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The 2008 Television Time Capsule: How I Met Your Mother – “The Naked Man”

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“The Naked Man”

Season Four, Episode Nine

Airdate: November 24th, 2008

Of all the shows on this list, How I Met Your Mother may have been one of the toughest selections. It isn’t that the show had too few or even too many great episodes in this calendar year, but rather that the show has a higher standard for greatness than other shows. There is something that elevates this above other sitcoms that is not always tangible, and not always something that appears in the same fashion.

So it’s tough to decide what it more quintessentially HIMYM than something else: some episodes might most embody the show’s commitment to its New York setting, others its manipulation of time, others its quirky catchphrases. Do we value episodes that highlight the awesomeness of Barney Stinson, or are such episodes almost too simple compared to the challenge of making Ted a likeable character? All of this creates a true conundrum, and one that was not easily answered.

The reason that I have chosen “The Naked Man” is not because I am convinced that it is the best episode the show aired this past year, but rather that I believe it to be the most well-rounded. It isn’t an episode about just Barney, or just Ted, or any single character. It ignores the show’s normal structure for a tightly construct A-plot, every character being either victim or perpetrator of the show’s newest lexicon entry. The Naked Man is a strategy employed by a hapless blind date of Robin’s, a decision to strip down on a bad date to see if the victim will say “Screw it” and give in to the power of nakedness.

What works about the episode is that it doesn’t try to be something bigger: yes, Ted is willing to try it because of his relationship troubles post-Stella, and Robin attempts to turn it into a real relationship to appear less pathetic after her own life crisis, but it feels like a bunch of people we like watching (yes, even Ted) trying out something fun, funny, and played with just the right level of reverance with its superhero-esque closing.

And while my mind might be torn between the Mr. Clean and the Burt Reynolds, and between this and many other episodes, I think my heart is perfectly fine with “The Naked Man” making it into the Time Capsule.

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[For more details on the Cultural Learnings 2008 Television Time Capsule, click here!]

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The 2008 Television Time Capsule: The Mentalist – “Red Handed”

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“Red Handed”

Season One, Episode Six

Airdate: November 11th, 2008

In the doldrums of the Christmas exam period, as new TV wound down, had a choice: catch up on an older show that I have sitting around on DVD or trying to keep culturally relevant by sampling the one new show that is a definitive hit. CBS’ The Mentalist is a long time coming: the network has been searching for a place for Simon Baker ever since it canceled The Guardian after three seasons, and after Smith was a total dud it was time to give Baker another chance in the spotlight.

Mostly, I’m including The Mentalist because of its success: it’s only grown since its premiere, and has the potential to emerge as a Tuesday cornerstone for the network. In a year where very few shows truly broke out, The Mentalist is a true success story.

But it’s also a smart show, in ways that are not always clear and certainly not driving some of the show’s creative input. Bruno Heller, in his first major series work since the end of HBO’s Rome, brings a certain wit to the series: it doesn’t offer anything that other procedurals don’t already offer in spades, but it has proven particularly capable of switching modes from drama to comedy.

A lot of this has to do with Baker’s charm: say what you will about the procedural drama as a medium, or the fact that this show is basically a more serious version of USA’s Psych, but Patrick Jane is an entertaining character to watch. He’s intelligent, his social ticks are less about smugness than they are about impatience (it’s a distinction), and his humanizing back story has been smartly underplayed but maintained in order to eventually pay off.

Picking a single episode is somewhat challenging, because every episode tends to blend into the next. However, if I had to pick one, I think that Jane’s foray into the world of gambling felt like the most fun, and the way the episode worked around it felt quite satisfying. Jane’s ability to gain financially from his efforts are in many ways a root cause of his past indiscretions, so his charity with said winnings adds to the character’s charm.

I am not likely to ever love the show, or watch it live as opposed to in a lull where nothing which needs thinking feels right, but the show may go down as the season’s only true hit: and while I at first was quite cynical about it success in the wake of better shows falling by the wayside, I nonetheless feel like the show remains a well-made procedural drama. And there’s room for one of those in the Time Capsule.

[For more details on the Cultural Learnings 2008 Television Time Capsule, click here!]

