September 15, 2010 · 11:39 pm
Heating Up Leftovers: Season 7 Finale
September 15th, 2010
Technically speaking, every Top Chef finale is meant to stand alone – for the remaining chefs, it all comes down to the meal of their lives. However, for the audience sitting at home the finale is the end of a journey, and usually the end of a season of narratives; whether they be rivalries or redemptive arcs, there should be some sort of story coming to an end during each season of the show.
However, Top Chef D.C. never quite found a narrative that it knew how to work with, and the finale is a perfect example of that. Despite the fact that there were a number of potential narratives to build upon, the finale was left to stand entirely on its own without any real connection to previous outings. Sure, the surefire rivalry ended when Kenny left early, but after last season’s finale felt like the show finally getting the showdown we had all been waiting for, the showdown between Angelo, Ed and Kevin felt like leftovers, except that they were leftovers that you don’t remember having but still seem old and tired regardless.
And while the cooking itself wasn’t impacted by this particular concern, my emotional attachment to the conclusion most definitely was.
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Tagged as All-Stars, Analysis, Angelo, Ed, Finale, Kevin, Magical Elves, Reality TV, Review, Season 7, Season Finale, Singapore, Televison, Top Chef D.C., Top Chef Just Desserts, TV, Washington D.C., Who Won Top Chef, Winner
July 22, 2010 · 4:10 am
Too Much on the Plate: The Bitter Taste of Top Chef Season 7
July 22nd, 2010
Based on the first six episodes of Top Chef’s seventh season, I’m not convinced that the Magical Elves (the show’s producers) were watching the same show that I was last year.
Top Chef’s sixth season was, by all accounts, a triumph: four chefs went into the semi-finals cooking some absolutely stellar food, each in a position where they would have deserved to win the competition, and each representing a different style of cooking. The challenges were solid, the Las Vegas setting was put to solid use, and outside of some justifiable complaints about Toby Young the judging was pretty spot on. It was a season without any major controversies, and which seemed to verify my conclusion I had come to after watching the first four seasons in a marathon last summer: Top Chef, like The Amazing Race before it, is a solid foundation which will vary each year depending on the caliber of chefs within the competition.
And yet, it seems that the Magical Elves felt that there was some magic missing: either because they were concerned with the caliber of chefs they had assembled, or because they felt that viewers were no longer responding to the series in the same fashion, the show’s production team has gone out of their way to mess with a good thing this year. Now, on the surface, you may expect me to call them out for deliberately breeding conflict between the chefs, something which has happened more naturally in past seasons and which is one of my least favourite parts of the series when it isn’t pre-existing (as it was between brothers Michael and Bryan last year).
However, the bigger problem is that the show’s production is undermining several cardinal rules of reality competition programming, rules which Top Chef used to follow with expert proficiency. While it has been possible for good chefs to be sent home before weak ones in the past, this year’s challenges seem explicitly designed to remove any opportunity the judges would have to give a chef a second chance, to allow them to bounce back as opposed to sending a chef who will remain mediocre throughout the rest of the competition. Instead, the producers have seized control of the competition in the most backwards of fashions, in that they actually cede any semblance of control when it really matters most to the rule and logic of a series once based on the food rather than the folly.
It’s a season that feels as if it’s been designed by the Elves who make cookies rather than those who make reality television, and it’s managing to take what might otherwise have been a perfectly solid season and turning it into something the series has never been before: a reality series uncertain of its own identity.
Which used to be about food.
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Tagged as Analysis, Andrea, Angelo, Bravo, Elimination Challenge, Exotic Proteins, Judges, Kelly, Kenny, Magical Elves, Michelle Bernstein, Producers, Quickfire, Reality TV, Review, Season 7, Tamesha, Television