September 16th, 2010
Admittedly, the sheer chaos of future Thursdays means that Nikita is unlikely to be part of my regular viewing rotation yet alone my regular blogging rotation, but “2.0” (the series’ first post-pilot episode) was interesting enough that there’s a few points I want to make.
How you approach the first episode after the pilot is a real sign of where the show is heading. Free from pilot limitations, there is the potential for an expansion of the series’ world or the series’ sense of history; at the same time, however, networks (especially networks like The CW) are always worried about new viewers potentially popping in to sample episodes beyond the pilot, so there is pressure to capture the essence of the series for a number of weeks after the pilot airs.
“2.0” is trapped in that process, desperate to bring the series’ two worlds together while also balancing a standalone storyline along with a flashback to how our two protagonists met a year earlier. It’s too much for the episode to really handle, and gives us no real sense of how the series will strike a better balance in the future.
March 14th, 2010
As an “amateur” television critic, I don’t receive screeners in advance, which means that I was not amongst those who received the entirety of HBO’s The Pacific, the followup to the channel’s Band of Brothers, a month ago. This would normally be a bit annoying, in that it means that Sepinwall’s review is up as soon as the first part finished while I’m putting this together two hours later, but I think with The Pacific that it’s probably for the best.
In some ways, I don’t want “Part One” of this miniseries to have time to sink in, time for me to really pull together my thoughts. With material of this nature, material that is meant to capture tense moments in the midst of an uncertain conflict, there is some value to just responding to what you witnessed, considering how and why the show goes about creating those responses. A masterpiece in dramatic pacing, “Part One” depicts the silence in chaos, the inhumanity of survival, and reminds us that many of the young men who went to war knew as little about war as they know about what they plan on doing with the rest of their lives.
In other words, it’s just like Band of Brothers except for all the ways in which it is quite dramatically different; in short, it’s fantastically engaging television.