“Happily Ever After”
April 6th, 2010
Early in “Happily Ever After,” Charles Widmore tells Jin that it will be easier to show him what he intends to do with Desmond than it would be to tell him. Normally, this would make me quite excited, as I’m a strong supporter of the “Show, Don’t Tell” mode of storytelling when it comes to shows like Lost. However, if I have a single complaint about the show’s sixth season as a whole, it’s that the flash-sideways narrative device has remained frustratingly opaque – while there is value to mystery, and some of the season’s episodes have nicely played on our uncertainty, there is a point where the mystery needs to be solved in order for the show to move on.
Solution, however, is not the end goal of “Happily Ever After,” despite its title. Rather, it is an episode filled with multiple revelations and philosophical conversations which tell us something very important about what, precisely, is going on in this all-important half of the show’s narrative. It neither confirms nor discredits any of the running theories about what the flash-sideways are supposed to mean, but it establishes key parameters by which we may be able to figure things out, for good, in the future.
While some may feel that a lack of “answers” makes this yet another mysterious episode in a vague and unfocused season, I would argue that it’s the perfect “turn” of sorts: Desmond Hume’s journey into a new reality tells us enough to make us reconsider everything we’ve seen up to this point in the season but not so much that there aren’t still some mysteries to unlock in the future. While “why” and “how” remain complex questions that we still can’t entirely pin down, both questions have become more practical as we head towards the series’ conclusion, and I strongly believe that we now have all the tools we’ll need in order to connect the dots towards Lost’s “Happily Ever After” – so long as “love” is not the only answer, I’m pretty gosh darn excited about it.
“The Little Prince”
February 4th, 2009
“It is the time you have spent with your rose that makes your rose so important…”
The last time we spent a great deal of time with Kate off the island, we were in the midst of her legal battles. It was quite literally a loose end: they needed to deal with her pending trial, no question, but in doing so they were forced to dredge up parts of her past back stories which felt overplayed, and to play with Jack’s lies in a way that couldn’t be investigated within that narrow time frame. The episode, “Eggtown,” was amongst the most frustrating of Season Four primarily because it never felt like there was something bigger at stake: here was Kate with this gap of time we don’t understand and with a future ahead of her, and we’re diddling around in her past and eventually, only eventually, putting together that Aaron was one of the Oceanic Six.
There was reason to be concerned that “The Little Prince” would be much the same, but it was actually quite the opposite. Working within this new broadly drawn character-focused episode structure, this is not just an episode about Kate: yes we spent a lot of time with the show’s female lead, but we spend an equal amount of time with the man who is back on the island, still in love with her to this day. The episode draws a line between Sawyer and Kate that is able to transcend time, dropping each of them into the other’s story when it feels like their connection could be severed.
This, more definitively than the other episodes of the season, is the one that shows just how beneficial this new format is. Not only do we avoid being too one-dimensional in our focus, extending it to other characters like Sawyer, but the episode delves into a substantial amount of island mythology, flashing around in time on multiple occasions and never letting those left behind to catch their breath. The urgency of the island is palpable, which keeps the momentum going from an action perspective, whereas what’s happening off the island is both emotionally resonant and questionably manipulative to the point where it maintains that momentum even without the same sense of urgency.
To draw on the above line from The Little Prince, the story on which the episode’s title is based, we can draw numerous conclusions: not only is it a key phrase for the island’s newest mystery (where time spent is an important variable), but it’s also a reminder that all the time spent building these characters has made episodes like this one operate on a shorthand that can’t be beat right now. Combine that with the episode-ending shocker of sorts, and there is no question that this episode shows the continued promise for the season ahead.