Tag Archives: Happily Ever After

Lost – “Happily Ever After”

“Happily Ever After”

April 6th, 2010

Early in “Happily Ever After,” Charles Widmore tells Jin that it will be easier to show him what he intends to do with Desmond than it would be to tell him. Normally, this would make me quite excited, as I’m a strong supporter of the “Show, Don’t Tell” mode of storytelling when it comes to shows like Lost. However, if I have a single complaint about the show’s sixth season as a whole, it’s that the flash-sideways narrative device has remained frustratingly opaque – while there is value to mystery, and some of the season’s episodes have nicely played on our uncertainty, there is a point where the mystery needs to be solved in order for the show to move on.

Solution, however, is not the end goal of “Happily Ever After,” despite its title. Rather, it is an episode filled with multiple revelations and philosophical conversations which tell us something very important about what, precisely, is going on in this all-important half of the show’s narrative. It neither confirms nor discredits any of the running theories about what the flash-sideways are supposed to mean, but it establishes key parameters by which we may be able to figure things out, for good, in the future.

While some may feel that a lack of “answers” makes this yet another mysterious episode in a vague and unfocused season, I would argue that it’s the perfect “turn” of sorts: Desmond Hume’s journey into a new reality tells us enough to make us reconsider everything we’ve seen up to this point in the season but not so much that there aren’t still some mysteries to unlock in the future. While “why” and “how” remain complex questions that we still can’t entirely pin down, both questions have become more practical as we head towards the series’ conclusion, and I strongly believe that we now have all the tools we’ll need in order to connect the dots towards Lost’s “Happily Ever After” – so long as “love” is not the only answer, I’m pretty gosh darn excited about it.

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How I Met Your Mother – “Happily Ever After”

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“Happily Ever After”

November 3rd, 2008

After reading Alan Sepinwall’s impressions of Scrubs’ upcoming season on ABC (which are very positive, and might convince me to give the show another shot), I remembered something: I had once hoped, wished even, that Sarah Chalke could abandon that comedy for this one, a show where her character of Stella once felt like a breath of fresh air. But, there was no happily ever after for Ted and Stella: once their relationship left its romantic side behind in “Ten Sessions,” the original impact was wearing off and, by the time we got to Stella leaving Ted at the altar we were all ready to more or less throw Stella out the door.

And in one scene in “Happily Ever After,” we get that moment: Ted tears Stella apart for putting him through hell, and for making a huge mistake. It’s a scene that we needed to see, but it’s also a scene that wouldn’t have worked outside of its imaginary context: while we needed Stella to hear what Ted had to say, she has chosen a life that is reunites her daughter with her father, and the series is smart not to exist in a universe where Ted is that self-centered, especially since he has his issues with that as is.

Overall, this week’s episode is one that wasn’t quite as definitively strong as one might hope, using some oddly cliched constructs to eventually make this poignant realizations, complete with some enjoyable comedy from Robin’s Canadian roots along the way. The real question now is, with Stella out of the picture, where the show goes from here on the road to its own…well, you read the title, you know where that cliched transition sentence is going.

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