Tag Archives: Honor

Game of Thrones – “Baelor”

“Baelor”

June 12th, 2011

“I learned how to die a long time ago.”

It has been a bit of an adventure tiptoeing around the events of “Baelor” over the past eight weeks.

It’s been a bit of a game, honestly – from the moment the show was announced, people who had read the books were well aware that this episode was going to come as a shock to many viewers. This was the moment when the show was going to be fully transformed from a story about action to a story about consequences, and the point at which the series would serve notice to new viewers that this is truly a no holds barred narrative.

On some level, I don’t know if I have anything significant to add to this discussion: as someone who read the books, I knew every beat this episode was going to play out, and can really only speak to execution as opposed to conception. The real interest for me is in how those without knowledge of the books respond to this particular development, and how it alters their conception of the series. While I don’t want to speak for them, I am willing to say that “Baelor” was very elegant in its formation, rightly framing the episode as a sort of memorial to that which we lose at episode’s end.

And now, if you’ll excuse me, I’ll save my other thoughts for after the break so that I can finally talk about this without fear of spoiling anyone.

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15 Minutes in Westeros: Previewing HBO’s Game of Thrones

15 Minutes in Westeros: Previewing HBO’s Game of Thrones

January 12th, 2011

There were two things which struck me as particularly strange while watching the fifteen minutes of footage from Game of Thrones which HBO has made available to critics (and which debuted at the TCA Press Tour last week).

The first was that it seems almost unfair that I’m seeing this footage while the majority of the show’s fans must deal with only detailed rundowns. I understand why it isn’t being made publicly available (it is unfinished, with temporary music and effects), but even as someone familiar with the books I know that there is a much larger audience out there who are much more anxious about this footage. Accordingly, I take on a sort of additional responsibility, knowing that the audience for my impressions (which are, of course, provisional based on the temporary nature of the footage) has an insatiable desire for information makes watching it a unique experience.

The other bit of strangeness is that it’s weird to see bits and pieces of a narrative, even when you know the rest of the story. Alan Sepinwall, who is going in without knowledge of the books by his choice, chose not to watch the footage simply because he didn’t want to see brief glimpses of a story that will, in the future, be a complete whole. And so while I might be in a position to fill in the gaps, knowing the meaning of each of these scenes and how they place within the larger narrative, there’s still the sense that we’re missing key pieces of the puzzle that would allow us to put to rest all of our curiosities surrounding the adaptation.

However, let’s not bury the lede here – it might seem weird to be sitting there watching this particular collection of scenes from Game of Thrones, but the more we see the less “weird” this adaptation seems. While the fandom has largely avoided snap judgments, resisting the urge to outright reject casting choices and waiting to see the final product, I still didn’t think that it would seem quite this natural. There are little hiccups here or there, but the world that’s been built is showing that a bit of faith, and plenty of talent and financial support, can go a long way in making a story work.

And, even in fragmented form, this story’s working.

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