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How I Met Your Mother – “Little Minnesota”

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“Little Minnesota”

December 15th, 2008

For those of you who don’t know, I am from Canada. So is Cobie Smulders, who plays Robin Cherbotsky, who is also from Canada. This has made us the butt of many jokes in the span of How I Met Your Mother’s four seasons. The show has never really strived for accuracy, of course, but its skewering has been quite adept: I had recent HIMYM addict Angie Han send me a YouTube link the other night that she viewed as proof that the 80s hadn’t, in fact, come to Canada until 1993, which I won’t share here because it was actually quite damning for the state of popular music in the mid to late 90s in Canada.

If they had created an image of Canada in the past though, the final episode of HIMYM before its Christmas break proved that they are willing to go one step further. In an episode that would make Baudrillard proud (and by proud, I mean roll over in his grave while proud that he was right all along), Marshall invites a homesick Robin to “Little Minnesota” (aka the Walleye Saloon) a version of Marshall’s home state (which offers similar weather patterns to Canada) where everyone knows your name, everyone laments the Vikings’ loss in the 1999 NFC Championship, and where they believe that Canadians are afraid of the dark.

What followed was an episode that, despite the episode’s other storyline being a simulation of a mediocre sitcom, brought new life to the show’s version of Canada: sure, it’s not the truth, but it’s a well constructed enough exaggeration that I believe the show deserves credit for its-AHHH WHAT HAPPENED TO THE LIGHTS?!

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Who Won Survivor Gabon, and Did They Deserve It?

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Who Won Survivor: Gabon?

I may have written almost nothing about it this season, but Survivor: Gabon has been an intriguing and entertaining season of Survivor. It hasn’t been that interesting as a far as the game structure itself, which is the same as ever, but the casting people have managed to put together a variety of people who are either desperate to control the game but lacking the wits to do so, or wonderfully flighty in such a way that dramatically impacts the game despite a distinct lack of forethought. Some tribes were dominant, some contestants were emotionally unhinged, and there was enough of a story to keep me as entertained as we’ve seen in the past.

Heading into the finale, the cards were dealt: Sugar the flip-flopping pin-up girl, Bob the physics professor who has dominated the latter part of this game, Matty the personal trainer who has performed well, Ken the video gamer who thinks he owns this game, and Susie who…has done absolutely nothing of note.

Considering this, we ask ourselves the big question: did the winner from the three-person final tribal council reflect the game’s broader developments, or was it another instance where the jury got it wrong?

Let’s find out.

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How I Met Your Mother – “The Fight”

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“The Fight”

December 8th, 2008

After a season that got off to a bit of a slow start figuring out how to balance the arrival of Stella, and that has been much better in the aftermath of the broken off wedding than leading up to it, “The Fight” continues to demonstrate that the show is back in its sweet spot. Like “The Naked Man” before it, this week’s episode was democractic and monumental: this felt like one of those memories that the group would keep, it involved all of our major characters in some capacity, and it really hit some intriguing comic notes throughout.

The show is still content to play lip service to recurring storylines as opposed to really digging into them, but this feels like the right note for a show reaching its midseason break and heading into the second round metaphorically floating like a butterfly.

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Who Won The Amazing Race Season 13, and did they deserve it?

[Looking for who won the 15th Season of The Amazing Race, featuring Meghan and Cheyne, Sam and Dan and Brian and Ericka? Find out at this link!]

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Who Won The Amazing Race 13?

Eleven Legs, eleven teams, and eleven hilarious mistakes by Dan & Andrew have brought us to this point: we have three teams racing to the finish, searching for that flight back to the United State of America and the finish line.

Who made it there first? To find out how they did it, read Cultural Learnings’ full review. To find out who it was, and whether they deserved it, click on below.

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The Amazing Race Season 13 Finale – “Episode Eleven”

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“You Look Like Peter Pan”

December 7th, 2008

After last week’s heartbreaking exit of Toni and Dallas, this finale is bittersweet. You have one team that’s been dominant, one team that’s been a bit tough to watch, and one team that for all rights shouldn’t even still be there. The season never really picked up much steam after a certain point, the explosive rivalries ending up being both early and driven by stupidity more than emotions (no offense, Kelly and Christy, but REALLY.)

