad notion of catching up on television shows which have proven to be important cultural touchstones but which have escaped my gaze.
The second, however, has been the experience of witnessing the conversation on a post and then quickly “catching up” with the context that informs the conversation. This is not to say that anyone has been spoiling the show, but it’s a basic fact that those of you commenting know what’s ahead, and so as I watch through a season I often find myself rereading (or at least thinking about) previous comments and putting two and two together.
I raise this point in part because the unique nature of this viewing experience is something I like theorizing and because this sort of retroactive sense making is at the heart of “After Life,” an episode that serves as a sort of Rosetta Stone for the season premiere and the season as a whole. In many ways, this is the start of the season: whereas “Bargaining” was saddled with the task of getting from Point A to Point B, “After Life” is allowed more space to breathe and more time to explore the magical and psychological consequences of that transition.
While I don’t think the result is particularly subtle on the level of plot, coming in the form of a metaphor-turned-monster-of-the-week, the strength of that metaphor is confirmed by the unbearable weight of Buffy’s return on her friends, the audience, and more importantly Buffy herself.
And although I don’t think it retroactively solves my issues with “Bargaining,” it certainly gives the title greater meaning and establishes a tragic and poetic frame to the show’s sixth season.