Normally, watching the Golden Globes is a fairly solitary experience for me.
Sure, my parents or a few floormates would often be in the room as I liveblogged, livetweeted, or took notes during previous years, but the focus was on putting together short-form snark and long-form analysis of the night’s events. It was just me and the internet, as I awaited the (relative) flood of page views which come with writing about any event of this notoriety.
This year was somewhat different – I attended a lovely Golden Globes viewing party held at some colleagues’ home here in Madison, where the collective snark of my Twitter feed was replaced by the collective snark of a bunch of media studies grad students. We enjoyed some fine food, some fine wine, and I took advantage of being the only obsessive follower of award season prognosticators in order to win the prediction pool. While I have much love for the online community which has formed around this blog, and around my work in general, I will admit that there was something nice about being (largely) disconnected from the online snark in favor of a more interpersonal form of social interaction (which is perhaps fitting considering The Social Network’s dominance of the evening’s proceedings).
However, as a result, I didn’t quite have the time to prepare the lengthy analysis I might normally have written, and which I normally write much of during the show to facilitate its completion. Instead, I put together a more concise and focused piece on the evening’s reflection of ongoing questions surrounding the Golden Globes’ legitimacy over at Antenna. It’s a question that I’ve had on my mind for a while now, and something I wrote about at length for a term paper on the Emmy Awards last semester, but some of Ricky Gervais’ jokes at the expense of the Hollywood Foreign Press Association offered a nice entry into how precisely an awards show that nominates The Tourist, Burlesque and Piper Perabo can hold any sort of legitimacy within the industry.
Every year, the Golden Globes give us a large collection of reasons to dismiss them entirely. The Tourist and Burlesque are perhaps the two most prominent examples on the film side this year, and Piper Perabo’s Lead Actress in a Drama Series nomination for USA Network’s Covert Affairs offers a similar bit of lunacy on the television side. While these may lead us to dismiss the awards as a sort of farcical celebration of celebrity excess, the fact remains that the Golden Globes hold considerable power within the industry.
However, since the piece features very little of my opinion surrounding the night’s winners and this is likely why you’re here, some brief thoughts on Gervais and the awards themselves after the jump.