Going into this leg, I believe that this can only be satisfyingly be won by Nick and Starr – yes, I think there is some type of story to be found in Dan & Andrew’s potential triumph, and Ken & Tina’s marital position would make for (at least) not an entirely boring victory, but I want to see good racers win for running a good race.

Or, perhaps to satisfy my demands, Nick and Starr can get the race-equivalent of pixie dust and fly to the finish line.

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How I Met Your Mother – “Woooo!”

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“Woooo!”

November 17th, 2008

Scoring its highest ratings since the season premiere, which were close to its series high levels, How I Met Your Mother has grown from a niche success to a bona fide comedy hit, scoring extremely impressive numbers in key demographics in particular. Whether it is the result of the recent stuntcasting trends, or just based on the show’s undeniable quality, How I Met Your Mother has in the span of only a year gone from a show fighting for its life to a show that CBS will be keeping around as long as possible to allow it to expand into syndication.

When that happens, I don’t really know if “Woooo!” is going to resonate very well as an episode of the series in terms of its broad strokes. While the titular expressions of happiness are, as the episode cleverly shows, veiled cries for help amidst a pool of self-pity, this episode lacks a certain level of depth that could help elevate it. The episode returns to the Barney and Marshall battle for Ted’s best friendship, but after last week delved into the question of parenthood this week we see very little on that level of character building.

Instead, what we get is an office in the head of a Tyrannosaurus Rex and a Strip Club in the Letter “N,” and let’s be clear: on that level, this was a very sharp and (when it repeats in syndication) thoroughly entertaining half hour.

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How I Met Your Mother – “Not a Father’s Day”

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“Not a Father’s Day”

November 10th, 2008

If there was a checklist of HIMYM tropes, this episode tried to tick off every single one of them. You had a new Barney-ism (“The Cheerleader Effect”), a new egotistical celebration of bachelorhood from Barney (the titular “Not a Father’s Day”), Ted and Robin clashing over the value of having children, and our characters facing more realities of being 30+.

It isn’t breaking any new ground, no, but it’s a solid piece of comedy that feels distinctly HIMYM, instead of feeling distinctly like a traditional sitcom as it can sometimes do. There’s a certain pace that “Not a Father’s Day” keeps, helped mostly by Alyson Hannigan’s ability to play drunk with such wonderful abandon and Cobie Smulders being let loose as Robin to a degree that was almost too over the top, which really keeps things moving here: even though this was really a setup episode for two major plot shifts (one involving the living situation at the apartment, the other a life-changing decision for Marshall and Lily), it was a mighty fine concoction while it went down.

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How I Met Your Mother – “Happily Ever After”

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“Happily Ever After”

November 3rd, 2008

After reading Alan Sepinwall’s impressions of Scrubs’ upcoming season on ABC (which are very positive, and might convince me to give the show another shot), I remembered something: I had once hoped, wished even, that Sarah Chalke could abandon that comedy for this one, a show where her character of Stella once felt like a breath of fresh air. But, there was no happily ever after for Ted and Stella: once their relationship left its romantic side behind in “Ten Sessions,” the original impact was wearing off and, by the time we got to Stella leaving Ted at the altar we were all ready to more or less throw Stella out the door.

And in one scene in “Happily Ever After,” we get that moment: Ted tears Stella apart for putting him through hell, and for making a huge mistake. It’s a scene that we needed to see, but it’s also a scene that wouldn’t have worked outside of its imaginary context: while we needed Stella to hear what Ted had to say, she has chosen a life that is reunites her daughter with her father, and the series is smart not to exist in a universe where Ted is that self-centered, especially since he has his issues with that as is.

Overall, this week’s episode is one that wasn’t quite as definitively strong as one might hope, using some oddly cliched constructs to eventually make this poignant realizations, complete with some enjoyable comedy from Robin’s Canadian roots along the way. The real question now is, with Stella out of the picture, where the show goes from here on the road to its own…well, you read the title, you know where that cliched transition sentence is going.

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