March 14th, 2010
As an “amateur” television critic, I don’t receive screeners in advance, which means that I was not amongst those who received the entirety of HBO’s The Pacific, the followup to the channel’s Band of Brothers, a month ago. This would normally be a bit annoying, in that it means that Sepinwall’s review is up as soon as the first part finished while I’m putting this together two hours later, but I think with The Pacific that it’s probably for the best.
In some ways, I don’t want “Part One” of this miniseries to have time to sink in, time for me to really pull together my thoughts. With material of this nature, material that is meant to capture tense moments in the midst of an uncertain conflict, there is some value to just responding to what you witnessed, considering how and why the show goes about creating those responses. A masterpiece in dramatic pacing, “Part One” depicts the silence in chaos, the inhumanity of survival, and reminds us that many of the young men who went to war knew as little about war as they know about what they plan on doing with the rest of their lives.
In other words, it’s just like Band of Brothers except for all the ways in which it is quite dramatically different; in short, it’s fantastically engaging television.