Tag Archives: Emilia Clarke

Game of Thrones – “And Now His Watch Is Ended”

GameOfThronesTitle2

“And Now His Watch Is Ended”

April 21st, 2013

“Influence is largely a matter of patience.”

As Olenna Tyrell sits in her garden at King’s Landing, she schools one of her young charges on the silliness of the House Tyrell words. “Growing strong,” she argues, lacks any of the strength associated with “Winter is coming” or “We do not sow”; the golden rose, meanwhile, certainly doesn’t strike fear in the way the direwolf or the kraken might.

And while Olenna is willfully eliding the thorns of which she is queen, and the way we could see Margaery’s growing power in King’s Landing as evidence of the sigil’s representativeness, I also think there’s something about Game of Thrones’ approach to storytelling here. This is a show where stories don’t always progress like direwolves or krakens, often growing incrementally on a week-by-week basis. Watching the show, you sort of have to take the Tyrell words as your motto: if you give stories time to grow, you may well be rewarded.

“And Now His Watch Is Ended” concludes on one of the series’ best sequences, Daenerys’ overthrow of the slavers of Astapor and her triumphant freeing of the Unsullied. It’s incredibly satisfying, perhaps impressively so given that it is told through a grand total of four scenes over the first three episodes. It’s a unique story structure for the series, as it really lacks any relationship to other ongoing storylines: while Joffrey’s talk of Targaryens certainly reminds us of Dany’s claim to Westeros, her actual storyline has to serve as its own engine. This isn’t a new phenomenon for Dany, but this is the most effectively her storyline has been managed, in part because the four scenes we get are paced extraordinarily well.

It’s a model the show would do well to follow, and one the show will have to navigate at least once more this season.

Continue reading

Advertisements

14 Comments

Filed under Game of Thrones

Season Finale: Game of Thrones – “Fire and Blood”

“Fire and Blood”

June 19th, 2011

“There you will see what life is worth when all the rest is gone.”

Earlier this week, I rewatched last week’s penultimate episode, “Baelor,” with my brother who was seeing it for the first time. Generally, I’ve been watching Game of Thrones alone, and any interaction with other viewers has been done online (or, if done in person, was done with people who I had previously interacted with online). For the first time, I was sitting in the same room as another viewer as we watched the show, and the experience made clear what I had known from the beginning but had never seen quite so clearly visible: Game of Thrones is a show that every single viewer likely considers differently.

It is not just that we can separate between readers and non-readers, although that is certainly the most obvious distinction to be made. Rather, we need to also consider questions of genre, gender, sexual content, race, and other qualities which have been called into question over the course of the season: regardless of whether I individually had concerns with the show’s use of fantasy, or its sexposition, or the Othering of the Dothraki, the fact is that those concerns existed, and have created a divisive response even among those who generally like the show.

In a piece earlier this week, friend of the blog Cory Barker wrote about his ambivalence towards the series, and kept trying to find reasons for it within the text. While his process was enlightening, he couldn’t find the silver bullet: there was no one part of the show that was creating a lack of an emotional connection. How we view the series can be defined by issues like genre which are inherent to the text itself, or issues like viewing patterns which are entirely extratextual but can define one’s experience with the text. My brother, for example, watched the season on a staggered schedule of short marathons, while my parents watched it on a weekly basis; as a result, they remembered different things, retaining different parts of the show that were highlighted by their personal experience with the text.

I raise all of these points because after a season of open interpretation, at least for those who hadn’t read the books, there is something almost prescriptive about “Fire and Blood.” While “Baelor” delivered a fatal twist, and suggested a certain degree of carnage to come in the weeks ahead, “Fire and Blood” steps back to serve as a more traditional denouement, laying out the various threads which will be followed into a second season. Rightly treating the fate of Ned Stark as the season’s climax, it seeks to explore the scenario that Mirri Maz Duur lays out to Dany early in the episode: what is the worth of each of these characters and these storylines in light of recent events? It’s a moment where the show actually has to step forward and proclaim its identity in order to convince the skeptics that this is a show worth watching, and to convince the believers that their faith has not been misplaced as the show transitions into the next stage of its narrative.

“Fire and Blood” doesn’t beat around the bush: it shows its hand from its bloody opening to its fiery conclusion, laying out a pretty detailed framework for what the second season of the show will look like. However, it never feels like an artificial framework, and that sense of interpretation never disappears even as the storyline becomes less open-ended. Serving as a fitting bookend to what I personally feel was a very strong first season, “Fire and Blood” reinforces central themes and delivers on what matters most: reminding us why these characters are following the path they’re on, and informing us why we want to follow that path next season.

Continue reading

30 Comments

Filed under Game of Thrones

15 Minutes in Westeros: Previewing HBO’s Game of Thrones

15 Minutes in Westeros: Previewing HBO’s Game of Thrones

January 12th, 2011

There were two things which struck me as particularly strange while watching the fifteen minutes of footage from Game of Thrones which HBO has made available to critics (and which debuted at the TCA Press Tour last week).

The first was that it seems almost unfair that I’m seeing this footage while the majority of the show’s fans must deal with only detailed rundowns. I understand why it isn’t being made publicly available (it is unfinished, with temporary music and effects), but even as someone familiar with the books I know that there is a much larger audience out there who are much more anxious about this footage. Accordingly, I take on a sort of additional responsibility, knowing that the audience for my impressions (which are, of course, provisional based on the temporary nature of the footage) has an insatiable desire for information makes watching it a unique experience.

The other bit of strangeness is that it’s weird to see bits and pieces of a narrative, even when you know the rest of the story. Alan Sepinwall, who is going in without knowledge of the books by his choice, chose not to watch the footage simply because he didn’t want to see brief glimpses of a story that will, in the future, be a complete whole. And so while I might be in a position to fill in the gaps, knowing the meaning of each of these scenes and how they place within the larger narrative, there’s still the sense that we’re missing key pieces of the puzzle that would allow us to put to rest all of our curiosities surrounding the adaptation.

However, let’s not bury the lede here – it might seem weird to be sitting there watching this particular collection of scenes from Game of Thrones, but the more we see the less “weird” this adaptation seems. While the fandom has largely avoided snap judgments, resisting the urge to outright reject casting choices and waiting to see the final product, I still didn’t think that it would seem quite this natural. There are little hiccups here or there, but the world that’s been built is showing that a bit of faith, and plenty of talent and financial support, can go a long way in making a story work.

And, even in fragmented form, this story’s working.

Continue reading

12 Comments

Filed under Game of Thrones