Tag Archives: Cultural Catchup

Cultural Catchup Project: “Once More, With Feeling” (Buffy the Vampire Slayer)

“Once More, With Feeling”

August 5th, 2011

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

My memory is generally pretty good when it comes to small details about my life, but I truly have no idea what possessed me to watch “Once More, With Feeling” in my dorm room about four or five years ago.

I wasn’t watching it with someone else, and I hadn’t borrowed someone’s DVDs. As far as I can remember, no one suggested that I watch it, and this was well before Dr. Horrible was a thing (although I think my memory wants to tell me that there was some relationship between the two things, if only to make sense of the abstract nature of the experience). Looking back, timeline wise, it’s possible that the Scrubs musical was what pushed me in its direction, but that’s at best an educated guess.

As I’ve discussed throughout this project, there are moments from pivotal episodes that have been floating around in my head from occasional experiences with the series. One was Riley crawling through a tight space in the climax of “Hush,” gleamed from a Buffy marathon my brother was recording, and the other was this random late night viewing of an episode for which I had almost zero context. Given that I was watching the episode exclusively as a musical, my memory is hazy: when I started watching the show in earnest last summer, I remember being convinced that Xander and Cordelia were going to get together because I had seen them in “Once More, With Feeling,” at which point you were quick to point out that my memory was even hazier than I realized.

Watching it this week really did feel like watching it for the first time, even if there were those brief moments of déjà vu. I remembered more about the episode than I thought, but the nature of those memories varied, reflecting the multi-faceted nature of the episode’s success. You can’t remember what you’ve never known, and returning to the episode in the context of the sixth season gave me a much greater understanding for why “Once More, With Feeling” holds such an important place in the history of this show.

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Cultural Catchup Project: “After Life” (Buffy the Vampire Slayer)

“After Life”

May 27th, 2011

“What else is different?”

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

The term “Cultural Catchup” really has two meanings.

The first is the broad notion of catching up on television shows which have proven to be important cultural touchstones but which have escaped my gaze.

The second, however, has been the experience of witnessing the conversation on a post and then quickly “catching up” with the context that informs the conversation. This is not to say that anyone has been spoiling the show, but it’s a basic fact that those of you commenting know what’s ahead, and so as I watch through a season I often find myself rereading (or at least thinking about) previous comments and putting two and two together.

I raise this point in part because the unique nature of this viewing experience is something I like theorizing and because this sort of retroactive sense making is at the heart of “After Life,” an episode that serves as a sort of Rosetta Stone for the season premiere and the season as a whole. In many ways, this is the start of the season: whereas “Bargaining” was saddled with the task of getting from Point A to Point B, “After Life” is allowed more space to breathe and more time to explore the magical and psychological consequences of that transition.

While I don’t think the result is particularly subtle on the level of plot, coming in the form of a metaphor-turned-monster-of-the-week, the strength of that metaphor is confirmed by the unbearable weight of Buffy’s return on her friends, the audience, and more importantly Buffy herself.

And although I don’t think it retroactively solves my issues with “Bargaining,” it certainly gives the title greater meaning and establishes a tragic and poetic frame to the show’s sixth season.

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